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Vaazhkai (1949)
Character: Ambujam
Meenakshi, an unwed mother, leaves her baby in Nathan’s car after her lover, Moorthy, abandons her. Though Nathan takes care of the child, his girlfriend, Mohana, becomes suspicious of him.
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இரும்புத்திரை (1960)
Character: N/A
Two brothers find themselves against each other when the younger one decides to form a union to oppose the unfair means used by the mill owner, whom the elder brother supports.
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Kalvanin Kadhali (1955)
Character: Kamalapathi's mother
In the quiet village of Poonkulam, Kalyani and Muthayyan are deeply in love. But fate takes a cruel turn when Muthayyan is wrongfully branded a dacoit and forced to live in hiding within the forest. Despite the danger and distance, Kalyani remains unwavering in her love, and the two dream of escaping together to build a peaceful life as husband and wife. Their hopes rest on the shoulders of Kamalapathi, a loyal friend and stage actor, who devises a clever plan to outwit the police and help the lovers flee. Disguises, deception, and devotion all come into play—but a tragic misunderstanding sets off a chain of events that none of them could have foreseen.
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ரத்தக்கண்ணீர் (1954)
Character: Mohanasundaram's mother
Mohanasundaram, a philanderer and drunkard, gets married to Chandra after he returns to India. Though he has a wife, he develops a relationship with Kantha, a prostitute.
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ஏழை படும் பாடு (1950)
Character: N/A
A small time criminal turns over a new leaf with the help of a bishop and starts leading a new life with a changed identity. When Inspector Javert finds out about this, he tries to expose him.
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Sahodari (1959)
Character: N/A
Pazhani has two children — Chandiran and Meena. Meena is married. Chandiran loves Pankajam. His father and grandmother want him to marry a relative girl, Thangam, who is very helpful to the family. But Chandiran marries Pankajam defying them. Although brought in for comic relief, the ever-loveable J. P. Chandrababu and his milkman character became the real irresistible pull of this family melodrama. Director A. Bhimsingh—a rare talent to have successes in both South Indian and Hindi cinemas—masterfully blends lightness and pathos.
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தேவகி (1951)
Character: Kunjammal
A man, who goes from rags to riches, forgets his humble past. However, his daughter's loyalty towards her poor and sick husband proves an eye-opener for him.
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என் தங்கை (1952)
Character: Gunavathi
Rajendran is left with the responsibility of looking after his family after his father's death, and uncle's deceit. However, his troubles do not seem to end due to several misfortunes.
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கப்பலோட்டிய தமிழன் (1961)
Character: Madasami's Mother
Chidambaram Pillai, a revolutionary leader, starts the first shipping company in India. With the help of this company, he fights against the monopoly of the British over maritime trade out of India.
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நடு இரவில் (1970)
Character: Mohanambal
A murder-mystery, in which the friend of a wealthy, elderly couple tries to bring about a reconciliation between them on the one hand, and their their estranged relatives on the other.
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கோமதியின் காதலன் (1955)
Character: Chinnaveli Lady Zamindar
Rajan loses his luggage in the train and ends up as a driver in Dharmalingam's family. He falls in love with Gomathy, the eldest daughter of Mullaivaasal Zamindar, his family's arch-rival.
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டௌரி கல்யாணம் (1983)
Character: N/A
Friends Ganeshan and Ethiraj have a falling out due to a misunderstanding. However, when Ganeshan is close to losing all his wealth due to his sister's marriage, he is forced to reach out to Ethiraj.
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ஆர்யமாலா (1941)
Character: Kali Devi
Kathavarayan is rejected by celestial girl named Ilankanni, but he tries to make her fall in love with him anyway.
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Kalathur Kannamma (1960)
Character: N/A
A landlord's son and a farmer's daughter fall in love and marry secretly in a temple. Since their love is not accepted by the families, they are forced to separate while their child grows up in an orphanage.
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சாது மிரண்டால் (1966)
Character: N/A
The bank manager gets into trouble when his old friend dies in the scuffle while trying to rob his money. He runs for cover and ends up in a drama troupe.
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