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Ángel o demonio (1947)
Character: Doctor (uncredited)
Wealthy young gentleman falls in love with a cabaret girl of no breeding; he overcomes his prejudices and accepts her in spite of her past... will she live up to his expectations of her?
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El as negro (1944)
Character: Sr. Ministro (uncredited)
This is the story of a convict fellow whose brother is a bright scientist that discovers a vaccine against a deadly infection. The clash between good and evil moves the convict to search into his soul and find the goodness that will lead him to the ultimate sacrifice.
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¡Ay, qué tiempos señor don Simón! (1941)
Character: Sr. Beltrán, empresario teatro (uncredited)
A not very grief stricken young widow flutters her hand fan between a dashing young soldier and an elderly politician in this Belle Epoque era musical comedy.
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La reina de la opereta (1946)
Character: Espectador teatro (uncredited)
Mario marries Blanca, the queen of operetta, but after their daughter is born, they separate and she leaves on a world tour to continue her artistic career. Meanwhile, he stays behind and waits with the baby until they reunite again.
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La rebelión de los fantasmas (1949)
Character: Cliente cabaret (uncredited)
When an old house is about to be demolished to make room for a new radio station the famous ghosts which resides in the house start a revolt to alter the decision.
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A la sombra del puente (1948)
Character: Espectador juicio (uncredited)
In this Mexican version of Winterset (inspired by the 20s Sacco Vanzetti case) an idealistic youth searches for the culprit behind a crime that his father was wrongly accused of several years before.
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El compadre Mendoza (1934)
Character: Ventura Mendoza
In the midst of the Mexican Revolution, the landowner Mendoza manages to get along with both the government and the revolutionary group. For the former, he is a supporter of Huerta. For the latter, he is a Zapata supporter. Depending on the political preference of whoever visits him at his hacienda, he has portraits of Huerta or Zapata put up, and organizes a party in honor of his visitors. However, time goes by and the situation becomes untenable. For whom will he take sides?
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El barbero prodigioso (1942)
Character: Don Román (sin créditos)
Benedito the barber, mocked by everyone in the village, lathers the head of a blind customer just as the man regains his sight. Benedito becomes a celebrity, and everyone seeks his services.
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El ladrón (1947)
Character: Empleado banco (uncredited)
Bank employee is tempted to make use of banknotes scheduled for destruction.
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Santa (1932)
Character: Doctor
Santa is a beautiful and very humble young girl living in Chimalistac, a small and quiet spot south of the 1930's Mexico City. After Santa is cheated by arrogant soldier Marcelino, she's rejected by her family and friends and expelled of Chimalistac. Santa finds shelter in a whorehouse and becomes a cinic and bitter woman, mistreated by bullfighter "Jarameno" and silently loved by blind pianist Hipólito.
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Mexicanos al Grito de Guerra (1943)
Character: Gen. Almonte
In times of the French Intervention, a student of Nunó, author of the Mexican National Anthem, falls in love with the niece of the French Ambassador, which causes quite amusing complications.
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El prisionero 13 (1933)
Character: José
Colonel Carrasco's wife Marta leaves him taking his young son. The child, Juan, grows into an admirable and well-mannered young man. Having been promoted to a higher rank of power amidst the Mexican Revolution, the indulgent and corrupt Colonel accepts a bribe to free a revolutionary, Felipe Martinez, from his prison. Martinez has been sentenced to execution at the hands of a firing squad. Carrasco asks to have the revolutionary replaced by absolutely anyone. In a twist of fate, that anyone turns out to be his own long lost son Juan. Upon receiving this news, Marta races to the prison and explains the predicament to Carrasco. He subsequently desperately attempts to prevent the gunning down of his son by his very own government officials.
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