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Tres hombres malos (1949)
Character: N/A
Three soldiers desert the Revolution to put a plan into action to reclaim the estate that was usurped from one of them. Plan involves kidnapping the usurper's daughter...
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La venganza del Charro Negro (1942)
Character: Don Roberto Fernandez, 'Charro Negro'
Third in a series; flashbacks remind us of the beef El Charro had with Carlos from his home town. While they move toward a final showdown, Carlos and his new evil buddy Rodolfo kill a couple more people just for kicks.
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La tierra del mariachi (1938)
Character: N/A
Young woman's father, with the help of the boyfriend he prefers for her, spreads a rumor that the guy she likes better was already married.
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Rancho Alegre (1941)
Character: N/A
Proud old family's hacienda is falling into decay, and the oldest son has to come back from college to set things aright... or does he have other plans?
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Almas rebeldes (1937)
Character: N/A
Mexican Revolution: a small squadron of insurgents are chosen to trek to US border and pick up an arms shipment.
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El charro Negro (1940)
Character: Roberto "El Charro Negro"
Masked cowboy avenger in the style of The Lone Ranger, first film in a series of four.
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Canto a mi tierra (1938)
Character: Cameo (uncredited)
Theatrical producers discover a new musical-theatre star in a small farming town.
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Los de abajo (1940)
Character: General Panfilo Natera
During the Mexican Revolution, the people tired of living in poverty and enduring the atrocities committed by the federals, decide to follow one of their own, General Demetrio Macias, a thief with tricks he learned in jail and who along with "La Pintada" decides to take his people to victory. Led by Captain Anastacio Montañez, the newly formed army fight and honor their code at the same time as they loot houses to spread the wealth.
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¡Vámonos con Pancho Villa! (1936)
Character: Máximo Perea
The 1910 Mexican Revolution is on its way when six brave peasants, known as "Los Leones de San Pablo", decide to join Pancho Villa's army and help end the suffering in their community by assisting in the struggle. Together, they will endure the tragedies and hardships of a civil war.
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Santa (1932)
Character: N/A
Santa is a beautiful and very humble young girl living in Chimalistac, a small and quiet spot south of the 1930's Mexico City. After Santa is cheated by arrogant soldier Marcelino, she's rejected by her family and friends and expelled of Chimalistac. Santa finds shelter in a whorehouse and becomes a cinic and bitter woman, mistreated by bullfighter "Jarameno" and silently loved by blind pianist Hipólito.
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Fieras en brama (1983)
Character: N/A
Before being confirmed in the priesthood, a seminary student is ordered to go back out into the world for a year to confirm his vocation. It turns out that mundane activities hold a certain appeal for him.
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Fieras en brama (1983)
Character: Don Porfirio
Before being confirmed in the priesthood, a seminary student is ordered to go back out into the world for a year to confirm his vocation. It turns out that mundane activities hold a certain appeal for him.
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El prisionero 13 (1933)
Character: N/A
Colonel Carrasco's wife Marta leaves him taking his young son. The child, Juan, grows into an admirable and well-mannered young man. Having been promoted to a higher rank of power amidst the Mexican Revolution, the indulgent and corrupt Colonel accepts a bribe to free a revolutionary, Felipe Martinez, from his prison. Martinez has been sentenced to execution at the hands of a firing squad. Carrasco asks to have the revolutionary replaced by absolutely anyone. In a twist of fate, that anyone turns out to be his own long lost son Juan. Upon receiving this news, Marta races to the prison and explains the predicament to Carrasco. He subsequently desperately attempts to prevent the gunning down of his son by his very own government officials.
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