|
L'arma (1978)
Character: collega di Luigi
Luigi, a middle-aged engineer who, getting increasingly worried about the rising crime rate in his surroundings, follows the advice and example of his sleazy drinking cronies to arm himself with the titular weapon; the problem is that he starts carrying – and, occasionally, brandishing – it with him everywhere.
|
|
|
Fantozzi (1975)
Character: Megaditta Employee (uncredited)
A good-natured but unlucky Italian is constantly going on a difficult situations, but never lose his mood.
|
|
|
Il poliziotto è marcio (1974)
Character: Cop
When mobsters try to put an honest policeman on the payroll, he seeks revenge on the mob. But, he soon learns that his actions, however honest, have dire consequences.
|
|
|
Il secondo tragico Fantozzi (1976)
Character: Megaditta Employee (uncredited)
The frustrating adventures of a humble employee who all the time has to fullfill the wishes and desires of his bosses.
|
|
|
Poliziotto sprint (1977)
Character: Medico dell'ambulanza (uncredited)
Maurizio Merli stars as a hot-shot police driver who has more guts than brains, often landing him in hot water with his middle-aged mentor, who was once a legendary police interceptor responsible for numerous large scale arrests.
|
|
|
Ah sì? E io lo dico a Zzzzorro! (1975)
Character: Marcel Abou
Spain, occupied by the French. Zorro, the intrepid swordsman, has an accident. As a result, his friend, Father Donato, is forced by oath to find a temporary replacement for him.
|
|
|
Attenti al buffone (1975)
Character: invitato al matrimonio
Biting, sadistic satire punctuates this dark comedy about a feckless musician named Marcello Ferrari (Nino Manfredi) whose wife Giulia (Mariangela Melato) and kids are stolen away by the domineering, fascist madman Cesare (Eli Wallach).
|
|
|
Toh, è morta la nonna! (1969)
Character: Pedrotti
Relatives brawl over the estate of a deceased grandmother who owned an insecticide factory.They stop at nothing, including bumping each other off.
|
|
|
Troppo per vivere... poco per morire (1967)
Character: Uomo in radazione (uncredited)
When Gordon Smash tries to get away with the loot from a successful diamond heist, his fellow conspirators shoot him in the back. Smash manages to get a clue to newspaper reporter Robert Foster, who sets of to retrieve the diamonds. Despite becoming a target for the rest of the gang, Foster prefers to rely on fashion model Arabella and news paper photographer 'Flash' instead of the more seasoned Inspector Chandler.
|
|
|
Il testimone deve tacere (1974)
Character: Un funzionario
De Luca is killed by Marchetti's chauffeur. Marchetti ordered the murder because he was to be accused by De Luca. The two have a car accident while going home to get an alibi. There is a witness, Sironi, who calls the police. But when the police arrive the car has gone and so have the two men. Inspector Santi and young judge Novelli look into the strange case. Marchetti, however, is a powerful man and Sironi and his family begin to be obsessed first by threats then by assaults.
|
|
|
Febbre da cavallo (1976)
Character: Tribunal Guard (uncredited)
Bruno Fioretti, known as "Mandrake", is an inveterate gambler who never misses a day at the horse racing track in Rome. He is doubly unlucky: he bets too much on one horse, and his wife is sleeping with his best friend because Mandrake is always at the track. Penniless and cuckolded, Mandrake decides to make one last bet.
|
|
|
La dama rossa uccide sette volte (1972)
Character: Hans, Spring Director
After the death of their grandfather, two sisters inherit their family castle, which is said to be haunted by the Red Queen, whom legend says claims seven lives every hundred years. When a mysterious woman in a red cloak starts targeting their circle of friends, the sisters begin to suspect there might be some truth to the legend.
|
|
|
Il giustiziere sfida la città (1975)
Character: Man in Gambling Room (uncredited)
A biker's brother is killed while investigating the kidnapping of a young boy, the byproduct of a war between two crime families. The biker vows to get revenge by finding the kidnapped boy and destroying the two families.
|
|
|
Il boss (1973)
Character: Doctor (uncredited)
A hitman finds himself embroiled in the middle of a Mafia war between the Sicilians and the Calabrians.
|
|
|
Amarcord (1973)
Character: Matteo (uncredited)
In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.
|
|
|
La linea del fiume (1976)
Character: Brigadiere P.S.
Rome, October 16, 1943. The Germans deport the relatives and friends of the little Giacomo Treves who fortunately escapes capture. The child is entrusted by a priest, Don Luigi.
|
|
|
L'etrusco uccide ancora (1972)
Character: Servant (uncredited)
A photographer on an archaeological expedition digging up Etruscan ruins in Italy begins to suspect that not all the Etruscans buried there are actually dead.
|
|
|
L'udienza (1972)
Character: N/A
Caustic satire on bureaucracy of the Vatican authority and a simple Italian who wants to achieve the audience with the Pope.
|
|
|
Inhibition (1976)
Character: Marito
After years of sexual humiliation at the hands of her sadistic husband and his friends, a wealthy heiress struggles to regain her sense of identity. To that end, not only does she become ruthless in business, but also delights in sexually dominating her young secretary, Anna. When she attempts to exert her sexual power over a blythe traveler, Peter Smart, he turns the tables on her, and she finds herself at the mercy of an unfamiliar emotion: Love.
|
|
|
In nome del popolo italiano (1971)
Character: Man at the awards ceremony during the newsreel (uncredited)
An obscure Italian magistrate suspects that a well-known industrialist commited murder, and decides to investigate him, and bring him to court, whatever it takes. But - will the magistrate have it in him to go against impossible odds, in the name of the Italian people he represents?
|
|
|
Milano Calibro 9 (1972)
Character: 1st Courier - François Doremat
Just out of prison, ex-con Ugo Piazza meets his former employer, a psychopathic gangster Rocco who enjoys sick violence and torture. Both the gangsters and the police believe Ugo has hidden $300,000 that should have gone to an American drug syndicate boss.
|
|
|
Divorzio all'italiana (1961)
Character: Man in the Square (uncredited)
Ferdinando Cefalù is desperate to marry his cousin, Angela, but he is married to Rosalia and divorce is illegal in Italy. To get around the law, he tries to trick his wife into having an affair so he can catch her and murder her, as he knows he would be given a light sentence for killing an adulterous woman. He persuades a painter to lure his wife into an affair, but Rosalia proves to be more faithful than he expected.
|
|
|
La via della prostituzione (1978)
Character: Uomo all'asta (uncredited)
Emanuelle returns to Kenya, trying to get an interview with a foreign gangster who's taken refuge in the African countryside while still operating an international criminal network.
|
|
|
Il terrore con gli occhi storti (1972)
Character: N/A
To gain fame quickly - three actors - Mino, Giacinto and Mirella, stage a fake murder (Mirella is the "victim"), then plan to find the "body" at the most opportune moment. Unfortunately, a real murder takes place in Mirella's apartment when a young woman named Margaret is killed. Having left abundant clues to the fake murder, Mino and Giacinto realise the only way to save themselves from jail is to find Margaret's killer. Despite the intrusions of a stupid police inspector, the two men discover she was killed by a mysterious "organization". Although every witness they try to question is killed by a hitman, they eventually unravel the mystery...
|
|
|
La poliziotta fa carriera (1976)
Character: ospite alla festa
Gianna Amicucci works in the house of the head of her hometown police force and enters the academy with a kickback from him. She is a beautiful woman (she generously sheds clothes during the film) and has to overcome her male colleagues prejudices, but she gains their respect through a series of brilliant operations.
|
|
