|
Las correrías del Vizconde Arnau (1974)
Character: Inspector
The actual Viscount Arnau wants to acquire the power and fame that had their ancestors. For this reason decided to hav many children, preferably males, to revive the Empire.
|
|
|
¿Quién soy yo? (1970)
Character: N/A
Mario Colomer, prime minister, is burdened by overwork. His problems seem solved when his assistants tell him about Juan Brandel, a possible substitute, just like him physically, but with a funnier and more adventurous personality. At first the plan seems to work and the politician begins to gain popularity. The plot thickens when the 'original' becomes jealous of the 'copy' and the substitute exceeds his functions.
|
|
|
Furia española (1975)
Character: Taxista
Season 1973-1974. After fourteen years of drought, the FC Barcelona of Johan Cruyff is making a spectacular campaign. Sebastián, a great fan of soccer, decides then to join a Barça's supporters club. There he will meet the daughter of his friend Amadeo, an attractive young woman who will not stop until Sebastián agrees to marry her. The couple will celebrate their wedding on the same day that Barça and Madrid compete for the League.
|
|
|
Las alegres chicas de 'El Molino' (1977)
Character: Policía
Barcelona in the seventies. Piper, comedian at the theater El Molino has specialized in effeminate roles, but in reality is a conqueror. His wife, Nita, sets a trap for him.
|
|
|
Los casados y la menor (1975)
Character: N/A
Alicia lives off the men she blackmails with the help of her neighbor, the young Moisés. His victims include his boss, a friend of his, Jaime, and Mr. Borrás. One day she is found dead on the landing of the stairs.
|
|
|
Presagio (1970)
Character: Camarero (uncredited)
Berta, a woman with paranormal powers, begins working with a psychiatrist to unravel the mysterious murder of a woman named Renata.
|
|
|
Metralleta 'Stein' (1975)
Character: Policía
The parallel stories of a police commissioner and a bank robber whose lives eventually come together.
|
|
|
Storia di karatè, pugni e fagioli (1973)
Character: Mexican (uncredited)
Sam and Buddy, two highway robbers, join with Colonel Quint, a big crook, who sold his services to Morgan, the banker, in order to free Baby, the banker's daughter, abducted by Espartero and his killers gang. A plan to 'sell' fake dollars to Espartero goes awry, but the two sons of the forger join Quint, and so does Mokaiko, a brave Japanese cook. The rag-tag band of Quinlan meets Espartero in several scraps, and then a climactic confrontation. All are ugly, bad, and dirty (except Baby), and fight accordingly.
|
|
|
Los últimos golpes de El Torete (1980)
Character: Cliente Banco Santander (uncredited)
While the Torete rob banks, the Heifer, another delinquent who has not noticed it, enters the same place to rob him. After failing the coup, both decide to associate.
|
|
|
Investigación criminal (1970)
Character: Policía
A young police officer fresh out of the academy, sees casually as a man is beaten and forcibly put into a car in the car park at Barajas airport. The rookie cop tracks them down and discovers a band dedicated to trafficking in women in Spain.
|
|
|
La caza del oro (1972)
Character: Hombre de Rojas
A bunch of outlaws awaits the release from prison of an old goldminer, believed to have hidden 28 sacks of gold 20 years before... They all want the old man to speak, but only one of them will fulfill his dream.
|
|
|
Perros callejeros II (1979)
Character: Presentador Sala Zafiro (uncredited)
A veteran policeman named Fernando feels a lot of hatred against Ángel because the boy ran him over with a car leaving him lame. Now Fernando accuses the young crook of having participated in a robbery at a gas station in which a murder has occurred. Helped by his friends, Ángel rebuilds the facts that serve him as an alibi, but while he is in pre-trial detention in La Modelo prison (Barcelona) a terrible mutiny will take place.
|
|
|
Perros callejeros (1977)
Character: Inspector Soto
Based on the juvenile delinquency of the 1970s and 80s in Spain. Set in Barrio de la Mina in Barcelona, one of the most conflict neighbourhoods in Spain. it follows real juvenile delinquents all with criminal records, used to give the film a realistic touch.
|
|
