|
Doña Francisquita (1952)
Character: Doña Francisquita
Francisquita secretly loves Fernando, but he is in love with the beautiful and fickle Aurora.
|
|
|
|
|
El pendiente (1951)
Character: Hilda
Under the threat of blackmail, a young woman visits an ex-lover, only to discover that he's been murdered and the blame rests upon her.
|
|
|
|
|
La doctora quiere tangos (1949)
Character: Dra. Luisa Soler
Luisa Soler, a young and wealthy lawyer, travels to the province of Buenos Aires with her aunt Totona and there she meets a humble composer of tangos, Martín Salazar. The meeting between them creates confusion for his girlfriend and, after several moments of tension and strong arguments, Martin asks Luisa to clarify the situation with her fiancée. But when the lawyer decides to do something, it changes for both of them. Both realize that they love each other and that, beyond the different lives they lead, they will fight to be together.
|
|
|
Bajo un mismo rostro (1962)
Character: Inés Després
Two twin sisters have completely different ways of loving: to one love is profound, to the other is carnal.
|
|
|
Mi novia es un fantasma (1944)
Character: Juanita
A humble maid is confused with a millionaire from a misunderstanding in the hotel that works and a journalist falls madly in love with her.
|
|
|
|
|
El espejo (1943)
Character: Cecilia
Faced with her own reflection, a woman traces the events that led her to renounce love, and the sacrifices she has made for her mother and sister.
|
|
|
Safo, historia de una pasión (1943)
Character: Irene Benavídez
The relationship between an experienced woman and a youngster which develops in a passion and a further social rejection.
|
|
|
Vidalita (1949)
Character: Vidalita
In 1830, a young orphan lady poses as a man in order to meet the expectations of her uncle.
|
|
|
La patota (1960)
Character: Paulina Vidal Ugarte
A philosophy teacher is raped by her night school students.
|
|
|
|
|
|
|
Pasaporte a Río (1948)
Character: Nina Reyes
A thief commits a robbery and is seen by a showgirl who becomes a witness to the crime. The man finds her and forces her to help him take what he stole to Rio de Janeiro. With no other way out, she is sent on a boat to Brazil by the thief. On board, the showgirl meets a doctor with whom she begins a romance while the criminal falls in love with her.
|
|
|
30 segundos de amor (1947)
Character: Graciela Grajales
After running over a young man with her car, a girl is forced to kiss him for 30 seconds, in order not to pay the expensive fine.
|
|
|
Claro de luna (1942)
Character: Mirtha Aguirre
Two twins fall in love with the same man and he thinks he only loves one woman.
|
|
|
Tren internacional (1954)
Character: Margarita Sandoval / María de los Ángeles del Valle
A couple of thieves with a worldwide reputation start a dispute over a valuable necklace in a transalpine train.
|
|
|
El retrato (1947)
Character: N/A
A repressed woman, unable to give love, is possessed by the spirit of her lewd grandmother.
|
|
|
Los martes, orquídeas (1941)
Character: Elena Acuña
The story is based on Elenita, the younger of four sisters, young, timid and romantic. To try to change her character and give her an illusion, his father sends her weekly a bouquet of orchids making her believe they are from a secret admirer.
|
|
|
|
|
La cigarra no es un bicho (1963)
Character: Herminia, compañera de trabajo de Rubén
The vicissitudes of six different couples who arrive at a hostel in Buenos Aires called La Cigarra and are quarantined because of a supposed bubonic plague, causing all kinds of inconveniences and entanglements as a result of this forced coexistence.
|
|
|
Nadie inquietó más (2008)
Character: Self - Actress (archive footage)
A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.
|
|
|
María Celeste (1945)
Character: María
After a storm, the captain of a ship lets it float aimlessly until he reaches an island paradise.
|
|
|
En la ardiente oscuridad (1959)
Character: María
In an institution for the blind, a man rails against his misfortune, his energy and thinking distorted by a need to fight his blindness. Unhappy and unable to come to grips with his condition, he stirs a sympathetic chord in another blind inmate. She in turn, slowly enters into a relationship with him that starts to transform the ways he perceives himself and his blindness.
|
|
|
Como tú lo soñaste (1947)
Character: Catalina
A woman imagines that his son born after a one-night encounter with a butcher is actually from a renowned musician.
|
|
|
El amor nunca muere (1955)
Character: Virginia / "Señora de Menendez Rivas"
Three-episode film linked to each other by means of a medallion, where love is the engine that drives people to act the way they did.
|
|
|
Esposa último modelo (1950)
Character: María Fernanda Alcántara
When a young woman who knows nothing about housework falls in love, her grandmother and nanny make her seem like the ideal housewife in front of her boyfriend.
|
|
|
Soñar no cuesta nada (1941)
Character: Mirtha Rogelli, "Trencita"
Two girls without blood relationship but physically the same. One is shy and educated, the daughter of a good class marriage and the other is a very clever orphan but with terrible manners who lives in a kind of shelter.
|
|
|
Cinco besos (1946)
Character: Irene Rossi
Love affairs in a theater: vedettes, sweethearts of chorus and scandals that include a millionaire.
|
|
|
Un beso en la nuca (1946)
Character: Luisa Álvarez de Castro
A woman becomes delusional and fails to recognize her husband. She will fall in love with the doctor who is supposed to cure her, believing he is her real husband.
|
|
|
El viaje (1942)
Character: Alicia Castro
An architect goes on vacation and begins an affair with a young woman in a small town in Córdoba.
|
|
|
La casta Susana (1944)
Character: N/A
The wife of an officer receives a "prize for virtue" from one of her many lovers, causing several misunderstandings.
|
|
|
Adolescencia (1942)
Character: Elvira
A young man has to fight over his girlfriend with a newly arrived competitor, an older man who arrived from America.
|
|
|
Hay que educar a Niní (1940)
Character: Alumna colegio
A young woman pretends to be the daughter of a financier and enters a rich girls' college, where she commits a thousand mischiefs.
|
|
|
Con gusto a rabia (1965)
Character: Ana
A bourgeois lady has an affair with a revolutionary and idealistic young medical student who participates in the assault on a hospital.
|
|
