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Acuérdate de vivir (1953)
Character: Ingeniero Raúl Fuentes
In Guanajuato, a piano teacher delays her marriage to an engineer not to let her younger sisters alone. As he is love with her voice, he is mistaken for a sister whom he marries. The teacher then goes to the capital. There she becomes part of a family of young students, who believe she is the mistress of his father, so she suffers the scorn and reproach. Over the years the parents die and she renounces to the inheritance they leave her.
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Con el odio en la piel (1988)
Character: N/A
After group of racist cops from Texas kill his brother, a young Mexican man stands up to the corrupt bunch in this action-drama.
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El luchador fenómeno (1952)
Character: N/A
Amado is an employee of a brewery that dreams of success in football. Inveterate dreamer sends a letter to the pantheon of athletes. There champions Assembly decides to send the spirit of a great scorer for help. However, the devil, a fighter with no luck, decides to take the place of the player and turn beloved wrestling champion. This is one of the first incursions of Mexican cinema to the sub-genre of movies precursor struggle and many others that followed over the decades of the 50s and 60s.
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Amor Prohibido (1945)
Character: N/A
Family life of a widowed father with four teenaged and young-adult children.
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El Cementerio De Las Aguilas (1938)
Character: Soldado (uncredited)
When the U.S. invasion and the landing of troops in 1847 begins, the former cadet Miguel de la Peña (Jorge Negrete) and his friend Agustin Melgar (Jose Macip) decide to return to the military college and fight heroically in the defense of the Mexican army.
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El Capitan Aventurero (1939)
Character: (uncredited)
Don Gil de Alacala (José Mojica), a swashbuckler also known as Captain Adventure, must overcome a series of difficult trials and tribulations in order to save the love of his life, Carmina (Manolita Saval), who is engaged to marry a terrible nobleman. Based upon the libretto "Don Gil de Alcala" by Manuel Penella, this classic black-and-white romance also stars Margarita Mora, Carlos Orellana and Sara García.
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Los Cristeros (1947)
Character: N/A
When the government places restrictions on the Catholic church's autonomy, an armed uprising takes place. Disagreements over the new laws create conflict within the protagonist's family.
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El sinvergüenza (1984)
Character: N/A
Married man hires a surrogate to pose as the father of the four children he has had with his mistress.
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Marejada (1952)
Character: N/A
Recently-graduated doctor assigned to a small, backward fishing community.
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El amor no es negocio (1950)
Character: N/A
Brother and sister bumpkins move to the big city, where they fall into the orbit of a gigolo-pimp type.
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El halcón solitario (1964)
Character: N/A
Chief of police fakes his death and returns as a masked avenger. On horseback. And stuff.
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Siempre tuya (1952)
Character: N/A
Husband and wife leave their farm and move to the big city. Husband becomes a famous ranchera singer.
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Como gallos de pelea (1977)
Character: N/A
Young man returns from college to his family estate; when he learns that a rival family is trying to take over all available acreage, he gradually warms up to the idea of defending his turf.
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En los altos de Jalisco (1948)
Character: N/A
MexRev era -- soldier falls in love with the woman who killed his brother, then discovers her role in his back-story.
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Ojos de juventud (1948)
Character: N/A
A bad woman exploits her husband's love. Infidelity, illegitimate children, self-sacrificing fatherhood... Also: Cabarets!
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¿Adónde van nuestros hijos? (1958)
Character: N/A
One of the boys is a radical, one's a playboy, and the girls want to get jobs first before they think about marriage! Mom and Pop have their own #firstworldproblems.
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He matado a un hombre (1964)
Character: N/A
A mature woman looks for a judge to hand over after having murdered a man and recounts everything that happened. Sequel to "Historia de un canalla".
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Mi ley es un revólver (1965)
Character: N/A
Masked justice on horseback, again: guy plays it meek & mild in his civilian identity so no-one will suspect him of being Mr. Cowboy Hero.
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Elena y Raquel (1971)
Character: German Dominguez
Elena's sterile and her younger cousin Raquel gets pregnant before marriage.They scream at each other a lot.
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El pecador (1965)
Character: N/A
College professor has mid-life crisis, gets mixed up with prostitutes and gangsters.
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El preso No. 9 (1981)
Character: N/A
Domestic melodrama about infidelity set against an illegal immigration/"making a better life" background.
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La bienamada (1951)
Character: N/A
Civic-minded elementary-school teacher marries and sets up home with wife and her little brother. The-e-n...
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El rifle implacable (1965)
Character: N/A
Two young women need a hired gun to protect their ranch from marauders; the feistier of the two arranges for a gunman who has the right stuff to be busted out of jail so he can work for them.
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Las pobres ilegales (1982)
Character: N/A
Escaping from an abusive stepfather, a young woman decides to cross the border as an undocumented worker. She ends up working on a farm where things aren't what they seem...
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Los gemelos alborotados (1982)
Character: N/A
Gumaro and his buddy Chon are among the First Citizens locally. One day, unexpectedly, twin brothers of both of them turn up in town. Adaptation of A Comedy Of Errors.
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San Simón de los Magueyes (1973)
Character: N/A
The statue of a town's patron saint is broken just before the annual Saint's Day festival, so the priest hires a mime from a troupe of traveling players to impersonate the statue during the church's hours of operation.
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El pandillero (1959)
Character: N/A
Gangsters kidnap the writer of a crime-drama radio program to plot their heists for them.
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Novia, esposa y amante (1981)
Character: N/A
Aspiring actress finds herself sidetracked from her goals when she gets romanced-up by her director. It's all downhill from there.
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El rey de los tahures (1980)
Character: N/A
Young man becomes a professional gambler to track down the cardshark that killed his father in a poker game.
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En defensa propia (1978)
Character: N/A
The leading edge of working-class discontent in a Mexican village is a troop of bandits hiding out in the hills; when the bandit leader is killed, the whole town rises up.
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La contrabandista (1982)
Character: N/A
After her family all are killed in a home invasion, young woman moves to the city, gets involved with a high-level drug-smuggling tycoon. And also a taxi driver.
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La marcha de Zacatecas (1969)
Character: N/A
Villistas, army officers, heirs and heiresses all gather at the home of a recently deceased hacendado. Everybody has an agenda, everybody butts heads in comical ways. Or not so much.
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La venganza del Charro Negro (1942)
Character: Rodolfo
Third in a series; flashbacks remind us of the beef El Charro had with Carlos from his home town. While they move toward a final showdown, Carlos and his new evil buddy Rodolfo kill a couple more people just for kicks.
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La Adelita (1937)
Character: N/A
Beautiful peasant girl runs afoul of her landlord's horny son and he poisons the well between her and her fiance, so she runs away and joins the Revolution.
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La vírgen morena (1942)
Character: N/A
Intensifying skirmishes between a brutally oppressive conquistador imperialist and the last holdouts of Aztec resistance... and meanwhile, miraculous visitations of The Virgin Mary to two of the downtrodden and conquered indigenous peons.
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La plaza de Puerto Santo (1978)
Character: N/A
The town's leading families decide to step down and let average citizens take responsibility for city government, from Mayor on down.
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Como perros rabiosos (1980)
Character: N/A
Felipe goes home for a holiday and discovers that everything in town has changed in his absence; old don So-and-so is running around forcing people to sell their farms to him and killing them if they refuse.
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Los peseros (1984)
Character: N/A
Two street criminals have to leave Mexico City in a hurry; they end up in Monterrey, getting involved in a labor dispute in the busdriver's union while still trying to stay one step ahead of the law.
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Pobre corazón (1950)
Character: N/A
Woman discovers she's dying of an incurable illness, so she tries to make her husband hate her; dumping her on moving on would be better for him than watching her decline and feeling sad.
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Rosalinda (1945)
Character: N/A
Two adventurers visit a small coastal village in 1850 in hopes of getting access to a shipwreck that took place 100 years earlier. Also, local girlfriends.
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Un milagro de amor (1949)
Character: N/A
Young man goes to Mexico City in search of opportunity and gets framed for another person's embezzlement at their place of employ. Meanwhile, back home, his fiancée the blind woman...
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Los hombres de Lupe Alvírez (1967)
Character: N/A
Three bad dudes are each hot for Lupe. They kill a guy while committing some crimes together, and that guy's brother goes gunning for them. Eventually, he meets Lupe; she helps him track down the killers and a thing develops between them.
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Ahí viene Vidal Tenorio (1949)
Character: N/A
Two military goons slaughter a young man's parents and siblings. A few years later, the same guys rape and murder his wife, then use their young son for target practice. Enough is enough.
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Figuras de la Pasión (1984)
Character: N/A
This fairy type of movie is divided in episodes (Figuras) that are settle either on a jail or an play, in this surrealistic film we are immerse in a Dogville type of stage were the combination of Poetry, testaments and political discourse of the mix of characters of the daily basis and religious figures such as Judas, the virgin, the labor workers, homosexuals, drag queens. Ironically 'Figuras de la passion' has been banned for several years as a product of the attack and angriness of right – winged parties and scholars.
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Los valientes de Guerrero (1974)
Character: N/A
Weaselly bad guy wants to get in good with a woman he's hot for, so he frames the hero for a murder and then organizes a lynch mob against him... all to further her plans.
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El héroe desconocido (1981)
Character: Padre Ignacio
An outcast, Rodolfo Martínez, whom no one loves and whom everyone despises and undervalues in his town of Valle Verde, in Mexico, decides to change his luck. He decides to invent that he has a very important ancestor and that is why he deserves a statue that will remind future generations of everything he has done. Rodolfo doesn't care what happens, all he wants is to stop being a failure and for people to see him as an equal.
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Simón Bolívar (1942)
Character: General Francisco de Paula Santander
Biopic of the revolutionary Simón Bolívar who fought to end Spanish rule over much of Latin America.
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Infierno de almas (1960)
Character: Carlos
Mauricio flees from the police and takes refuge in the apartment of Ivonne, who gives him blood to save his life. Carlos the policeman who is in love with her, finds Mauricio's passport and has the inspector offer 10 thousand pesos to whoever turns him in. Mauricio confesses to Ivonne that he is innocent of the crime, and asks her to marry him.
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La Martina (1972)
Character: Rogelio González
Martina is a liberal woman who arrives to a small town, with his godfather. Here, Martina will met with her secret love, a typical "macho-ranchero" man, demanding her hand in matrimony. But he rejects Martina, claiming that she's not virgin and will return her to the godfather. When the godfather dies, Martina finds herself alone, and she'll begin a sexual adventure with almost the last men in the town, even with the shy chaplain.
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Tápame contigo (1970)
Character: N/A
Mauricio Garcés plays a composer who tries to seduce several women. The actor performs the song "Soy tan hermoso", which became a popular hit a t the time.
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3-D Rarities: Volume II (2020)
Character: (archive)
Blu-ray. 2020 release, the long-awaited follow-up collection of extraordinary 3-D wonders, including the feature-length El Corazón y la Espada, all expertly restored in a Blu-ray world premiere. For over 35 years, it has been the mission of the 3-D Film Archive to locate, save, assemble, and restore previously lost 3-D films. 3-D Rarities, Volume II spans over 40 years of international 3-D film production, and is appropriately presented in three segments.
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La tierra y el cielo (1977)
Character: N/A
Pedro, a young black man born into a family of Haitians who emigrated to Cuba, returns to his town and notes the changes that the new times have brought.
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Las Islas Marias (1951)
Character: General
Las Islas Marias stars Pedro Infante as a man who must face time in jail, even though he never committed the crime. While on the inside, he learns important life lessons that actually make him a better man.
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La estrella vacía (1960)
Character: Edmundo
Mourners share their memories of a dead film-star at her wake, a la Citizen Kane. Only melodrama.
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Monte de piedad (1951)
Character: Rodrigo del Paso
Anthology-movie, series of anecdotes about the personal tragedies that lead people to take their values posessions to the state-run pawnshop.
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Oficio de tinieblas (1981)
Character: Licenciado
"Occupation of Darkness" - Set in 1934, and meant to dramatize social injustices, this melodrama examines an official's attempt at land reform. The landowners are against any reform and are also not interested in ending the exploitation of their workers. On the opposite side of the fence, the Native Americans have almost no way to better their living conditions or to fight oppression. They are also plagued by "superstition," which leads to some misguided actions that only make things worse. Violence and sexual encounters are interspersed throughout the story.
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El terror de la frontera (1963)
Character: Braulio Contreras
After being gunned down in a bar-fight, a guy reappears in town looking for revenge on his murderer.
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Mil millas al sur (1978)
Character: Viejo Joaquín
A former counterfeiter is trying to save his son, but he is pursued by the police and the mafia.
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Chile Picante (1983)
Character: Office Clerk (segment "Los Compadres")
A woman uses her husband's money to open a beauty parlor/spa... so she'll have a place to meet with her lover.
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Las cabareteras (1980)
Character: N/A
Power-struggles between gangsters over ownership/control of a strip club.
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La señora de Fátima (1951)
Character: Oliveira
The story of the 1917 miracle of Fatima, in which the Virgin Mary appeared to three children--two girls and one boy..
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Rio Hondo (1965)
Character: Tío Lorenzo
A gang of bandits attacks the population of Río Hondo, shooting left and right; a man decides to act.
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Los dos hermanos (1971)
Character: N/A
A rich and powerful man is married to a much younger woman, who has a lover.
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Cuando levanta la niebla (1952)
Character: N/A
One mental patient usurps the identity of another and starts a new life, passing himself off as a long-lost relative of a rich family.
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El complot mongol (1977)
Character: N/A
In the context of a visit by the President of the United States to Mexico, there is a threat that China will attack his life. Policeman Filiberto is commissioned to avoid it, at any cost. His searches in the Chinatown will lead him to endanger his life, while he will find love in the young Marta.
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Cazador de Demonios (1983)
Character: Padre Martin
At the highest place in Tarahumaran mountain, a Shaman was brutally murdered. The investigation leads detective Aguilar to ask for help to a veterinarian and a priest, to find out that the crime is just the beginning of a series of brutal murders by a nahual (Wolfman)
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Das Licht auf dem Galgen (1976)
Character: N/A
Europe in 1793. For years, England and France have been at war with each other. Now, France sends three men to the British colony of Jamaica to organize a slave revolt. The envoys are Debuisson, the grandson of a Jamaican rum manufacturer, who knows the island very well, his old friend Sasportas, and the sailor Galloudec. After having established contact with the fragmented rebel groups, they receive the surprising news of Napoleon′s takeover in France. Whereas Debuisson, who by now has gotten used to his role as a rich heir, wants to wait for new instructions from home, his companions are determined to press ahead with the revolt. When a slave kills a British guard, the situation escalates.
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Y Dios la llamó Tierra (1961)
Character: General Prisciliano Sánchez
During the Mexican Agrarian Reform, an engineer travels to a town to distribute the land of the landowners among the peasants.
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El Zorro de Jalisco (1941)
Character: En nene
Isabel, the daughter of Don Antonio; a rich land owner in Tepestates, Jalisco returns to her town after five years away, to visit her father. She is confronted by the unpleasant surprise that her dad has been assassinated by the malicious municiple government, which has the whole town in a clutch of terror. "An excellent sharp-shooter is worth more here, than a good lawyer..." This phrase inspires lawyer Leonardo Torres to convert himself into a guardian of justice, who will defend the right of the weak against tyranny. Nobody would ever guess that the "timid" lawyer is in reality none other than the dreadful "Zorro of Jalisco."
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La cripta (1981)
Character: Antiguo jardinero
A patient is released from a mental hospital to help the police find a student who disappeared a few days ago.
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Nosotros dos (1955)
Character: Lupo Avilés
After the death of her father, María returns to her hometown with Maria, her mother. Lupo and Beto fall in love with her, two brothers whose family is at odds with hers. While Beto tries to rape her, Lupo becomes the girl's protector.
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Burlesque (1980)
Character: N/A
Recreation of a nightclub's burlesque show, alternating between dance numbers and bits of narrative involving performers backstage or audience members.
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Si quiero (1967)
Character: TV Host
Newlyweds find married life to be challenging.
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Primero el dólar (1972)
Character: N/A
In a spectacular manhunt, a band of outlaws race cross-country with a million dollars and a newly married couple. A dramatic story of greed and sexual passion for the possession of a large fortune and the love of a brave and beautiful woman.
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La extraña pasajera (1953)
Character: El dandy
Noir-style suspense thriller; three unrelated criminal schemes are happening on board an express train; all three get uncovered/solved/thwarted before they reach their destination.
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Hombres sin alma (1951)
Character: Gustavo Alonso
Final installment in Juan Orol's Percal trilogy. In this film, Malena is freed from prison by a gangster but a rival mobster will make things impossible for them.
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El criminal (1985)
Character: N/A
Jesús was framed for a crime he didn't commit, he serves his sentence and then goes home to get revenge.
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El corazón y la espada (1954)
Character: Ponce de León
In this period costume swashbuckler, Don Pedro de Rivera, the rightful owner of a Spanish castle seeks to reclaim it from an occupying Moorish Caliph. Don Pedro’s accomplice is Juan Ponce de León, who intends to steal the "Rose of Granada," a rare gem owned by the Caliph, which supposedly contains a rare essence that ensures eternal youth.
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La venganza de Maria (1983)
Character: N/A
Arms/drug smuggler wants Maria to take care of his puppies... but he also has reasons to kill off most of her menfolk family members, one or two at a time.
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María Isabel (1967)
Character: Don Félix Pereira
A woman jumping from the poverty of the countryside to the splendor of wealth in the city without losing its simplicity
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La Sonrisa de los Pobres (1964)
Character: N/A
A mechanical marries a young but both lose their jobs and happiness again when they know they are expecting a child.
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Se la llevó el Remington (1948)
Character: Don Manuel Lazo
While tracking down the three men that killed his father, a notorious bad-ass commits other misdeeds, seemingly based on his desire to wreck as many lives as possible. Doesn't really have anything to do with the historical figure known as Remington, though they used his name for the character here.
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La invasión de los vampiros (1963)
Character: Marqués Gonzalo Guzmán de la Serna
A doctor and his assistant hunt down a vampire named Count Frankenhausen, who is terrorizing the populace.
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El año de la peste (1978)
Character: President
A terrible disease is found in a Mexican town. A doctor tries to alert the authorities when he discovers its epidemic nature. No one listen to him and soon after the disease spreads. The government tries to control the information in order to prevent panic.
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Cuatro contra el mundo (1950)
Character: Máximo
This dazed Mexican-melodrama-cum-boozer-heist-noir cuts a dark swath over a border nominally dominated by the hardboiled likes of Chandler and Hammett. Employing many of the classic tropes of Mexican noir (blood-tainted money, hothouse betrayals, the entrapped yearnings of dark hearts), we follow the slow demise of a gang who hole up in an attic in the wake of a fatal robbery. Galindo liberally dashes in lashes of the smokiest amour mort, gradually whittling it down to an ill-fated if rapturous coupling of gangster’s moll and underling. Starring Leticia Palma and Víctor Parra.
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Perdición de mujeres (1951)
Character: Gustavo Alonso
Small town girl moves to the big city. When she can't find a job, she starts hanging with a bad crowd.
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Ojo por Ojo (1981)
Character: N/A
A couple is attacked bu thugs and the woman is killed, the boyfriend plans his revenge.
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Amanecer ranchero (1942)
Character: N/A
The old massa dies and his son comes home to take over the hacienda. Things are going to be a whole lot different now; he's overturning all the old social order. A-a-and...
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El amor de María Isabel (1968)
Character: Don Félix Pereira
Follow up to Maria Isabel. Newly wed to a rich man, Maria Isabel must still struggle with being branded as a lowly maid and endure the scorn of her adoptive daughter and the infidelity of her husband.
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Vuelven las calaveras del terror (1944)
Character: N/A
A group of friends form a masked gang nicknamed 'The Skulls of Terror' and confront a local political boss. Originally produced as a six-hour collection of serial chapters (1943), then edited down (1944) into a 3-hour feature... then re-released (1950s?) as two 90-minute features. The first one seems to have disappeared, this is the second one.
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Jet Over The Atlantic (1959)
Character: General Ramírez
Director Byron Haskin's 1960 airplane-in jeopardy drama stars Guy Madison, Virginia Mayo, George Raft, Ilona Massey, Margaret Lindsay, George Macready, Brett Halsey, Anna Lee and Mary Anderson.
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¿Quién mató al abuelo? (1972)
Character: Grandpa
A man dies of a heart attack and his wife hides the body in order to continue collecting pension.
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La Mort en ce jardin (1956)
Character: Chenko
In a remote Amazon jungle village, a group of angry diamond prospectors revolt when the local government undertakes a violent crackdown.
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Es mi vida (1982)
Character: Don David (uncredited)
Alberto Aguilera arrives from Ciudad Juárez to the capital to pursue a career in music, but in the midst of confusion he is accused of stealing and is sent to prison
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Balún Canán (1977)
Character: Jaime Rovelo
Based on Rosario Castellanos' novel, Balún Canán is about the turmoil created by the Cardenas’ land reforms. Events occur in Chiapas on the border with Guatemala, mainly in a town called Comitán. Zoraida struggles and fights to keep her properties, inheritance for her only son. For her actions, the sorcerers of Chacjatal cast a death spell over her son.
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La última cena (1976)
Character: N/A
A pious plantation owner attempts to teach Christianity to 12 of his slaves by inviting them to participate in a reenactment of the Last Supper.
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Su Excelencia (1967)
Character: General León Balarraza, agregado militar
Lopitos, who is horribly inefficient but quick-witted, is invited (because of the current ambassador's superstition about 13 sitting down to a meal) to a banquet attended by the ambassadors of both superpowers. After the news of a series of coups d'état in Los Cocos arrives throughout the meal, Lopitos becomes the official ambassador. At a summit of world leaders, the representatives of the two world superpowers court the allegiances of third-world diplomats to tilt the balance of global power in their favor. The last diplomat to remain unaligned, Lopitos instead harangues the superpowers for infringing on the rights of developing countries to self determination, talking to them with his point of view as a citizen not as ambassador because he arranged his demise as ambassador one day before his speech.
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Guyana: Crime of the Century (1979)
Character: Thomas
This horrific dramatization of the Guyana tragedy traces the steps of Reverend Jim Jones, a highly charismatic, but profoundly paranoid clergyman, who after years of evangelism and good deeds, begins his own church in the mid-western United States. When Jim Jones becomes increasingly obsessed with the belief that the CIA is "a wicked enemy" who is out to get him, he emigrates with his congregation to Guyana, where he plans to create a utopia. But Jim Jones' utopia consists of a society where he demands his followers turn their minds, bodies and possessions over to him, one that is rife with orgies, physical violence, mental torture, and sexual abuse of children and adults. Ultimately, Jim Jones' paranoia reaches a fevered pitch that culminates in him taking savage action against his own congregation. (VCI Home Video)
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La sombra del caudillo (1960)
Character: General Ignacio Aguirre
In 1920s Mexico, the candidates being chosen to succeed the current president, El Caudillo, find themselves at his mercy as he will resort to anything to accomplish his will, including kidnapping, betrayal, and murder.
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Tiempo de morir (1966)
Character: Deputy
A man comes home after serving 18 years in jail for murder in this routine western. Although the man killed in self defense, rumors in town circulated that he murdered the victim in cold blood. The ex-con wants to get his life together, but the two sons of the slain man are gunning for the man who killed their father.
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Romeo y Julieta (1943)
Character: (uncredited)
Verona's peace is disturbed by the rivalry between noble families: the Montesco and the Capuleto, irreconcilable enemies. The two families have continued fighting to make life unbearable in the Italian town. The Prince of Verona informs the chiefs that the two families respond with their lives if there are new struggles. At a ball in honor of Juliet, the daughter of Capuleto, incidentally meets Romeo, son of Montesco. Both fall in love immediately, not knowing that their love is impossible.
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Las siete cucas (1981)
Character: N/A
A worker's wife and six pretty daughters are desired by all the men in their little town, so he decides to move his family elsewhere.
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Tiburoneros (1963)
Character: Don Raúl
Aurelio is a shark fisherman who works very hard to send money to his family in the city and keep Manela, his young lover on the coast. One day, he decides to move to the big city.
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La rebelión de los colgados (1954)
Character: Don Gabriel
A peasant who works in a mahogany camp in the Mexican jungles with his family is disgusted with the miserable living conditions imposed upon himself and his co-workers, the peasant finally spearheads a revolt against the sadistic bosses.
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El tahúr (1979)
Character: N/A
Three childhood friends; when they grow up, the poor boy is shut out from the possibility of romancing the girl because of class issues. He leaves town, learns to play pro-level poker, wins a fortune, then goes home to ruin his rival's life.
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Thunderstorm (1956)
Character: Toro
A luminously beautiful, provocative young woman is rescued near a small fishing village on the Spanish coast. The scene is set for a drama of dangerous passion that threatens to tear apart the simple, tranquil life of the village forever.
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El ángel exterminador (1962)
Character: Raúl
A formal dinner party starts out normally enough, but after the bourgeois group retire to the host’s music room, they inexplicably find themselves unable to leave.
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El Noa Noa (1981)
Character: Don David
Juan Gabriel became one of the most popular Mexican singer-songwriters, beginning his career in this Ciudad Juárez cabaret. This is his story.
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Cárcel de Mujeres (1951)
Character: Alberto Suárez
Evangelina murders her lover Alberto. In prison she meets Dora, Alberto's girlfriend, who was deprived of her freedom for his illicit business. An interesting story is about to be woven.
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Una mujer sin amor (1952)
Character: Julio Mistral
After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. Her husband is unaware of the affair. Twenty years later, there is news that the friend has died and left all of his money to the younger son in the family, which leads us to question this younger son's biological origin.
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El robo imposible (1981)
Character: Don Francisco Gómez
Champion racehorse is kidnapped, ends up on a ranch in Durango, running dirt-road races at the county fair.
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Que Dios me perdone (1948)
Character: Ernesto Serrano
Lena, a beautiful and mysteriously sinister refugee haunted by her past, is chased into the arms of a rich, unsuspecting industrialist not for love, but for information.
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Nuevo Mundo (1978)
Character: Virrey Don Martín Gómez de Peralta y Montellano
Towards the end of the 16th century, the Spanish conquerors living in the New World faced a serious problem: the evangelization of the indigenous people, who did not understand or accept Christianity due to their unshakable faith in their own religion. The court of the Inquisition cracks down on heretics and the natives prepare for a general uprising ...
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Aventurera (1950)
Character: Lucio Saenz
Left alone after her mother runs off with another man and her father kills himself, Elena attempts to make a new life for herself in a new city. Believing he's a friend, Elena goes to dinner with "Pretty Boy" Lucio, but he drugs her champagne and sells her to Rosaura, who runs a brothel out of her nightclub. Elena becomes a sensation as a dancer, but all the while she nurtures plans of revenge against those who have conspired against her.
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Víctimas del pecado (1951)
Character: Santiago
A nightclub performer decides to raise the baby boy she found abandoned in a trash can, putting her job and social life in jeopardy.
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Toña Machetes (1985)
Character: N/A
A woman adopts a child and discovers that she can love again despite facing a wicked man.
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