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Une idylle à la ferme (1912)
Character: Max
Max is informed by his rich uncle that he's tired of supporting him. Instead, he has a farmer friend and he wants Max to marry one of the farmer's daughters. However, the farmer decides that his oldest is for Max and has the youngest dress up like a maid. However, Max finds himself drawn to this 'maid' and although he wants to follow his uncle's advice, his heart is leading him to who he thinks is a common working girl. It all culminates in a cute final scene.
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Max boxeur par amour (1912)
Character: N/A
Max officiates between two brawny boxers, then steps in against the cocky larger man, the acclaimed French stage director Maurice Tourneur. To gain an advantage, the tiny Max summons in the gorgeous young model, Hope Hampton, as a more suitable referee, hoping she will overlook Max's big bag of tricks.
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L'âne jaloux (1912)
Character: Max
Max Linder strays further from his usual haunts of situational comedy, far into straight slapstick as he gets into a dispute over the woman he is courting with a pantomime donkey -- although whether the donkey wants the girl or Max i something I can not quite make out.
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Une nuit agitée (1912)
Character: N/A
It is Max's wedding night, married to the beautiful Stacia Napierkowska. He and his bride are sleeping..... and a flea keeps disturbing him.
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La malle au mariage (1912)
Character: Max
Max wants to marry his girl but one man stands in the way. Her guardian. And Max got to find a way to get him to consent.
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Le mariage forcé (1914)
Character: N/A
Again Max is forced into marriage. If he doesn't marry soon he won't get any more money from his uncle. As all three candidates refuse his proposal he talks his servant into playing the bride. He manages to fool his uncle and both get actually married. As soon as he holds in his hands the treaty that grants him a huge amount of money the hurry home. When his uncle pays them a visit they are found out.
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Max au convent (1914)
Character: N/A
In this three-reeler, the young lady with whom he is in love is sent to a convent to get her away from Max. Max goes after her. While we are not forced to watch the mustachioed Linder in drag, there are some nice gags here as Max manages to get his chauffeur blamed for everything, including an abduction of the girl.
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En compagnie de Max Linder (1963)
Character: Self (archive footage)
Pioneering comedy legend Max Linder wrote, produced, directed and starred in Seven Years Bad Luck. Hilarious misadventures begin when Max' butler, chasing a maid, breaks an expensive full-length mirror. The butler persuades the cook, who somewhat resembles Max, to stand behind the frame and be Max's reflection. This gag, developed by Max, has become a classic of film and even television borrowed by everyone from the Marx Brothers to Abbott and Costello to Red Skeleton.
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Une conquête (1909)
Character: N/A
George, passing a pretty woman in the street, has recourse to that old-time trick of dropping his own handkerchief and hurrying after her, making believe that he thinks it is hers. On examining the handkerchief, the beauty returns it, telling George that it does not belong to her. He then confesses that he knows very well that it is not her property, as it happens to be his own, and his offering it to her was only an excuse to make her acquaintance, so struck was he by her beauty. Upon this frank declaration the young woman draws herself up haughtily, but George is not to be discouraged, but follows closely behind her, ready to be of any assistance on the slightest pretext. We therefore see him arriving at the lady's house laden down with such articles as a lampshade, a statuette, a bunch of roses, a bundle of dress goods, and, in addition, leading an enormous dog on a leash, against whose attacks he is endeavoring to protect himself.
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Max jockey par amour (1913)
Character: Max
Max meets the Countess Duvienne in a very distressing moment, for she has just learned that her jockey will be unable to ride her horse, the favorite for the owner's stakes. In that irresistible way of his, Max volunteers to ride in the jockey's stead, the countess thanks him but cannot accept his offer, because of his excessive weight. The gallant Max, nothing daunted, decides to reduce. After running a mile with a forty-pound dumbbell, he looks like a wet rag, but goes gamely to a Turkish bath. This treatment brings Max down to weight, and mounted on the countess' horse. Max fights every stride of the tight race, hut wins, not only the race, but the countess as well.
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N'embrassez pas votre bonne (1914)
Character: N/A
In consequence of a first kiss, poor Max finds himself claimed as a property of a persistent damsel. Even his approaching marriage does not deter the lady, who leads him a merry dance.
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Max collectioneur de chaussures (1914)
Character: N/A
At the beach, amorous Max exchanges his shoes for those of a fair bather. The scheme goes awry, Linder's dog still further adding to the fun.
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Le Voleur Mondain (1909)
Character: Arsène Lupin
Max at an evening party takes a necklace from one of the guests and makes good his escape. The guests and the police set out in pursuit but Max employs some novel methods and among others mounts a boat on the water chute and finally makes good his escape in a balloon which soars far out of reach of his would-be captors. This film is just cram full of novel situations and laughable episodes.
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Le serment d'un prince (1910)
Character: Jacques de Lacerda
A young prince secretly married to a gypsy girl is forced to disclose the fact when his father desires him to marry a wealthy girl. Cast out by his parents he is forced to earn his own living, and commencing in the streets as an acrobat he eventually becomes the star turn in a prominent vaudeville house. His father one night sees his son's performance and pleased with his success agrees to a reconciliation with him, his wife and little child. Max Linder plays the chief part in the film and his cleverness on the trapeze shows him in a new light
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Création de la serpentine (1908)
Character: The ballet master
In a living room, four contemporary couples from the time the film was shot dance a waltz under the direction of a violinist (Linder). They begin a minuet and their costumes change in a sudden. A man enters and seems interested in what he sees, casts a spell and everything disappears. Transforming himself into the devil, the visitor takes the violinist with him to hell, where he creates a large piece of silk out of a cauldron. The fabric unrolls, revealing a young woman in a silk dress that starts dancing the serpentine. While she dances, other women join in a synchronized ballet, before all of them vanish into bursts of flames.
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Max reprend sa liberté (1912)
Character: Max (uncredited)
"Max quarrels so with his wife that the lady leaves him. Our hero then attempts to do his own cooking, etc. He buys a fowl, but it proves to be still alive, and after he has chased it with a revolver, partly plucked it, shaved and finally half-roasted it, the bird is still alive and wings its way off. Max next turns his attention to blacking his boots, upsets the liquid blacking, spoons it up, and a minute later is using the same spoon to stir the broth. He writes for his wife to return home, but soon after sending the letter hears he is heir to a large fortune, and lives in the seventh heaven of delight - until his wife returns." (The Bioscope, Feb. 15, 1912)
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L'anglais tel que Max le parle (1914)
Character: Max
"Scene, a first-class railway carriage. Max and delightful girl alone. "May I smoke?" breaks the ice, and then Max brings all the arts of fascination to bear on the lady, who is by no means shy. Max calls next day. Her father is in the enamel bath and geyser line. Max is making love; a customer enters. Girlie hides Max in portable shower bath. Enter father, who is a good salesman. He turns on the shower - and Max. What a delightful comedian Linder is." (The Bioscope, Nov. 22, 1917)
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Max in a Taxi (1917)
Character: Himself
A wealthy alcoholic is disowned by his father for his drunken behavior. Now penniless, he takes a job as a taxi driver, despite not knowing how to drive.
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Max Wants a Divorce (1917)
Character: Max
Max is forced to choose between losing his newly wedded wife and a fortune. He hits upon a brilliant scheme: He will give his wife grounds for a divorce, secure the money and then make his ex-wife Mrs. Linder again. He goes through any amount of trouble in helping her to get the necessary evidence, only to find that it is all a mistake on the part of a stupid lawyer - the money and the wife are both to be his.
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La Petite Rosse (1909)
Character: N/A
Max Linder is an ardent suitor for the hand of a somewhat rampageous young lady. The gentle Max suffers sadly from her rough treatment, but at length he extracts the promise that she will marry him when he has learned to juggle with three balls.
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Un idiot qui se croit Max Linder (1914)
Character: Max
Auguste is cured! The doctor at the asylum said so. Delighted, his mother gives him a few coins so he can go out for a little entertainment. Auguste settles in a cinema to admire the great Max Linder. Enthused by the film, he goes off with the movie poster to make himself a suit like the star's. With a false visiting card, he goes to an agent, who sends him to the Comica film company. But the charming man is going to make a terrible mistake on his way… This comedy brings together two French silent film stars: Max Linder and Romeo Bosetti.
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Max décoré (1914)
Character: Max
Max is late for his own wedding, and, worse yet, has no shoes.
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Le chapeau de Max (1913)
Character: Max
Max has been invited to meet with his in-laws and must dress formally, but each hat he attempts to wear for the occasion gets destroyed.
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Max fait de la photo (1913)
Character: N/A
Max attempts to take a photo of a woman in a bathing suit, waiting while she swims around. He's waiting for her to emerge so he can snap the photo, but she fools him by diving beneath the sea and running ashore some distance away so he doesn't see her. He then goes to great lengths to rescue her from the deep while she hides and laughs.
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Max a peur des chiens (1912)
Character: Max
Max, who fears dogs, is chased by them through the city, over walls, and even up a chimney and onto a roof.
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Max et la statue (1912)
Character: Max
Max starts out at a costume store to get a costume for a party. He sees a suit of armor and purchases it. He wears it to the party and gets kind of drunk and passes out. In the meantime, a museum has a suit of armor ready for a new display. It is to be dedicated and some such. It comes up missing, so Max, passed out and still in his armor is put on display.
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Max lance la mode (1912)
Character: Max
Max, awakening on his wedding morning, discovers that it is close on the hour when he should be at the church. He dresses hastily, and in struggling with a refractory collar, allows his boots to be burnt by the fire. There is no time to change them, and he hastens off to the bride's house. On the way his soles part company with their uppers, and poor Max enters into negotiations with a passing labourer for the purchase of his footgear.
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Max ne se mariera pas (1910)
Character: Max
The film begins with Max being invited to dinner with his fiancée and future in-laws. To be polite, he stops on the way at a bakery to bring along a small gift for the in-laws. Unfortunately, he steps on some flypaper and has a devil of a time getting it off himself. When he arrives at the dinner, he's quite sticky and this causes LOTS of problems--which would have all been alleviated had he told them of his flypaper predicament. The title of the print gives the wrong date and title. Although there may well have been an earlier version with a similar plot (a number of films, which Max Linder made between 1905 and 1908, are still unidentified) it is quite clear that this particular one was made in 1910.
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Max joue le drame (1914)
Character: N/A
Max sees himself as a great dramatic actor but his friends all think he's talentless. So, he invites them to come see him in a play. Unfortunately, lots of things go wrong with Max's props during the production. And, following his big dramatic suicide scene, he finds that his friends have all decided to play a trick on him--though Max has the last laugh.
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Les Surprises de L'amour (1909)
Character: N/A
A man, his wife and their two sons are having a meal. One of the sons leaves the room pretending to be ill and collects a bunch of flowers form a cupboard and goes out. The other son takes a bunch of flowers from under his bed and he too leaves, followed by their father, also carrying flowers. The two sons and their father call on the same young women one after the other; as each arrives, the previous suitor is hidden in a piece of furniture: the father under a chair cover, one son in a cupboard and the other in a piano. A girlfriend of the young woman visits and the two play pranks on the hiding men by playing the piano and sitting on the chair cover. The three men emerge and the father chases his two sons outside until they remind him of his own folly; he gives his sons some money and urges them to keep silent.
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Le premier cigare d'un collégien (1908)
Character: N/A
The film is quite sophisticated for it's time with a relatively large number of scene changes as we follow Max's misadventures. It also features a close-up shot to show his reactions to the effects of the cigar he is smoking.
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Lèvres collées (1906)
Character: N/A
The setting is a postoffice. A well-to-do lady has brought her maid to lick the stamps. A man, the maid's love interest, is taken by the sight and, as soon as he can, attempts to kiss her. Unfortunately the lovers forgot about the sticky residue…
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Mon pantalon est décousu (1908)
Character: Dieutegarde
Max, a young man about town, splits his trousers while getting ready to go out one night. After applying some rather risky repairs without taking the trousers off, he gingerly heads off to a dinner party. Of course, disaster strikes almost as soon as he arrives, and he spends the rest of the film frantically attempting to hide the gaping tear in his trousers from the other guests.
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Max en convalescence (1911)
Character: Max
To reassure his fans, Max Linder has been filming with his family at his place of convalescence...
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L'Amour tenace (1912)
Character: Max
As a struggling artist, Max is not allowed to pay attentions to a girl by her father. Max decides to win by persistency, and it is a case where persistency meets obstinacy to come off victorious. The artist is required to follow the father and daughter through the Alps. He finally gets the old man's promise to give his consent to the marriage in payment for his rescue.
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Max et le sac (1917)
Character: N/A
Max being a gentleman and helping a lady in distress. Max willingly helps the lady recover her forgotten purse before the boat they're traveling on is leaving.
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Max cherche une fiancée (1910)
Character: Max
In this one, [Max] is on vacation and wooing a young lady, but she and her cousin decide to play a trick on him, by getting him inside a barrel, and then tossing it into the ocean.
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C'est Papa qui a pris la purge (1907)
Character: Man on park bench
Boy tricks his father into drinking castor oil. The latter is obliged to defecate in a series of unlikely places, to the evident disgust of members of the Parisian public. The status of this film is rather unusual, since it's not listed in the Pathé catalogues and never appeared in the French press of the time, but a surviving copy is preserved under the German title 'Der Kleine Schlaumeier'. It should not be confused with Gaumont's version "C’est papa qui prend la purge" by Louis Feuillade.
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Vive la vie de garçon (1908)
Character: N/A
A housewife tires of her husband's annoying behavior and returns to her mother. At first, the husband is quite pleased to have the house all to himself. But he quickly discovers that even the most basic domestic chores can be fraught with difficulty.
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Le Petit Café (1919)
Character: N/A
Max is a millionaire who is forced to lead a double-life as a waiter, the result of having lost a wager.
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Max, der Zirkuskönig (1924)
Character: Max Graf von Pompadour
Max suffers from drunkenness, but gets serious after he falls for the daughter of a circus director - who forbids her romance with an outsider.
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Ruse de mari (1907)
Character: N/A
According to the picture provided in the supplement to the catalogue February-March 1907, one of the performers in this film appears to be Max Linder.
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L'ingénieux attentat (1910)
Character: N/A
Max and Mick, two brothers, have prepared for a merry spree and are actually stepping into their cab when it occurs to them they are penniless. Lots are drawn to see who shall beard stern father and make the necessary touch. The choice falls on Max who is far from successful in his mission, and he communicates the bad news to his brother Mick, who after thinking announces that he has an idea.
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Max, Professeur de Tango (1912)
Character: N/A
Max is doing the Tango with Miss Leonora in a Berlin night club. Being impressed by the performance a german Baron asks him to give his family a dancing lesson. In the course of the evening Max gets drunk and is still fighting his hangover when he arrives at the Baron's house the next morning. Before the lesson Max asks them to follow his every move. But because of his condition he is making the weirdest gestures and all ends up in a great turmoil.
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Max Toreador (1913)
Character: N/A
Max Linder finds himself obsessed with bull fighting. This seems to echo the nature of the actual man, who is reported to have mastered most of the skills that his character attempts within a rapid amount of time; when you see Max challenging a bull or several towards the end of the film, you can be quite confident that it is the real Linder triumphing out on the arena.
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Max n'aime pas les chats (1913)
Character: N/A
In this one, Max is engaged to a girl -- called, as in all his shorts, 'Jane' -- and she loves her pussycat. She loves the lazy, immobile lump of fur in a way that only cat lovers can, and which is a mystery to us normal people. She pets it, she croons to it, she makes it play the piano --- 'presumably "Kitten on the Keys" and Max just hates it. Max is all reaction takes in this one and up to his usual standards, including one great gag to round off the picture.
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Le Pendu (1906)
Character: N/A
Suffering from unrequited love, Max hangs himself from a tree, and ends up hanging for hours while local townspeople squabble over whose responsibility it is to rescue him.
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Amoureux de la femme à barbe (1909)
Character: N/A
Théodore (Max Linder) visits a fair/circus and becomes infatuated with a bearded woman in the show. He is so taken with her that he joins the troupe and performs comic bits (including dressing in a bearskin as a "performing bear"). While caressing the woman's beard, it comes off and, realizing it is false, he promptly flees in embarrassment.
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Je voudrais un enfant (1910)
Character: N/A
Max and his wife of three years are happy in most regards but one: they still don't have a child. When Max reads of a new method of "spontaneous generation" in the paper, it seems his fondest wish may have come true. However, the young couple may get more than they bargained for.
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Les effets des pilules de Max (1910)
Character: Max
Max Linder is out of sorts and bad-tempered. He is rude to his wife, who tells him she will leave him. He sees an advertisement for pills which promote universal love and good fellowship and goes out to buy a box. However, he leaves it on the table and his wife helps herself, with the consequence that she feels impelled to kiss all the men she meets, leaving Max with three duels on hand.
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Max se marie (1911)
Character: Max
Max has just been married, but is about to be divorced, because at his marriage party he disgraced himself. Of course, the matter is a secret, but Max was most horribly annoyed with a persistent flea that located itself in his nether garments. So, retiring to a quiet spot, he removed both the garments and the flea, but, unfortunately, he was discovered in his seclusion. In the divorce court Max wins his case, but just how is too good to tell in a story of this sort.
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Trop aimée (1910)
Character: Max
The versatile Max Linder heads a novel chase in this film, the pursuers being three dogs, the pets of the comedian's fiancée. Max was dreadfully afraid of dogs anyhow, and of these dogs in particular, because they were jealous when their mistress caressed Max. On the wedding day he had them locked up, but they escaped and ran to the parlor, where the ceremony was in progress. Max fled through numberless streets, houses, rooms, and finally to the roof, where he gave up and sent back a note by the dogs declining to marry and be devoured. The picture amuses.
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Max a un duel (1911)
Character: Max
Max, the celebrated fun maker, is shown in another of his amusing playlets. His fiancée, ere she marries him, insists that he prove himself a hero by fighting a duel. Max has difficulty in finding an opponent whom he can defeat and his adventures constitute a comedy which is a scream from start to finish.
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Max est distrait (1910)
Character: Max
Max acknowledges his father-in-law's dinner invitation with a business memorandum to his horse dealer.
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Max émule de Tartarin (1912)
Character: Max
Max relates to Mona, staying for the winter sports in Switzerland, that he killed a magnificent bear on the previous day, but that the dogs ate it, skin and all; but for that, concludes Max, Mona should have had his skin. Mona is sceptical, and insists that Max shall shoot another bear.
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Max amoureux de la teinturière (1912)
Character: Max
Max is in love with a pretty girl, and one evening pays a stolen visit to his sweetheart's, whose father, a successful dyer, has to leave by a late train for the provinces...
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Un pari original (1912)
Character: Max
Max and his wife each blame the other for a nagging tongue. Max offers to bet his wife fifty pounds, even money both ways, that she will be the first to speak or make a sign after the acceptance of the bet. His wife accepts the wager, and the two young people allow their flat to be burgled rather than move or murmur. Max sits out the ordeal in agony, up to the time the burglar attempts to kiss his wife. Then, with a yell, he rises to punch the burglar's head. There is joy in the punch, but less in the drawing of the check.
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Le duel de Max (1913)
Character: Max
Max is in love with a charming girl, who also is already affianced to another. Does Max despair? Never. The debonair gentleman sets his wits to work to frustrate his rival's little game, and though he meets with several rebuffs in the end he is successful. Even then the rival, on the eve of his wedding, tries to turn the tables on Max, and very nearly succeeds, but with the little lady's help Max finally wins. The story is full of quaint and whimsical humour, which culminates in some exceedingly funny scenes before a mirror, in which Max sees strange visions.
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Max virtuose (1913)
Character: Max
Max loves a charming girl to distraction, but her father declares that his daughter shall never marry anyone but a musician. Max tries his hand at all kinds of instruments, only to fail lamentably. Eventually, he bluffs the professor by using a mechanical instrument, only to have his clever trick discovered on the evening of his betrothal.
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Max Comes Across (1917)
Character: Max
The adventures of Max Linder, some based on real events, some fictional, as he travels by ocean liner from France to America.
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Mes voisins font danser (1908)
Character: N/A
A young man is seen entering his room and from the many expressions on his worn face one could not doubt that he is just returning from one grand night with the boys, and is in no condition to be annoyed or disturbed. After administering to his wants in the form of headache tablets, he goes to lie down for a while and sleep the effects of the previous night off. In a room directly over him are a number of people conducting a rehearsal.
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Max manque un riche mariage (1910)
Character: Max
Max is about to make his first call upon a young lady, the daughter of distinguished parents, and he wants to make a good impression. As he dresses to go out he stoops over to fix his shoe and, horrors! He tears his trousers. Where? Well, in a most embarrassing place. He fixes them hurriedly, trusting to have his coat tails cover it, but alas, the coat is too short for this purpose. Nevertheless, he takes a chance and, arriving at the house has the butler make a close inspection. He seems to be all right and enters, but when he bows to his hostess he hears the sickening sound of tearing cloth and knows that his patch has given way. Max hastily seats himself and during the rest of the evening performs the most astounding feats to hide his terrible secret.
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Première sortie (1905)
Character: N/A
A young student goes to his father and asks for money. When this isn't enough he goes to his mother who gives him more. Happy, he meets his friends who are at a cafe with two young women. They eat and drink and the waiter comes with the bill and demands the student pay it. A fight ensues and he is brought back to his parents house in a carriage. His parents wake up and rush to their son who can't furnish an explanation.
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Max joue le drame (1914)
Character: N/A
When Max's friends doubt his acting ability, he invites them to a dramatic theatrical performance.
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Rencontre imprévue (1905)
Character: N/A
Both father and son want to meet their respective romantic appointments, without the other one knowing. The film is currently considered lost.
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Those Were The Days (1946)
Character: (self)
Reminiscences of the early days of cinema and films show in music halls, including extracts. (BFI)
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Max Linder Collection 1917-1922 (2014)
Character: N/A
Kino Classics and Lobster Films celebrate the legacy of Max Linder, a pioneer of comedy whom Charlie Chaplin referred to as "the great master." With his trademark silk top hat and cane, the French-born Linder blended slapstick with sophistication, and invested his films with a layer of cleverness that elevated them above mere knockabout comedies, paving the way for such multi-dimensional screen comedians as Chaplin, Buster Keaton, and Harold Lloyd. The collection includes four of Linder's American-made productions, meticulously restored from archival materials: THE THREE MUST-GET-THERES (1922, a parody of The Three Musketeers), SEVEN YEARS BAD LUCK (1921, a masterpiece of physical comedy), and the romantic farces BE MY WIFE (1921) and MAX WANTS A DIVORCE (1917). THE THREE MUST-GET-THERES U.S. 1922 Color Tinted 57 Min. Written and Directed by Max Linder
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Mariage au puzzle (1910)
Character: N/A
Max Linder and his fiancée, Madge, scheme to get a few minutes' lovemaking, for Max's prospective Pa-in-law is inclined to monopolize Max over a game of draughts or whist. First, they play a game of blind man's buff, and, while Papa is blindfolded, Max and his fiancée repair to the next room, and a blissful interval follows. Poor Papa is quite unable to catch anyone. At last the recreant pair steal back, and when Papa angrily removes his bandage the lovers are sitting demurely in different parts of the room. Papa is a little suspicious at first, but a new puzzle game which Max has brought diverts his attention. Seated around the table, they each set to work to unfold the puzzle. Papa soon becomes so preoccupied that Max and his lady-love are able so steal away. In a short time they return, and slip back into their seats, but Papa has not noticed their absence. He is overjoyed because he alone has succeeded in solving the puzzle, and has won the game.
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Un drame à Séville (1907)
Character: The Rival
The story tells of a matador, the leading figure in the Spanish bull ring, whose lady love proves fickle.
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L'homme au chapeau de soie (1983)
Character: Self (archive footage)
A documentary with many excerpts from the films of French movie pioneer Max Linder, narrated by his daughter.
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The Way of the World (1947)
Character: (Archive Footage)
A long-retired director of early silent films recalls his exciting career as a filmmaker.
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Max fait du ski (1910)
Character: Max
In a snowy Alpine district Max takes his first lessons in the art of skiing. He leaves the hotel with his skis fixed to his shoes, and his efforts and contortions to get through the door of his room are absurdly ludicrous. Finally he manages to get out and we see him making frantic efforts to maintain his equilibrium on the fairly gentle slope.
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Max jongleur par amour (1912)
Character: Max
Max proposes to a lady. Inexplicably, she insists she won’t marry him until he learns to juggle. At this news, Max goes home and tries to learn but is ultimately unsuccessful until he hatches an idea...
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Max entre deux feux (1917)
Character: N/A
The story is about Max who in holiday in Switzerland meets two young American girls. They're friends, the first one is blond, the other one is brunette. He falls in love with the two of them and decide to declare his flame first to the brunette then to the blond. When they realize the game Max is playing, they decide to play also. It is a delicate comedy between the three characters realized all in outsides (certainly around the Leman's lake)with a very good direction and very pretty images. The two unknown actress are also very charming. One of the best of Max Linder.
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Max et la doctoresse (1914)
Character: Max
Max visits a lady doctor for a chest cold and is alternately anxious and nervous and excited, in a romantic and sexual way, depicted by his clever pantomime.
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Le Roman de Max (1912)
Character: Max
The story is simple: Max and a pretty young lady, whom he has never met before, arrive at the same time at a luxury hotel on the Riviera, each for a little vacation by themselves. They are placed in adjoining hotel suites. Both Max and the pretty lady place their shoes outside their hotel room doors to be cleaned by staff, and the shoes fall in love.
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Roméo se fait bandit (1909)
Character: N/A
Based on characters from Shakespeare's play: When Juliet's father refuses to let Romeo see her, Romeo resorts to extreme measures.
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Au secours ! (1924)
Character: Max
Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters strange and nightmarish visions, but he is nevertheless on the verge of winning the bet when a phone-call brings startling news.
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Charlie Chaplin, le génie de la liberté (2020)
Character: archive footage
The whole world knows him. Burlesque comedy genius, popular actor, author, director, producer, composer, choreographer, Charlie Chaplin (1889-1977) used his talent to serve an ideal of justice and freedom. But his best scenario was his own destiny, a story written into the political and artistic history of the 20th century.
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Max pédicure (1914)
Character: Max
Coming to visit a girl, Max presents himself as a pedicurist.
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Les vacances de Max (1914)
Character: Max
Max is invited to join his uncle for a holiday, but he hasn't invited his wife, so he sneaks her in in his suitcase, always hiding her from his uncle...
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Max et son chien Dick (1912)
Character: Max
When Max, a newly married man, suspects that his wife may be cheating on him, he gives his faithful dog Dick orders to keep on eye on her when he's not at home.
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Max et sa belle-mère (1911)
Character: Max
Max and his young bride attempt to enjoy an Alpine honeymoon, despite the presence of her mother.
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Easter Parade (1948)
Character: Audience Member (uncredited)
On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.
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Max et Jane veulent faire du théâtre (1911)
Character: Max
Max is a stage struck youth, and because of a deep-seated desire to go on the stage, refuses to consent to a marriage his father has planned for him. The girl, whom Max has never met, is also stage struck, and entertains no wish of marrying him, though her mother is anxious to see her make the alliance. The parents finally manage to bring the young people together, and they, in turn, exert all their skill in an attempt to disgust each other. An accidental meeting between the two when they are off guard causes them to change their minds.
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Be My Wife (1921)
Character: Max, the Fiancé
Max is determined to woo Mary, despite her Aunt Agatha's disapproval. Then, Max and Mary become embroiled in the world of Madam Coralie, a prominent dressmaker-bootlegger.
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La naissance de Charlot (2013)
Character: Self (archive footage)
A look back at Charlie Chaplin's early life and career, from his rough childhood and music hall success in England to his early Hollywood days and the development of his enormously popular character, the Little Tramp, also called Charlot.
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La légende de Polichinelle (1907)
Character: Polichinelle / Ponchinella / Harlequin
Polichinelle the servant (called Harlequin in the English language version) rescues his girlfriend from a gang of decadent aristocrats, who have transformed her into a mechanical doll.
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All in Good Fun (1955)
Character: Archive Footage
Bob Monkhouse introduces the golden age of slapstick comedy.
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Max a Peur de L'eau (1912)
Character: Max
Max is in love with Lili, capricious bride who won't do his will until he has recovered the ring she launched into the sea. But Max is afraid of water...
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Seven Years Bad Luck (1921)
Character: Max
After breaking a mirror in his home, superstitious Max tries to avoid situations which could bring bad luck, but in doing so causes himself the worst luck imaginable.
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Życie i śmierci Maxa Lindera (2026)
Character: Self (archive footage)
An exploration of the dazzling rise and mysterious downfall of French actor and filmmaker Max Linder (1883-1925), the world’s first international film star and mentor to British actor and filmmaker Charlie Chaplin.
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Der Raub der Mona Lisa (1931)
Character: (archive footage)
This German crime drama was based on a true story. Willy Forst stars as a poverty-stricken Italian glazier who falls in love with French hotel maid Rosa Valletti. Struck by the girl's resemblance to Leonardo Da Vinci's Mona Lisa, Forst manages to steal the painting from the Louvre in hopes of impressing his sweetheart. But when the girl proves to be a fickle sort, the crestfallen hero confesses his crime and is carted off to jail. Unwilling to admit that he'd been led astray by a woman, Forst claims that he stole the Mona Lisa to restore it to his native Italy, and as a result is hailed as a national hero! Raub der Mona Lisa was distributed in the U.S. by RKO Radio, under the title The Theft of the Mona Lisa.
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Max à Monaco (1915)
Character: N/A
The extremely ludicrous adventures of an intoxicated man aboard a yacht.
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Max prend un bain (1911)
Character: Max
On doctor's orders Max buys a new bathtub, but Max struggles to fill it, and when he does, he can't bathe in peace!
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Le ratelier de la belle-mère (1909)
Character: N/A
Mother in law gets a new set of dentures. Despite being initially happy, the family soon discovers the teeth have a life of their own and jump from their owner's mouth and bite everyone who comes near--from ladies to gentlemen to policemen.
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Entente Cordiale (1912)
Character: N/A
Max and his friend, who came to visit him in Paris both fall in love with his new maid. The girl is very friendly, and while one plays the piano, she dances with the other - and they are so happy that even the decor dances at the rhythm.
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Max victime du quinquina (1911)
Character: Max
Max visits a doctor who prescribes a tonic (Bordeaux of Cinchona) for him to drink every morning. Upon returning home, Max sees a large glass which was left by his wife and labeled "Souvenir de Bordeaux". He consumes it its entirety after assuming that it was his medicine. Immediately Max feels much better. Hilarity ensues as Max goes about the day in a completely drunken state.
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