Audrey Diwan

Personal Info

Known For

Writing

Known Credits

0.4137

Gender

Female

Birthday

01-Jan-1980

Age

(46 years old)

Place of Birth

France

Also Known As
  • 奥黛丽·迪万
  • Audrey Diwann

Audrey Diwan

Biography

Audrey Diwan (born 1980) is a French film director of Lebanese origin. Prior to becoming a film director, she worked as a journalist and a screenwriter. In 2021, her film Happening won the Golden Lion at the 78th Venice International Film Festival in a "unanimous decision." Before filmmaking, Diwan was a junior editor at Denoël as well as publishing various novels. She wrote many books, which led her to become a screenwriter including How to Be Parisian Wherever You Are: Love, Style, and Bad Habits, Confessions d'un salaud, De l'autre côté de l'été, La fabrication d'un mensonge, Cléo de 5 à 7. Her directorial debut film Losing It premiered in 2019. Her 2021 film Happening was selected for the main competition at the 78th Venice International Film Festival, where it was subsequently awarded the Golden Lion, thus making her the sixth female director to ever win this award. Diwan was in a relationship with French director Cédric Jimenez, with whom she had two children, born in 2007 and 2008, respectively. Diwan and Jimenez separated in 2018. On 29 September 2023, Diwan announced her engagement to film producer Thibault Gast, with whom she has been in a relationship since 2021. She is a member of Collectif 50/50, a French NGO promoting equality between men and women in the film industry. Description above from the Wikipedia article Audrey Diwan, licensed under CC-BY-SA, full list of contributors on Wikipedia.


Credits

Viva Varda! Viva Varda! (2023) Character: Self
A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.
Chambre 999 Chambre 999 (2023) Character: Self
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Rire (enfin) au féminin Rire (enfin) au féminin (2024) Character: self
For a long time, in France, comedy was the preserve of men. Female roles were mostly secondary and corresponded to stereotypes such as the pretty doll, the funny but unattractive woman, or the troublesome, even cantankerous wife
D'Emmanuelle à Emmanuelle D'Emmanuelle à Emmanuelle (2024) Character: Self - director
« Emmanuelle » was released 50 years ago. Its main character, played by the young Sylvia Kristel, delve freely into her sexuality, without taboo. This bold movie became one of the great success of french cinema in the 70s, and Emmanuelle became the face of sexual liberation. Through the gaze of a woman, the character is back on the screen in 2024. This new Emmanuelle, written by Audrey Diwan, go in quest of a lost pleasure.



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