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Huellas del pasado (1950)
Character: Teatrero (no acreditado)
A young singer falls madly in love with a man, with whom she forms a family. Problems, however, are not long in coming when she receives unfair accusations.
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Los Caciques (1975)
Character: Crescenciano
A bad man holds the power of life and death over the inhabitants of a village... for no apparent reason... and he's fond of torturing them, tying them to crosses and leaving them to die. A cowboy with necromantic powers comes along and leads a rebellion to overthrow that reign of terror.
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Tin Tan y las modelos (1960)
Character: N/A
Ambitious non-starter gets a job as a bill-collector at a beauty-products company and tries to bluff his way into a management position, then tries a couple of other business schemes with minimal success.
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Pubertinaje (1978)
Character: N/A
Three episodes: 1) "A Christmas dinner" where the family members fantasize about being somewhere else. The fetishist father wants to put on feminine clothes. The son longs for another transvestite adventure. The daughter yearns to be a singer and destroy the saints of the church with her voice. The youngest son wants to stab everyone dead. 2) "Game of mirrors". Two young classmates kiss on a picnic, but the girl's brother accuses the couple of being immoral. Bizarre things develop. 3) "Tetrahedron". A very fat man faces his girlfriend's longing for love.
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Horas de agonía (1958)
Character: N/A
Nubile young woman seems to be quite free with her affections... but she has a deep, dark secret. Deep. Dark.
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De pecado en pecado (1948)
Character: N/A
This post-World War II drama, (released to a world-wide audience on July 9, 1949), is definitively unique for the caliber of each of its contributing writers, who are clearly better-known for their cinematic talents in black and white . For instance, the film's Director Chano Urueta ( who became an acclaimed actor in his own right), actually co-wrote the script along with one of its principal actresses, namely Esther Fernandez, as well as adding in the literary abilities of a well-known movie-producer of the era named Luis Marique.
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Dios los cría (1953)
Character: Espectador (uncredited)
Mrs. Nínive Cánovas Cannesi (Marshall) comes back from a long tour visiting Europe and not even realizes that her house is being inhabited by two jobless and homeless bandits (Tin Tán and Tun Tún) with master keys who had been living there worry free. They all share the house for a period of time, unknowingly to each other, in a series of well crafted and perfectly timed scenes where Catita and Tin Tán can be in the same room without seeing each other... When Tin Tán notices her presence, poses as the help, intercepting the real employees and sending to the north pole, literally. So now that Catita has them at her service, she can take time for her real goal, the foundation of a House for old people so they can live happy until the day they die, but Tin Tán and Tun Tún keep getting in her way and complicating everything...
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Su precio... unos dólares (1970)
Character: N/A
A woman hires four gunmen, Trinidad, Doc, Satan and The Renegade to rob a bank, but things don't work out as planned.
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Amor a la vida (1950)
Character: Román
During the times of Venezuelan dictator Juan Vicente Gómez, an exhausted stranger arrives at a farm and starts to help the owner with the legal status of her land.
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Amor salvaje (1950)
Character: N/A
Alma leaves Panama to go live with her aunt Antonia and with Manuel, her husband. There she meets Julio, who tries to woo her.
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La vorágine: abismos de amor (1949)
Character: N/A
It narrates the adventures of the poet Arturo Cova and his lover Alicia, a story of passion and revenge framed in the plain lands and the Amazon jungle where the two lovers scape from society, and which exposes throughout its plot the harsh living conditions of settlers and Indians enslaved during the rubber rush.
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Conquistador de la luna (1960)
Character: Old Bearded Scientist (uncredited)
Called to the home of a scientist to deal with a simple electrical problem, bumbling electrician Bartolo finds himself aboard a rocket headed for the moon!
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Un dorado de Pancho Villa (1967)
Character: Old Man
Villa's regiment demobilizes at the end of the Revolution, but the ruling faction in the provisional government isn't eager to see them reintegrate into civilian society.
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Superzan el Invencible (1971)
Character: N/A
The first solo feature of super-powered, "flying", telepathic luchador Superzan, in which he saves the world from three midget aliens in silver suits.
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El baúl macabro (1936)
Character: El mendigo
A crazed scientist tries to keep his terminally ill wife alive by transfusing into her the blood of young women he murders.
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El baúl macabro (1936)
Character: Periodista
A crazed scientist tries to keep his terminally ill wife alive by transfusing into her the blood of young women he murders.
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Me importa poco (1960)
Character: N/A
Anthropologist goes to small town to do field work supporting her theories about the primitive/subhuman origins of machismo.
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Atrás de las nubes (1962)
Character: Anciano ciego
All it says in my notes is "Like 'Juan Sin Miedo', only with soldiers." So... Army officer seeks revenge for... something...
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El Portero (1950)
Character: Hombre en velorio (uncredited)
Cantinflas works as a porter, who writes letters and speeches in his old writing machine to earn an extra money, despite the fact that he still goes to school. The sentimental issues come when Cantinflas falls in love of his pretty neighborhood (Silvia Pinal), who is handicapped and unable to walk. The thing wont be easy, because a young military man also has feelings for the girl. But the porter wants to see her happy, and he will become a sort of Cyrano De Bergerac, writing love letters to her signed by the young soldier. His plan is simple: to win money in the horse races in order to pay the operation which will make her walk again.
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El Fantasma del Convento (1934)
Character: Monje
Alfonso, Eduardo and Cristina get lost when visiting a forest. A strange monk finds them and takes them to an ancient convent. There, the three amigos suffer personality changes, specially Cristina who tries to seduce Alfonso in a strange coincidence to a story told by an old monk. After some efforts to escape, Alfonso is trapped inside a jail and more strange and macabre situations happen.
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Un Quijote sin mancha (1969)
Character: Anciano en el elevador (uncredited)
A lawyer trying to fix everyone's problems, instead causes problems, which always end up in funny situations.
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Caballero a la medida (1954)
Character: Mendigo (uncredited)
Cantinflas works as a model of tuxedos in a prestigious store, your job is to use the smoking in the street along with an advertising sign on his back. The use of smoking gives you access to exclusive places and meet important people. During this time, Cantinflas was the manager of an amateur boxer, it is an attractive nurse assistant and occasionally attending a priest in the church and the orphanage. However, a Cantinflas day while wearing tuxedo, is a rich man, who mistakenly believe that Cantinflas is a millionaire too.
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El Mago (1949)
Character: Asesino turbante (uncredited)
A slapstick fantasy of the amorous adventures of a magician a la Cantinflas.
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Santo contra los jinetes del terror (1970)
Character: N/A
After a group of violent lepers escapes from a sanitarium, - robbing several farms, residents of the town demand the the sheriff - take action. Meanwhile, a local criminal joins forces with the lepers - to commit even more robberies. As the disfigured madmen keep the - entire town indoors with its reign of terror, the sheriff has no - choice but to call on the only man who can help--legendary wrestling - superhero, Santo!
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Su Excelencia (1967)
Character: Don Milos Popovich (uncredited)
Lopitos, who is horribly inefficient but quick-witted, is invited (because of the current ambassador's superstition about 13 sitting down to a meal) to a banquet attended by the ambassadors of both superpowers. After the news of a series of coups d'état in Los Cocos arrives throughout the meal, Lopitos becomes the official ambassador. At a summit of world leaders, the representatives of the two world superpowers court the allegiances of third-world diplomats to tilt the balance of global power in their favor. The last diplomat to remain unaligned, Lopitos instead harangues the superpowers for infringing on the rights of developing countries to self determination, talking to them with his point of view as a citizen not as ambassador because he arranged his demise as ambassador one day before his speech.
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Los Fernández de Peralvillo (1954)
Character: Invitado a fiesta (uncredited)
A young man fails as a seller of household goods and his sister, tired of poverty, elopes with a criminal.
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La ilusión viaja en tranvía (1954)
Character: Pasajero (uncredited)
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!
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Nazarín (1959)
Character: Viejo preso (uncredited)
After hiding a murderer, a Catholic priest is forced into self-exile and decides to embark on a pilgrimage through the Mexican countryside.
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Caperucita Roja (1959)
Character: Aldeano
The classic story of the Red Riding Hood spiced up by a couple of funny characters like the dog Duke, companion to the girl in her adventures, and the stinky Skunk, henchman to the Wolf.
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La mansión de la locura (1973)
Character: Cult Monk
The inmates of an insane asylum take over the institution, imprison the doctors and staff, and then put into play their own ideas of how the place should be run.
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La hija del engaño (1951)
Character: Jugador (uncredited)
In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.
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La Bandida (1963)
Character: Cantinero
During a lull in the Mexican Revolution when Francisco Madero became president and attempted to implement land reforms, two former revolutionaries are pitted against each other for the love of the same woman.
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El ángel exterminador (1962)
Character: Passerby (uncredited)
A formal dinner party starts out normally enough, but after the bourgeois group retire to the host’s music room, they inexplicably find themselves unable to leave.
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Pedro Páramo (1967)
Character: Galileo
When his mother Dolores dies, Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister place, inhabited by mysterious voices and whispers…
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La vida cambia (1976)
Character: N/A
An unhappy marriage is complicated when hubby starts an affair with his sister-in-law. Darkest before the dawn...
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Presagio (1975)
Character: N/A
While attending the birth of Isabel, the wife of foreigner Felipe, Mama Santos predicts that "something terrible is going to happen in the town." From this omen, calamities will torment the locals.
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El hombre de papel (1963)
Character: Pepenador (uncredited)
A deaf and mute vagabond finds a large denomination bill in a Mexico City dump, and while he tries to buy something with it, others try to con him into giving it away.
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El águila descalza (1971)
Character: Anciano
Shmuck makes a superhero costume, rides his bike to crime scenes. He gets involved with something big involving US capitalists taking over local Mexican businesses.
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El bruto (1953)
Character: Empleado fábrica (uncredited)
A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.
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El tejedor de milagros (1962)
Character: Don Arcadio (uncredited)
Arnulfo is a man weaving baskets. Remedios has given birth in front of the house of a woman and her aid, but the village is spread the word that the child born as a child God and an atheist would think exploit to their advantage the "miracle ".
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Santo en el museo de cera (1963)
Character: Velador museo / Museum Caretaker (uncredited)
El Santo, the masked Mexican wrestler, investigates a series of kidnappings. He discovers that the mysterious Doctor Caroll is using the victims as part of his experiments to develop an army of monsters. Naturally, El Santo is able to overcome them all - with wrestling!
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La tijera de oro (1960)
Character: Anciano loco
The charitable Emilio is a jealous barber tries to prevent at all costs the rich toting Mario mess with his girlfriend Rosita. Although Emilio help with money from neighbors, gets entangled in a misunderstanding and ends up in jail but his friends are out of charge so much trouble.
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Faltas a la moral (1970)
Character: Mr. Jesús
A family in extreme poverty is forced to make a series of sacrifices in order to survive.
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