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La vita semplice (1946)
Character: Marco Bressan
Marco and his son Toto work in a Venetian gondola yard and maintain the old traditions of gondoliers. When a newly-arrived businessman decides he wants to buy the yard and demolish it, Marco and company want to fight to preserve their way of life. The businessman, however, knows Marco is badly in debt and uses this to try to leverage Marco out of business. Can tradition win out in the face of naked commercialism?
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Ho scelto l'amore (1953)
Character: il prete alla festa di nozze
A satire of the Cold War, Italian style. Soviet flunkey Boris Popovitc is sent on a goodwill mission to Rome, where he is to deliver a symbolic dove of peace to a group of WW II freedom fighters. Somehow, Boris winds up in Venice minus the dove. As he searches up street and down canal for the missing bird, he meets and falls in love with luscious flower-girl Maria.
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Vivere in pace (1947)
Character: Preacher
An American prisoner, hidden by some Umbrian farmers, meets, drunk, with a German soldier who is also drunk. The two believe that the war is over and embrace each other emotionally. But it is not so and soon the cannon will thunder. Uncle Tigna, who was hiding the prisoner and two of his companions, will fall victim to the Nazis.
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Il delitto di Giovanni Episcopo (1947)
Character: Direttore dell'Archivio
Giovanni used to be a humble, mild-mannered government clerk whose life was turned upside down when he met Giulio, a notorious forger who at once set about manipulating the over-confident man. Giovanni did what he should never have done: he associated himself with the crook. Giulio soon laid hands on Giovanni's money, ruined his career and manhandled him into marrying his own mistress, the beautiful Ginevra. It was of course an unhappy marriage but Giovanni found a little solace when his son Ciro was born. Seven years later though, Wanzer resurfaced...
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Nudo di donna (1981)
Character: The Professor
Sandro is a Roman adrift in Venice during the Carnival. After sixteen years of marriage, Sandro can no longer reconcile his spontaneous and lively character with that of his wife Laura, a cultured and composed Venetian woman. Yet another argument prompts him to leave her and seek refuge at the home of a painter friend. Among his many paintings, he notices one depicting a naked woman who bears an incredible resemblance to his wife. Are they two women or one, and in the masquerade of the Carnival, what is real?
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La chiave (1983)
Character: Don Rusetto
Art professor Nino Rolfe attempts to break down his wife Teresa's conventional modesty. Noticing her affection for their daughter's fiancé, Nino instigates her sexual interest in him - setting off a chain of unexpected events and emotional complications...
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L'onorevole Angelina (1947)
Character: Ragioniere del signor Garrone
A rowdy woman is so forceful that she outdoes her husband in a loud cry against speculators who refuse poor people entrance to a block of new apartments, built after WW2. Without noticing it, she starts a people's movement, and leads a march to the capital. She returns to her village a winner, an honourable MP. Yet, she is still the same simple, fiery woman, able to get in a hair-pulling brawl with the local barmaid for the affection of her man.
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Il merlo maschio (1971)
Character: Costanza's father
Niccolò Vivaldi is a cello player and he plays in Arena di Verona Orchestra. But he is not the first and neither the second cello. He is frustrated. Nobody can remember his face, nor his name. Niccolò is married to Costanza, who is really beautiful and he takes some pictures of her naked. Later he shows the pictures to a friend and so he feels better. He starts to write a comic opera called "Il merlo maschio" only to discover later he had written Rossini's "La gazza ladra". To maintain his self-esteem he can only show his wife...
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Mio figlio professore (1946)
Character: N/A
During Fascism and after WWII, a school porter sacrifices himself so his son, who is slightly ashamed of a lowly background, can become a respected professor.The film also takes a few jabs at Italy's rapid governmental reshuffles.
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La moglie del prete (1970)
Character: Don Filippo
After discovering her boyfriend is married, a young woman attempts suicide but survives and falls for the priest who took her call, leading to complications with his vow of celibacy.
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I miserabili: Caccia all'uomo (1948)
Character: Blanchard
In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.
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I miserabili: Tempesta su Parigi (1948)
Character: Blanchard
The story of Jean Valjean, still pursued by Javert, continues with a love developing between Cosette and radical student Marius, a blackmailing attempt by suspicious innkeeper Thenardier, and a climax on the barricades of Paris.
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Arrivano i nostri (1951)
Character: N/A
A ruthless businessman wants to bring a penniless nobleman financially on his knees because he wants to marry the man's daughter. It is the family chauffeur who puts things right.
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Cuori senza frontiere (1950)
Character: il parroco
Following World War II, the Allies designate that an unidentified town in the Trieste area as being partly Yugoslavian and partly Italian. A white line of demarcation splits the town in half and the townspeople are given just a short time to decides on which side of the line they will live. This leads to the dividing of homes, friends, families and the church and tensions run high.
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Chi lavora è perduto (1963)
Character: N/A
Bonifacio is 27 years old and he is roaming about Venice. He is trying to decide whether to accept a job or not. In so doing, he recalls all his past life: his love story with Gabriella, his old friend Claudio, who had always regarded working as a worthwhile thing, the war, the partisans.
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Anima Persa (1977)
Character: Versatti
Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.
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