|
Huellas del pasado (1950)
Character: Antonio Quintero
A young singer falls madly in love with a man, with whom she forms a family. Problems, however, are not long in coming when she receives unfair accusations.
|
|
|
Perfume, efecto inmediato (1994)
Character: N/A
A cosmetologist invents a perfume that helps her sister seduce her boss. When her boss realizes the power of the perfume he will try to steal the formula.
|
|
|
Necesito un marido (1955)
Character: N/A
After being stood up at the altar, a young heiress hires a burglar to pose as her husband to help her save face.
|
|
|
Novia a la medida (1949)
Character: N/A
Door-to-door salesman falls for a young woman, implements hare-brained schemes to separate her from her fiance.
|
|
|
Cantaclaro (1946)
Character: N/A
A rootless wilderness-dude in the Venezuelan outback gets caught up in some human dramas despite himself.
|
|
|
La hija del penal (1949)
Character: N/A
A young woman who was born and grew up on an island prison-colony decides to move to the island and try life in the real world. Romance, bad luck and astonishing coincidences wait in her path.
|
|
|
Caminito alegre (1944)
Character: N/A
An elderly homeless man is welcomed into an Old Folks' Home and becomes acquainted with the dramas of several of his companions.
|
|
|
Ocho hombres y una mujer (1946)
Character: N/A
Eight shipwrecked men do the Robinson Crusoe thing on an uninhabited island... and then they're joined by an aviatrix whose plane conks out in their airspace.
|
|
|
Hermoso ideal (1948)
Character: N/A
Two Spanish children, boy and girl, make friends with a Mexican boy while on vacation. In adulthood, their friendship turns into a romantic triangle. Then bullfighting and the Foreign legion and stuff.
|
|
|
|
|
|
|
La loca (1952)
Character: Paul
Mentally-ill woman went over the edge 15 years earlier, as a result of family traumas and the disappearance of her daughter. Now, present day, evil relatives are trying to take control of money she's inherited...
|
|
|
Vivir para amar (1980)
Character: N/A
Rigo Tovar plays “Tony Franco”, a singer who rises to fame and balances his new lifestyle while trying to keep up with everyone back home.
|
|
|
Cuando Mexico canta (1958)
Character: Admirador de Lupe
Lorenzo Inclán, a famous Mexican songwriter, is torn between helping a girl become a famous singer or having a romantic relationship with her.
|
|
|
La edad de la tentación (1959)
Character: N/A
By the negligence of parents who not assume their responsibility in sex education, many lives are ruined
|
|
|
|
|
Mil millas al sur (1978)
Character: Mario
A former counterfeiter is trying to save his son, but he is pursued by the police and the mafia.
|
|
|
|
|
Como agua pa' longaniza (1997)
Character: Samuel
A butcher tries to trade his aunt's longaniza sausage recipe to a businessman, asking for his daughter in return.
|
|
|
|
|
Vivillo desde chiquillo (1951)
Character: N/A
A freeloader goes through a case of mistaken identity after a man tries to blackmail a married woman and he's caught in the middle of everything.
|
|
|
Más Buenas que el Pan (1987)
Character: N/A
After winning a bet, Lalo goes on vacation with his two daughters and his best friend, they will try to keep Lalo's daughters away from perverted boys.
|
|
|
|
|
Amor a la vida (1950)
Character: Ramiro Casimiro Soto
During the times of Venezuelan dictator Juan Vicente Gómez, an exhausted stranger arrives at a farm and starts to help the owner with the legal status of her land.
|
|
|
|
|
Teatro Follies (1983)
Character: N/A
Young dancer joins the cast of a musical-comedy production, falls in love with young comic actor.
|
|
|
Un gallo en corral ajeno (1952)
Character: N/A
A wealthy sculptor takes in a thief as a servant on her ranch, hoping to reshape him, but their situation is disrupted when she discovers a major robbery has taken place on her estate.
|
|
|
|
|
Ella y Yo (1951)
Character: Andres
Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.
|
|
|
|
|
Las cinco advertencias de Satanás (1945)
Character: Voz de Satanás
Satan plays a trick on two roues, telling them five things that are predestined to happen to them, but leaving out some crucial details. Then he sits back and laughs as they struggle against their preordained situations.
|
|
|
El que murió de amor (1945)
Character: Narrador (uncredited)
Magicians transfers two peoples' souls (or whatever you want to call them) into each other's bodies.
|
|
|
|
|
El valle de los miserables (1975)
Character: Prisionero
In 1909, former judge Cristóbal Zamarripa owns Valle Nacional, a tobacco plantation where he exploits workers with the support of the tyrant Porfirio Díaz, who sends him political prisoners as slaves. The others are lured with the promise of high wages, but end up owing everything to the company store. All are tortured, raped, or killed when they protest. Another landowner whose brother was killed by Zamarripa and who falls in love with one of his daughters is going to be punished, but he flees and becomes a revolutionary.
|
|
|
Las Perfumadas (1983)
Character: N/A
A gang of robbers sowing unrest in the city are attempting dislodge the police for a crime kingpin; the band are composed of three women and a business magnate.
|
|
|
|
|
Rosa blanca (1972)
Character: Gobernador
An international oil company comes into conflict with a Mexican ranch owner who refuses to sell his land, resorting to a devious scheme to try to take over the property.
|
|
|
Cuide a su marido (1950)
Character: Cándido Becerra
Alberto (Fernando Soler) is married with Rosario (Blanca de Castejón), who is a saint and doesn’t realize that her husband is a womanizer that has a lover, Elena (Leonora Amar), whom is an artist and works in the theater, but when Alberto tries to break up with her in order to have a relation with Alicia (Hilda Sour) everything starts to go south for him.
|
|
|
Abajo el Telón (1955)
Character: Julián
Cantinflas, who owns a cleaning business, cleans the windows of the house of a famous French actress. While carrying out his work he observes how a man steals one of the famous actress necklaces, but he can only see his back.
|
|
|
|
|
Tambien de dolor se canta (1950)
Character: Director Borcellini
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.
|
|
|
Twist: Locura de juventud (1962)
Character: N/A
The Legion Of Decent Decency is determined to shut down a nightclub where live rock and roll bands play and young people dance The Twist.
|
|
|
El Extra (1962)
Character: Director de escena azteca
Cantinflas is a man who hangs around the studios and helps anyone who needs his advice while at the same time envisioning his own versions of how certain scenes should be shot. Both angles provide ample opportunities for very witty, subtle barbs at the foibles of the industry.
|
|
|
Cartas Marcadas (1948)
Character: N/A
A tale of intrigue and deceit concerning two young lovers who, despite the fact that their relationship was originally founded on greed, soon discover that their feelings for one and other have grown more genuine than they ever expected.
|
|
|
Si yo fuera diputado (1952)
Character: Juliano Fraschetti
Cantinflas is a unique barber, who trades with an elderly neighbor, a lawyer by profession, laws lessons in exchange for haircuts and shaved. It proposes advice to defend in court the disadvantaged neighborhood. His success deputy seeks the votes as the other candidate, Don Próculo, it is not accepted by anyone but his own bodyguards. Don Próculo will use know how much ruse to win the election by the Council, and also for the love of 'Sarita'
|
|
|
|
|
Los tres huastecos (1948)
Character: Alejandro
This is the story of three brothers - a priest, a soldier, and an outlaw - that are raised separately by their godfathers once their mother dies. They cross their paths again when the soldier and the priest move into two towns near the town the outlaw lives in. The drama will unfold once the three brothers meet each other.
|
|
|
Pablo y Carolina (1957)
Character: N/A
Torn between three lovers and bored by her typewriting classes, Carolina (Dillian) writes a passionate love letter to fictional Pablo Garza from Monterrey. The letter is sent by mistake and received by real Pablo Garza's girlfriend. Pablo himself (Infante) flies to Mexico City looking for an explanation. Carolina is rehearsing a musical show for her school dressed as a man. When Pablo meets her, she pretends to be her brother Anibal, a shy and feminine sailor. Pablo likes Anibal and invites "him" to a cabaret. After that, Carolina falls inlove with Pablo but resists to unveil her real self. Meanwhile, Pablo feels himself confused, because young "Anibal" is cute as an angel and has "those blue eyes..."
|
|
|
Sube y baja (1959)
Character: (uncredited)
It is the story of a sportsman who is a little bit dumber than most people but nevertheless he succeeds in getting a job at a sports article saler's. Having this job is the beginning of a lot of funny problems he causes due to his dumbness.
|
|
