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Me cansé de rogarle (1966)
Character: N/A
Lucha Vazquez, a beautiful and wealthy young woman seems pursued by bad luck. She has had two boyfriends who died at the announcement of the wedding. Manuel, a young man from the same town is in love with Lucha, but she fears that if he falls in love, he will die too.
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Guitarras lloren guitarras (1965)
Character: Manuel, fratele mai tânăr al lui Juan
Juan from Altamira, Tamaulipas, arrives at the train station in the capital and is assaulted by Gus. As he finds only ten dollars in his wallet, he believes that Juan brings more money and offers him accommodation in his room to pay the rent. Juan is dedicated to singing and Gus makes his representative. Juan is successful singing together with Susana on stage and radio Azteca, but she does not correspond to his love. As she wants to succeed alone, she goes to Guadalajara but without success. Juan helps her and when she gets a heart illness, she agrees to marry him.
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Yo soy Chucho el Roto (1970)
Character: N/A
Bandit Chucho impersonates a variety of high-society figures to perform a series of playful swindles.
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La tumba de Matías (1988)
Character: N/A
Gambler with a heart condition races the clock to get his mausoleum finished. His wife and her lover wait on the sidelines.
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La garra del leopardo (1963)
Character: N/A
Variation on Zorro. Lawyer disguises himself to fight crime, using his secret identity to work on clearing a client and himself of criminal charges.
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Alma grande (1966)
Character: N/A
Yaqui Indian fights for justice in Northern Mexico. Adaptation of popular comic-book, first in series.
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Los bravos de California (1963)
Character: N/A
Zorroesque adventure pitting two swordsmen against a newly-appointed governor who wastes no time in displaying his despotic tendencies. Sequel to En El Viejo California.
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En la vieja California (1963)
Character: N/A
Bastard son kidnaps legitimate heir in attempt to suborn their father's estate... but a surrogate comes forward to impersonate the real heir while the other problem getss resolved.
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Ay Chihuahua no te rajes (1980)
Character: N/A
Guy from Chihuahua is hugely prejudiced against people from the state of Jalisco... until he finds out he has a son there. After that he figures out that he's only angry at one Jalisco family that did his grandpappy dirt, back in the day.
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Nos lleva la tristeza (1965)
Character: N/A
Love in bloom between two ranching families: boy A and girl B, boy B and girl A, the surviving grandparent of each family, their elderly man-baby house stewards, and the prize racehorse from each family all end up pairing off together. Transitory problems, inevitable happy solutions.
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Me he de comer esa tuna (1972)
Character: N/A
In rural Mexico, a young man competes with his best school friend for the love of a girl whose marriage has been arranged by her parents.
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La mujer del carnicero (1969)
Character: Juan Ramírez
During the Mexican Revolution, a butcher is forced to hide stolen train gold, but his wife pushes him into murder to keep it. Sparking guilt, paranoia, and a trap that tightens around them.
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Los Malditos (1966)
Character: N/A
White-hat cowboy takes down a Western gang-leader and his hired guns.
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Los tres calaveras (1965)
Character: Raul Prado
A Mexican music trío go through friendships and hardships in order to be famous and travel to Spain.
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Un Latin lover en Acapulco (1967)
Character: Roberto
Roberto is tired of his life as an office worker in Mexico City, so he moves to Acapulco to try his luck as a "Latin lover".
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El medio pelo (1972)
Character: Guadalupe Marcial
A woman who fancies herself an aristocrat rejects a potential suitor because he's not of her class. Also: their adult children have their own drama, a bit inflected with hippie-ish values.
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Seguiré tus pasos (1967)
Character: N/A
José María is an orphan child who lives in desperation until brother José finds him. The priest helps the boy channel his anger and transform his sadness into energy and love.
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Dos alegres gavilanes (1963)
Character: Martín
Alfredo B. Crevenna helms this charming romantic comedy about a pair of skirt-chasers wooing the two lovely daughters of a land baron — who rebuffs the young swains to protect his girls.
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The Bandits (1967)
Character: Valdez
Three Americans get involved into the Mexican fight against the French Intervention.
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Gatillo Veloz (1966)
Character: N/A
Quick-draw dude helps to protect a woman and her pa from predatory land-grabbing land-grabbers when they discover a silver mine on their ranch.
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Los parranderos (1963)
Character: N/A
Romantic complications and silliness when two farmhands are sent to the next town to track down their employer's daughter and baby-mama from thirty years earlier.
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La puerta y la mujer del carnicero (1969)
Character: Juan Ramírez (segment "La mujer del carnicero")
A movie divided in two segments, the first "La puerta" (The Door) is about a high society gathering in which a door inside the mansion leads to a bizarre corridor where a naked and menacing human figure appears. The second "La mujer del carnicero" (The Butcher's Wife) is set during the Mexican revolution and is about horrifying hallucinations felt by a lieutenant after committing a murder.
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El Quelite (1970)
Character: Agapito Renteria
Agapito, leader of the revolutionary movement of his state, comes to a town, kills all the federales, and gets a girl who was promised to him for his heroic deeds.
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Quinto patio (1970)
Character: Ramón
Ramon is a guy who lives in a neighborhood, in the " fifth courtyard " in urban poverty. Nevertheless, aspires to the love of the daughter of his employer, a woman of another social class.
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Angelitos negros (1970)
Character: Juan Carlos Flores
A racist woman who doesn't know about her own mixed heritage—even though she's lived with her black mother since birth—marries a pop singer. Everybody conspires to protect her from finding out about herself. It's not clear exactly why they do that.
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El último cartucho (1965)
Character: N/A
Dishonest business practices and corrupt local government lead a large number of townsfolk to set up an alternative village out in the countryside, from which to practice banditry and improvised social justice.
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