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Domingo em Família (1983)
Character: Hélio
An elderly couple, Dona Lu and Seu Souza, live in the district of Paty do Alferes, in a simple little house where they raised their children. When the tenant dies, the landlord's heirs evicted the couple, and it is up to the four children to decide their future.
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Irma Vap: O Retorno (2006)
Character: Francisco Machado
After many flops, theatrical producer decides to stage a former hit, "O Mistério de Irma Vap". But he is going to face many problems to find the right actors and get the necessary permissions.
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O Padre Que Queria Pecar (1975)
Character: Beto
Shortly before becoming a priest, a young man decides to run away from the seminary and goes to Rio de Janeiro. There he will face a series of problems, most of them related to carnal temptations.
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Improvisiert und zielbewusst: Cinema Novo (1967)
Character: Self
Originally produced for German TV, Improvised and Purposeful is a firsthand look at the "Cinema Novo" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.
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Depois do Transe (2006)
Character: Self
The documentary "Depois do Transe" covers the entire process of creating the masterpiece "Entranced Earth", which was released and awarded at the Cannes Film Festival in 1967. "Entranced Earth" charmed the world and won great admirers such as filmmaker Martin Scorsese and the writer Marguerite Duras, who at the time considered a "fabulous filmic opera."
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Um Homem Sério (1996)
Character: Narrator
Hilário Pestana, the most famous, funniest and, ironically, saddest Brazilian actor, has died. He has passed through many stages of Brazilian cinema: the chanchadas, the Vera Cruz classics, the pornochanchadas, and even experimental movies. He was beloved by the public and had a gift for laughter, but he only desired to be a serious man.
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Eles Não Usam Black-Tie (1981)
Character: Sartini
Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.
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Memórias do Grupo Opinião (2019)
Character: Self (archive footage)
Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.
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O Coronel e o Lobisomem (2005)
Character: Doutor Serapião
Colonel Furtado struggles to keep his lands, the Sobradinho Farm, and win the heart of his cousin Esmeraldina. In the process, he fights big beasts, experiences the taste of a bohemian life in town, fends usurers and thieves off, and uses all his cunning to get rid of haunting entities. His rival is the man he was brought up with, Pernambuco Nogueira, a werewolf.
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Eliana em O Segredo dos Golfinhos (2005)
Character: Skull (voice)
While filming a TV special about dolphins in Mexico, Eliana meets a biologist who warns her of an ecological danger, since the greedy Esquivel has stolen a crystal skull from the deep waters of the ocean. That's the start of a great adventure and a romance with the dolphin trainer.
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Esse Mundo é Meu (1964)
Character: N/A
The film follows two men living in a Rio de Janeiro slum: a black shoe-shiner and a white mill worker.
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Terra em Transe (1967)
Character: Aldo
Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
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