|
De mujer a mujer (1950)
Character: Enferma mental 1
As every year, the happy marriage of Luis and Isabel wakes up ready to celebrate her onomastics her and that of her daughter, unaware that the day reserves a tragic twist in the destiny of their lives, because the girl dies in a fatal accident. The impression is so strong that Isabel becomes mad until the point of being confined in a sanatorium. And looking for her health, the doctor forbids Luis to see his wife. He can only get news from her via Emilia, the young nurse who cares for Isabel.
|
|
|
La fe (1947)
Character: N/A
Father Luis Lastra is a young priest who does his job in the village of Peñascosa. There he meets Marta, a beautiful parishioner very interested in religious matters, so much that she convinces the priest to accompany her to the convent to become a cloistered nun. Along the way, they have to stop at an inn for the night and that's where Father Luis will test his faith.
|
|
|
Il peccato di Rogelia Sánchez (1939)
Character: Mariana
Rogelia, the orphan of an Asturian miner who died in a work-related accident, marries Máximo, a man as robust as jealous, drunk and violent. But when her husband is jailed, the woman will take advantage to escape with the doctor of the village so as to see the world and perhaps to form a family.
|
|
|
Así es Madrid (1953)
Character: Sabina
In Madrid during the fifties' the calm life from some neighbors will be changed since the arrival of Antonio, a man without scruples who lives running the risk.
|
|
|
¡A mí no me mire usted! (1941)
Character: Blasa
Anselmo is a teacher who, for his love to hypnotize people is fired from his job. When going through these bad times, he receives an inheritance from America and travels there to collect it. Although not much money, at least in America he gets an employment as hypnotist and ends having a great success. As a millionaire, he returns to his village to get married but things have changed.
|
|
|
Torbellino (1941)
Character: Sra. Zaldívar
Carmen, a young Sevillian woman who wants to succeed on the radio, arrives at a decrepit station that goes through bad times. Thanks to her, the radio station will get a much quoted prize.
|
|
|
Nosotros dos (1955)
Character: Francisca Pedrosa
After the death of her father, María returns to her hometown with Maria, her mother. Lupo and Beto fall in love with her, two brothers whose family is at odds with hers. While Beto tries to rape her, Lupo becomes the girl's protector.
|
|
|
La ironía del dinero (1957)
Character: Estefaldina
The finding of a wallet with a lot of money is the common theme of four stories, featuring a shoeshine from Seville, a clerk from Salamanca, a bullfighter from Cuenca and a newspapers seller from Paris.
|
|
|
Un caballero andaluz (1954)
Character: Señora Acacia
In the farmhouse Los Laureles, owned by Don Juan Manuel Almodovar, wealthy Andalusian landowner, everything is being prepared to receive José Luis, only child of Juan Manuel, who is being educated in a Jesuit school in England and is returning for a holiday with his father. Since the death of his wife, Juan Manuel has set all his love in his son. The father does everything his child says, even when he is asked to accompany him to the Venta del Remedio where a blind gypsy called "Colorín" lives. But at the after party a serious accident occurs
|
|
|
Novio a la vista (1954)
Character: Señora de Cortina
In 1914, a young woman is taken to a coastal resort by her parents to find her a suitable husband.
|
|
|
Jeromín (1953)
Character: Ana Medina
In the biography of John of Austria the Spanish hero of Flanders, brother of Philip II, as an argument, the tape is a praise of Spain Emperor Charles V and the values of Franco.
|
|
|
El bailarín y el trabajador (1936)
Character: Doña Rita
The wealthy father of a young girl who has a relationship with a boy who has just won a waltzing contest employs him in a factory in order to make him a profitable man.
|
|
|
El piyayo (1956)
Character: Irene
The Piyayo offers a calm and friendly reflection on the Providence by the streets of Malaga. He is a gypsy lover of tradition, rich in grace and with a spirit that exudes honesty. He lives offering company to all who listen to him through the city. And so the character touches for the quality and nobility of his feeling, while his conversations, in every corner of Malaga, remember everyone to have faith in Divine Providence, showing a practical lesson on the subject.
|
|
|
La calle sin sol (1948)
Character: N/A
Mauricio is a Frenchman who arrived in Barcelona fleeing from justice. He takes refuge in a hostel in Chinatown and falls in love with Pilar, the niece of the owner. When a murder is committed in the neighborhood, Mauricio becomes the prime suspect.
|
|
|
El clavo (1944)
Character: Old Female Witness
Spain, late 19th century. Judge Javier Zarco finds in a cemetery a skull pierced by a nail and suspects that a murder has been committed.
|
|
|
La gran mentira (1956)
Character: La Molina Neighbor #1
César Neira, an almost forgotten Spanish actor, gets involved by chance with Teresa, a teacher from a small village in the province of Cáceres, who has won a radio contest. The prize is a trip to Madrid to experience just for a fortnight the life of the famous and wealthy people.
|
|
|
Nuestro culpable (1938)
Character: La Directora
A burglar with a big heart is arrested in a banker’s house for a theft he did not commit.
|
|
|
La vida en un bloc (1956)
Character: María - la sirvienta
Dr. Nicomedes Gutiérrez carefully points out to the last detail everything that happens in his life. Doctor in a small village, he is in love with the village teacher, but, before getting married, he decides to treat himself to having his last fling.
|
|
|
La laguna negra (1952)
Character: Rosario
In a village in the mountains of Urbión, brothers John and Martin, driven by greed and abetted by Candelas, Martin's wife, kill his father and sink the body in the Black Lagoon. His wife and one daughter of the victim does not know anything. In the village would get missing. However, from now weigh a curse on the land for which they have committed the crime, predicting each year misfortunes and bad harvests.
|
|