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El Látigo Negro (1958)
Character: N/A
When a ruthless gang terrorizes innocent townsfolk, a masked avenger known only as The Black Whip rises to deliver justice. Armed with his bullwhip and cunning disguise, he becomes the people's secret defender.
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El misterio del látigo negro (1958)
Character: N/A
A string of crimes threatens to expose the true identity of the mysterious vigilante. As suspicion grows, The Black Whip must outwit both villains and pursuers to keep his secret safe while continuing his fight for justice.
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Dos hijos desobedientes (1960)
Character: N/A
Meddling mom tries to set up her two cowboy sons to marry two sisters who are looking for domesticated, 'indoor' husbands that cook and keep house.
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Las interesadas (1952)
Character: N/A
Three young women sharing an apartment take in a man they injured in a car accident; while he's recovering, they also make friends with a homeless man. And then...
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El Padre trampitas (1984)
Character: Padre superior
Folksy, down-to-earth priest is willing to bend the rules & cheat a little, for the well-being of his parishioners. By the end of the movie, he's reformed the alcoholic, restored the foundling boy to his family, match-made the eligible youngfolks together AND saved his orphanage from foreclosure.
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Los apuros de mi ahijada (1951)
Character: N/A
Irresponsible playboy-type needs to cut down on his nightclubbing and his expensive women-friends and buckle down to his Uni studies. Meanwhile, his godfather...
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El ídolo (1971)
Character: Sr Corvino
The story of a magnate who is dedicated to doing shady business. This man is involved in a series of problems when his wife, his lover and his secretary find out about the relationship he has with each one.
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Ando volando bajo (1959)
Character: N/A
Two hot-shot pilots working for the same company get all competitive and ructious toward each other.
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The Last Rebel (1958)
Character: N/A
Mexican western film about Joaquin Murrieta, the Robin Hood of the West.
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Ahí vienen los gorrones (1953)
Character: N/A
Authorities close down a restaurant after a violent crime is committed on the premises; the employees look for new jobs and try to track down the murderer.
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El ánima del ahorcado contra el latigo negro (1959)
Character: N/A
A sinister legend comes to life when a ghostly figure haunts the countryside, spreading fear and chaos. The Black Whip confronts the supernatural threat head-on, battling both earthly enemies and a terrifying phantom.
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800 leguas por el Amazonas (1959)
Character: Fragoso (as Federico Curiel 'Pichirilo')
Family builds a houseboat and sets sail down the Amazon. Based on a novel by Jules Verne.
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Sígueme corazón (1952)
Character: N/A
A comedy of errors in which a young married couple finds themselves caught up in a web of intrigue when they take in a three-year-old girl whose grandmother is being slowly poisoned by another pair of crooks.
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Mil Máscaras (1969)
Character: Don Alejandro (uncredited)
A committee of four wise men trains the masked hero Mil Máscaras to defend the world. When someone kidnaps the members of the committee, the hero stops at nothing to rescue them.
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Superzan el Invencible (1971)
Character: N/A
The first solo feature of super-powered, "flying", telepathic luchador Superzan, in which he saves the world from three midget aliens in silver suits.
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Paraíso escondido (1961)
Character: N/A
Luis lives in the jungle with his parents and his many pets. His favorite pet is his monkey named Pancho. He finds a hide out where he and his friend Marta are able to discover new creatures and enjoy nature. His father Lorenzo orders him to get rid of his pets starting with his pet monkey.
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La Venganza de las Mujeres Vampiro (1970)
Character: Coroner
The vampire women of Mexico have awakened to take their revenge on the descendant of the man who destroyed them shortly after they had emigrated to Mexico during the 19th century.
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Los canallas (1968)
Character: uncredited
The "Hell's Angels" gang aim to kill Mil Mascaras for sending their leader's sweetheart to jail.
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El barón del terror (1962)
Character: Detective
In 1661 Mexico, Baron Vitelius is executed for witchcraft. 300 years later, during a comet's return, he resurfaces as a brain-eating monster seeking revenge on the Inquisitors' descendants.
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Los Gavilanes (1956)
Character: Perico
The story of two half brothers who do not know they are such, who fight over a woman and nearly kill each other. One of them belongs to Los Gavilanes, a group of men who live live hidden and looting to give to the poor. Revenge, love and hate will at the end bring out the truth and everyone will get what he deserves.
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Pablo y Carolina (1957)
Character: N/A
Torn between three lovers and bored by her typewriting classes, Carolina (Dillian) writes a passionate love letter to fictional Pablo Garza from Monterrey. The letter is sent by mistake and received by real Pablo Garza's girlfriend. Pablo himself (Infante) flies to Mexico City looking for an explanation. Carolina is rehearsing a musical show for her school dressed as a man. When Pablo meets her, she pretends to be her brother Anibal, a shy and feminine sailor. Pablo likes Anibal and invites "him" to a cabaret. After that, Carolina falls inlove with Pablo but resists to unveil her real self. Meanwhile, Pablo feels himself confused, because young "Anibal" is cute as an angel and has "those blue eyes..."
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Mecánica Nacional (1972)
Character: Nando
A mechanic takes his family to a car race and a series of events occur which brings problems, betrayals, violence and the unexpected death of an elderly person.
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El Suavecito (1951)
Character: Brillantina
Charming but unreliable, Roberto has earned his nickname "El Suavecito" through his constant flirtations and the easy way he moves through life, even when it causes pain to his devoted aging mother and his beautiful neighbor Lupita, who resists his overtures in the hopes he can learn to settle down and behave. When Lupita gains a steady and honest suitor in Carlos, El Suavecito can't resist trying to foul his chances with the help of the unscrupulous gambler "El Nene"--but it all goes badly wrong. This neglected noir asks whether a morally impoverished gangster is capable of redemption.
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