|
Con quién andan nuestras hijas (1956)
Character: Isabel
The story of a group of young people and the problems they face in modern society slowly begins to decline, due to family disintegration and loss of values.
|
|
|
Cruz de amor (1970)
Character: N/A
Mother works as a servant to send her daughter to an expensive private school. Naturally, the daughter meets the son of her mother's employer at a mixer...
|
|
|
La sobrina del señor cura (1954)
Character: N/A
A pregnant parishioner can't get her boyfriend to marry her and the home office thinks that foundling girl the priest took in is too old now to live under the same roof with him. It's always something, ain't it?
|
|
|
Mamá nos quita los novios (1952)
Character: N/A
Amanda, a widow, is a beautiful woman that finds comfort seducing every man in her path, including her daughters' boyfriends.
|
|
|
|
|
Dios nos manda vivir (1954)
Character: N/A
Everything-but-the-kitchen-sink melodrama: young widow suffers everything life can throw at her.
|
|
|
El impostor (1960)
Character: Elena
Cesar Rubio, a school teacher in the city, is fired for staying true to his ideals and values, and is also accused of encouraging rebellion among his students, who were demanding the principal's resignation through a strike.
|
|
|
La mujer X (1955)
Character: Elena
A woman accused of murder refuses to defend herself in any way, in order to avoid tarnishing the family name and the reputation of her long-lost son.
|
|
|
Las engañadas (1955)
Character: Elisa
Irresponsible playboy seduces a decent young lady with a fake wedding; he continues being a creep for the next 12 or 15 years.
|
|
|
¡Baile mi rey! (1951)
Character: N/A
Lower-middle-class ligger rescues a girl from her abusive father and practices for a high-profile dance contest.
|
|
|
El medallón del crimen (1955)
Character: Carmen Álvarez
Going out for a drink with the guys after work, a salaryman get in over his head with a gangster's moll and a murder.
|
|
|
Amor que mata (1994)
Character: Lupita
Diego is a young musician who lives the terrible death of his uncle to AIDS. While in his deep depresion he meets Gabriela, which brings back a smile to his face. Just when life seems more promising than ever, one beutiful night death once again took a toll on his life. It seems as though the phantoms of the past are never going to let him go.
|
|
|
Padre contra hijo (1955)
Character: Lucía
Eloisa works hard, sewing, to his son Juan de Dios. He learns that he is the bastard son of Cecilio, who owns almost a whole town named: San Juan de Dios, Durango.
|
|
|
Reclusorio (1997)
Character: Carmen Galicia (segment "Eutanasia o asesinato")
The human and divine justice are exposed through five real life stories related to the legal processes of a prison. The cases presented are: "I want to stay in jail", "Blood between women", "The raped prostitute", "The kidnapped policeman", and "Euthanasia or murder?"
|
|
|
Morir de pie (1957)
Character: N/A
A young woman gives herself to her boyfriend but is forced to marry an army officer, who takes revenge on him.
|
|
|
|
|
El ahorcado (1983)
Character: N/A
Three greedy relatives scheme for an inheritance and frame the good guy for the murder of the maker of the will.
|
|
|
El Rey de México (1956)
Character: Toña
A humble tramp is turned, for a couple of days, into the richest and most famous man in México.
|
|
|
El río y la muerte (1954)
Character: Elsa
A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.
|
|
|
Quinto patio (1970)
Character: Doña Blanca
Ramon is a guy who lives in a neighborhood, in the " fifth courtyard " in urban poverty. Nevertheless, aspires to the love of the daughter of his employer, a woman of another social class.
|
|
|
Tarzan and the Mermaids (1948)
Character: Aquitanian
A high priest tries to force a young beauty to marry a pearl trader who is masquerading as the god Balu.
|
|
|
El seminarista (1949)
Character: Mercedes Orozco
Returning to his home town, seminarist Miguel is forced to trade the robes for a charro costume in order to solve several problems that appear in his way, including the female kind.
|
|
|
Dicen que soy mujeriego (1949)
Character: Flor
Pedro has had many lovers but he only loves one of them, but this romance stop going on for his flirts with other women.
|
|
|
Zapatos viejos (1993)
Character: Miss Lucy
Young Gloria is abused by the Vitorina, hospice caretaker hosting it. She forces her to perform the heaviest tasks. Gloria is only happy in music class. When she grows decides to escape, and now she lives on the street with another girl, both singing in the trucks and try to survive.
|
|
|
Salón México (1949)
Character: Beatriz Gómez
Mercedes works as a cabaret performer to pay for her sister's studies. Problems begin when Mercedes and Paco, her exploiter, win a dance contest, but he refuses to share the prize with her.
|
|
