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Misfit (1965)
Character: Actress (as Sandy Peabody)
Misfit (also known as The Misfit) is a lost 1965 American faith-based educational film directed by Bob O'Donnell. It stars Steven Jones, Warren Day, and Sandra Peabody. It follows a high school drop out (Jones), a drug addict (Peabody), and a "religious dropout" (Day) who rekindles his religion and helps the titular "misfit" find himself. Produced by Empire Studios, the film was distributed through churches, schools, penal institutions, and military bases before a worldwide release by Youth Films.
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Love-In '72 (1970)
Character: Joan Boyd (as Susan Sparling)
A man must decide whether to flee the U.S. draft and go to Canada or stay or go fight for his country in Vietnam.
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Filthiest Show in Town (1973)
Character: Olga
The heads of the National Genital Television Network go on trial to defend their network over one of their highest-rated shows: the very adult and very popular "Mating Game."
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Fear, Panic & Censorship (2000)
Character: Self (archive footage)
Rare documentary about Video Nasties and film, video and internet censorship in the UK. Was first screened as part of Channel 4's controversial "Banned Weekend" which focused on films and the so called Video Nasties, which were a small group of mainly horror films that were given the Video Nasty tag by the tabloid media, due to their explicit horror content. They were subsequently banned under the 1984 Video Recordings Act.
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The Horse Killer (1966)
Character: Actress (as Sandy Peabody)
The film is based on a real-life incident of horrendous horse mutilations that occurred in Davie, Florida in the early 1960s. It takes a fictionalized approach to the residents attempting to solve the mystery of who is committing the crime. This film is considered lost after the negatives were stolen from the director.
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The Case of the Smiling Stiffs (1973)
Character: Strip Poker Girl
Is Emma a voyeur vampire who can turn into a bat? Apparently, and she leaves many smiling faces on her victims after going down on them during a full moon. When they're not having sex with their suspects, two cops investigate the murders.
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Celluloid Crime of the Century (2003)
Character: Mari Collingwood (archive footage) (uncredited)
40-minute documentary on the making of Wes Craven's 1972 classic, The Last House on the Left.
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It's Only a Movie: The Making of 'Last House on the Left' (2002)
Character: Self - Mari Collingwood (archive footage) (uncredited)
Produced for the 30th anniversary of the film's theatrical release, this documentary gives a behind-the-scenes look at the making of a film about brutal murder and even more brutal revenge that has become one of the classics of the modern horror genre. Includes interviews with the cast and crew, including director Wes Craven, who relates some of the difficulties he had getting the film finished and released.
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Never Sleep Again: The Elm Street Legacy (2010)
Character: Self
For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.
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Never Sleep Again: The Elm Street Legacy (2010)
Character: Self (archive footage) (uncredited)
For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.
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Massage Parlor Murders (1973)
Character: Gwen
A vicious serial killer is stalking the streets of New York City, murdering Times Square massage girls in a variety of brutal ways. It's up to a rogue detective team to solve the case as the body count continues to rise!
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The Last House on the Left (1972)
Character: Mari Collingwood (as Sandra Cassell)
On the eve of her 17th birthday, Mari and friend Phyllis set off from her family home to attend a rock concert in the city. Attempting to score some drugs on the way, the pair run afoul of a group of vicious crooks, headed up by the sadistic Krug.
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The American Nightmare (2000)
Character: Self
An examination into the nature of 1960's-70's horror films, the involved artists, and how they reflected contemporary society.
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Frau Wirtin hat auch einen Grafen (1968)
Character: N/A
The German innkeeper Susan, now leading an acting troupe, travels to Italy and uses feminine wiles to undo an assassination plot against Napoleon, and rescue a local count (a great romancer) from his own enemies.
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Going to Pieces: The Rise and Fall of the Slasher Film (2006)
Character: Self (archive footage)
This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix.
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