|
Canto d'Amore (1982)
Character: N/A
Man and woman wish to make room for the best feelings that move them and to guide their lives together in mutual love.
|
|
|
Casotto (1977)
Character: Nonna
Summer Sunday at a small beach house at the coast of Rome. Many people and stories: women's basketball team, two sports-obsessed soldiers, two men with their girlfriends and the priest with a big secret, an elderly couple with their pregnant granddaughter, and engagemented couple wanting to have sex for the first time.
|
|
|
Il Messia (1975)
Character: Herodias
Rossellini takes numerous liberties with the original source material, rearranging and omitting events at will, presenting everything in a highly undramatic fashion. The film begins in the time of the Old Testament, allowing Rossellini to present the story of Jesus in its ancient, historic context.
|
|
|
State buoni se potete (1983)
Character: venditrice di scope
Around the year 1500, the Italian priest Don Filippo Neri helps street kids and orphans in his poor little chapel.
|
|
|
La Cage aux folles 3 - « Elles » se marient (1985)
Character: N/A
Third and final version of the La Cage aux Folles series has Renato's drag queen lover Albin learning that he can inherit a vast fortune from a distant relative. But the catch is that Albin must marry (a woman) and produce a heir within a year or the whole inheritance will be forfeited.
|
|
|
In viaggio con papà (1982)
Character: Luciana
Armando is the daddy, Cristiano is the adult son. Each of them lives his life in a different way respect the other: Armando is an old play-boy and often he "buys" his women with his money; Cristiano is a shy guy who lives in a community with other guys like him. The movie proceeds showing us, ironically, the differences, the different ways to think, to act, to treat the women between father and son.
|
|
|
La fine del mondo nel nostro solito letto in una notte piena di pioggia (1978)
Character: Friend
When romantic journalist Paolo rescues American photographer Lizzy from a scuffle in an Italian village, his efforts at romance lead nowhere. But when they meet again in San Francisco, Paolo succeeds in wooing her. Can their love overcome the differences between the traditional Italian Communist and the modern, liberated American woman that threaten to tear the two apart?
|
|
|
Culastrisce nobile veneziano (1976)
Character: zia Alvisa
The family of a wealthy nobleman tries to take away his land away after learning that he is having an affair with an imaginary woman.
|
|
|
I basilischi (1963)
Character: Luciana Bonfanti
Francesco, Sergio, and Antonio, three young men in a small, poverty-stricken village, lead uneventful lives. As all three are unemployed, they pass time roaming the streets and chasing girls. One day, Antonio's aunt asks him to stay with her and his cousins in Rome. He accepts and enrolls at a university, leaving his two friends behind to envy him for his new upscale lifestyle. But eventually Antonio returns, initially just for a day. Though he boasts about his life, he never returns to Rome and instead opts for his friends and the place he grew up, despite all its shortcomings.
|
|
|
Viuuulentemente mia (1982)
Character: Elvira, madre di Anna
Clumsy public security officer helps an adventurer (Laura Antonelli) to escape from Italy. In order not to undergo a punitive transfer to Barbagia, he goes back on the woman's trail to take her to prison.
|
|
|
On a Moonlit Night (1989)
Character: N/A
An American journalist working for a French newspaper is writing an article on the public reaction to those with AIDS, unaware that he too is infected. Once he finds out, he decides to go into reclusion, leaving his wife and daughter.
|
|
