Henri Storck

Personal Info

Known For

Directing

Known Credits

0.3825

Gender

Male

Birthday

05-Sep-1907

Age

(119 years old)

Place of Birth

Oostende, West Flanders, Belgium

Also Known As
  • NO INFO PROVIDED

Henri Storck

Biography

From Wikipedia, the free encyclopedia Henri Storck (1907, Ostend – 17 September 1999) was a Belgian author, film-maker and documentarist. In 1933, he directed, with Joris Ivens, Misère au Borinage, a film about the miners in the Borinage area. In 1938, with Andre Thirifays and Pierre Vermeylen, he founded the Cinémathèque Royale de Belgique (Royal Belgian Film Archive). He was an actor in two key films of the history of the cinema: Jean Vigo's Zéro de conduite (1933) in the role of the priest, and Chantal Akerman's Jeanne Dielman, 23 Quay Commercial, 1080 Brussels (1976) in the role of a customer of the prostitute. Jacqueline Aubenas wrote about him, in her expository work, It's been going on for 100 years: a history of the francophone cinema of Belgium: "There emerges forcefully the personality of a cineaste who is not a militant in the sense that this term had in the 1930s for Soviet directors who held an ideology, but in the sense of a generous man who will never choose the wrong side and who will be, in ethics as well as in esthetics, in the first line of battle". Description above from the Wikipedia article Henri Storck, licensed under CC-BY-SA, full list of contributors on Wikipedia.


Credits

Mes entretiens filmés Mes entretiens filmés (2013) Character: Himself
This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.
Ciné-mafia Ciné-mafia (1980) Character: N/A
Three pioneers of documentary filmmaking – Joris Ivens, Henri Storck, and the man behind the camera, Jean Rouch – recall the early days of the documentary genre and speak about their creative methods and sources of inspiration. This lively discussion between the directors is shot in cinéma vérité style and spliced with footage from their older films.
Les variations Dielman Les variations Dielman (2010) Character: 1st Caller (archive footage)
Found footage using Chantal Akerman's Jeanne Dielman.
Janssen & Janssens draaien een film Janssen & Janssens draaien een film (1990) Character: Self
A documentary celebrating 25 years of flemish subsidised cinema.
Звёзды встречаются в Москве Звёзды встречаются в Москве (1959) Character: Self
Documentary essay about the First Moscow International Film Festival, held in August 1959, about its participants and guests - Soviet and foreign actors, directors who came to the film forum.
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1976) Character: 1st Caller
A lonely young widow lives with her son following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon.
Zéro de conduite : Jeunes diables au collège Zéro de conduite : Jeunes diables au collège (1933) Character: Priest (uncredited)
In a repressive boarding school with rigid rules of behavior, four boys decide to rebel against the director on a celebration day.
Henri Storck, ooggetuige Henri Storck, ooggetuige (1986) Character: Self
Robbe de Hert’s Henri Storck, ooggetuige (1986) is a brilliant cinematic homage to the founding father of Belgian documentary cinema. Filmed around Storck’s 80th birthday, the film eschews standard biographical formulas. Instead, De Hert crafts an intelligent, vibrant collage that synthesizes rare archival footage with intimate anecdotes told by Storck himself.The documentary excels at tracing Storck’s evolution from an Ostend avant-garde poet to a fierce social activist. De Hert’s signature rebellious tone shines through in bold creative choices, such as overlaying John Lennon's "Working Class Hero" onto the silent, gritty footage of Misère au Borinage (1933). This creates a powerful bridge between 1930s labor struggles and modern social critique



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