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El ropavejero (1947)
Character: N/A
Cirilo, a used clothes dealer, falls in love with Maria, who works as a cook in a house. One day they find by chance in the basement something that will change their lives.
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Gendarme de punto (1951)
Character: N/A
Don Timoteo Rodriguez is an old friendly but scared and outdated, whose office is the pedestal: According to his modest way of life, things are more important to the traditional and the past. Yet., Timothy has a son who's not at all like his name is Luis, a young reckless and vicious, whose bad companions take him away from the law. There will come a moment in which Don Timoteo have to forget about the old days and his son face the reality, but what will be the cost of having evaded?
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Cinco fueron escogidos (1943)
Character: N/A
Cinco fueron escogidos taking place in Slavko, a "peaceful town in Yugoslavia," with only Yugoslavians and Germans as characters, not a Mexican or Spaniard in sight. Another interesting point about Cinco fueron escogidos is the existence of an alternate version, shot in English with a different cast (at least in major roles). Sadly, this film, usually referred to as "Five Were Chosen" but sometimes called "Hostages" (not to be confused with the somewhat similar 1943 Hollywood movie with that title), appears to be lost. García Riera indicates the English-language version was screened in Mexico, at least for the press, but does not seem to have been released commercially in the Mexico or the USA. Since Herbert Kline was well-known for his leftist views, it's not surprising to note that many of the imported Hollywood actors were also left-leaning (and in fact more than one was blacklisted during the Red Scare era).
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Arriba El Norte (1949)
Character: Coronel Valente Cordero
Husband and wife are reunited after a twenty-year misunderstanding; their grown daughter has her eye on a fella.
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Mi candidato (1937)
Character: N/A
Young silversmith runs for office, butts heads with political machine that's sucking the town dry.
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El casto Susano (1954)
Character: N/A
Father and son are sober, responsible pillars of the community in their home-town... but they make frequent trips to the city.
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Las medias de seda (1956)
Character: N/A
Vineyard worker is happy when her long-estranged artist brother comes to visit her. But then...
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Pompeyo el conquistador (1953)
Character: N/A
Timid guy creates an alter-ego who will get tough with people while he continues being gentle and jolly.
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Tierra brava (1938)
Character: N/A
Financier threatens to foreclose on a cigar-factory's mortgage, but a secret benefactor pays off the owner's debt and saves the day.
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Esa mujer es la mía (1942)
Character: N/A
Two pen-pals decide to get married, but the groom cooks up a scheme to test his fiancee's moral fibr before they tie the knt.
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Mi adorada Clementina (1953)
Character: N/A
A woman in an unhappy marriage trades places with her grandmother's ghost; Grandma whupps the girl's husband into line AND proves to her own husband that she was innocent of the infidelity that he was suspecting when she died, fifty years earlier.
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Esos de Pénjamo (1953)
Character: N/A
When he hears how his grandfather left illegitimate children scattered all over the county, a young landowner is seized with an obsessive desire to make babies.
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Canción del alma (1938)
Character: N/A
Jose and Esperanza got married just before the Revolution blew up, and they got separated in the chaos, each assuming the other was dead. Six or eight years later...
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Ojos de juventud (1948)
Character: Don Pascual
A bad woman exploits her husband's love. Infidelity, illegitimate children, self-sacrificing fatherhood... Also: Cabarets!
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La virtud desnuda (1957)
Character: Don Zacarías Martínez
A certain young woman won't allow her virtuous reputation to be compromised... until her suitors agree to the price she sets on it. Twist ending.
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El que tenga un amor (1942)
Character: N/A
Victor must leave his life of partying and change his girlfriend, Lucero, for the bride that awaits him in his hometown.
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¡Que viene mi marido! (1940)
Character: Don Valeriano
Rom-com: collecting on a big inheritance "forces" a family to play games with their daughter's marital status.
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México de mis amores (1979)
Character: N/A
Anthology of clips from classic-era Mexican films, with reality-footage of elderly actors discussing their memories of the period.
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Azahares para tu boda (1950)
Character: Don Bodroz
During the time of the Mexican Revolution, the eldest daughter of a conservative family must respect the decision of her parents, and follow the traditions of using the wedding flowers her mother used.
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Caballo a caballo (1939)
Character: Don Espiridión Espérides
Two con-men end up at a country estate, where they thwart some jewel-thieves.
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El Gran Makakikus (1944)
Character: N/A
Uncultured nouveau- riche wants to be received in high society. Loose adaptation of Moliere.
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El barchante Neguib (1946)
Character: Neguib
Small-town Arabic family moves to Mexico City to live with the oldest son who made his career there. Follow-up (not a direct sequel) to El baisano Jalil (1942).
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Viviré otra vez (1940)
Character: Chufas
Card-sharks blackmail a dissolute young man into participating in a big robbery; his brother takes the rap for him.
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¿Quién te quiere a tí? (1942)
Character: Rogaciano Gutiérrez
Neither he nor she are very handsome, not to say ugly, and how they would like to be good looking to give and receive compliments, and that someone loves them.
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La gitana blanca (1954)
Character: Don Angelo
Nina, a gypsy girl, promised to the future leader of her tribe, falls in love with Roberto, a depressed violinist.
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El baisano Jalil (1942)
Character: Don Jalil Farad
Aristocratic but penniless, the Veradada have to resort to loans Lebanese businessman Jalil, whose son Selim, suffers the scorn of Martha, the daughter of the Veradada wasteful. Being invited to the house of Don Guillermom, Jalil and his wife Suan and Selim are teased and contempt. Finally, the Lebanese family worker puts in place the family of Don Guillermo ridiculous.
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Los nietos de Don Venancio (1946)
Character: N/A
A puritanical man travels to the capital to visit nightclubs and introduces himself as a bachelor, but to his surprise, he finds himself there with his wife.
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Dos pesos dejada (1949)
Character: Gabino
Comedy/melodrama: player runs out on his pregnant girlfriend, and her mother's boyfriend steps in to set matters straight.
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La familia Pérez (1949)
Character: Gumaro Pérez
Gumaro Pérez must fulfill all the whims of his wife, who is sworn lady of society even though the Pérez are not a wealthy family. In order not to look bad with his wife, Gumaro asks for a loan, but when he receives it, all his co-workers take it from him since he owes everyone money.
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La tía de las muchachas (1938)
Character: Goyo Becerra
Two middle-aged no-goodniks are trying to marry two young ladies; two age-appropriate young men concoct a scheme to prevent it, which involves one of them masquerading as the young ladies' aunt.
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Mil estudiantes y una muchacha (1942)
Character: Atenedor Soriano
The dream of Atenodoro is to be a professor at the Faculty of Law. The students show enthusiasm for Ana, the professor’s daughter. Atenodoro resigns from his class, and the students try to make him return by pretending to be the rector and his family.
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El sombrero de tres picos (1944)
Character: El Corregidor
The corregidor, or magistrate, of a small Spanish village tries to seduce the miller's wife, with rather humorous results.
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Del can-can al mambo (1951)
Character: Don Susanito Llueve o Truene
Young man convinces his conservative uncle that trendy modern stuff is fun.
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El ángel negro (1942)
Character: Don Luciano
Despite the strange death of Jorge's previous wives, Elisa decides to marry him.
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Al son de la marimba (1940)
Character: Agapito Cuerda
A broken high society man tries to keep his family expensive lifestyle by tricking a rich man from out of the town to marry his well intended daughter.
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¡Ay, qué tiempos señor don Simón! (1941)
Character: Don Simón
A not very grief stricken young widow flutters her hand fan between a dashing young soldier and an elderly politician in this Belle Epoque era musical comedy.
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Los Hijos De Don Venancio (1944)
Character: Don Venancio Fernández
Spanish immigrant wants his sons to join him in running his business, but they all have other ambitions.
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Cada loco con su tema (1939)
Character: Justiniano conquián
Julio Cesar (Enrique Herrera), writer of soap operas, is very upset nerves. Dr. Jimenez (Alberto Galán) recommends an institution that will give he a therapy to cure these scares. To avoid exposure to bad publicity, is camouflaged by the pseudonym Justiniano Conquian . By chance, a taxidermist (Joaquin Pardavé) also named. His case is different: it is a millionaire heir heritage potential, but will only be legally recognized if it meets a peculiar condition in the will, having to spend a whole month in the gloomy castle Conquian, competing with other heirs of fortune. Dr. Jimenez is bribed by a cousin of Justinian to send the false Conquian scares Castle into thinking that is the sanatorium.
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La reina de la opereta (1946)
Character: Don Margarito Pimentel
Mario marries Blanca, the queen of operetta, but after their daughter is born, they separate and she leaves on a world tour to continue her artistic career. Meanwhile, he stays behind and waits with the baby until they reunite again.
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Una gallega baila mambo (1951)
Character: N/A
Ladylike widow hires a roughneck neighbor to help her marry off her daughter and collect an inheritance by impersonating her husband.
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México de mis recuerdos (1944)
Character: Don Susanito Peñafiel
After listening to the waltz "Carmelita", dedicated to his wife, President Diaz instructs Don Susanito seeking the composer Chucho Flores to give her a piano. Don Susanito located Chucho, a bohemian who lives drunk and surrounded by poets and artists. Don Susanito was named patron protector of artists and aspiring young stars of the stage, which leads to a series of adventures in the middle of songs, dances and loves.
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Reportaje (1953)
Character: Thief with arabic accent
Reporters compete for cash prize awarded for biggest scoop on New Year's Eve.
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Una gallega en México (1949)
Character: N/A
The Galician Candida has a bakery in front of the butcher Robustito, who constantly berates although children of both Aurora and Rodolfo are in love. In the neighborhood where they live, the neighbors prepared a joke to the galician girl. She gets angry Robustito hard time believing him guilty of what happened.
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Cuando los hijos se van (1941)
Character: Don Casimiro
Unjustly accused of theft, the noble Raimundo is forced to leave his paternal home. A new incident, caused by the ambition of his brother José, causes Raimundo to be disowned by his girlfriend María and by his father, the just and strict Don Pepe. The only one who believes in Raimundo is his mother, Dona Lupita, a woman who suffers deeply because of the wrong decisions of her children.
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La zandunga (1938)
Character: Don Catarino, el alcalde
It is the story of a beautiful Tehuana woman who falls in love with a sailor who leaves with the promise of returning, but due to her delay she decides to accept a former suitor as her husband. Finally, when the marriage is about to materialize, the sailor returns creating an emotional conflict in her that is resolved thanks to her fiancé who, by intuiting her true feelings, leaves her free to stay with the sailor
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Mi campeón (1952)
Character: Don Choforito Moreno
Catita is a simple and poor woman who dreams of that her son stands out on something important to help her out of his humble. But she opposes to him being boxer, therefore constantly fighting with her husband.
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El mil amores (1954)
Character: Chabelo
Carmen has a daughter, Patricia, who attends a school for young ladies where they think Carmen is married to a sailor. Viviano is a friend of Carmen and when she needs it, he poses as the father of Patricia and she believes is her father. Actually, Viviano is engaged with Marilu
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Yo bailé con Don Porfirio (1942)
Character: don Severo de los Rios / don Placido
Light comedy in which Joaquin Cortes and Mapy Pardavé join their talents, written and directed by Gilberto Martinez Solares. It deals with the life of a pair of twins from a provincial family who emigrated to the city, then one begins to work in a music magazine and occasionally is confused with her sister, which causes problems with their respective boyfriends.
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Ahí está el detalle (1940)
Character: Cayetano Lastre
Cantinflas, the boyfriend of the servant of a rich industrial man, gets into the house in order to kill a mad dog. Suddenly this man appears so the servant tells him that Cantinflas is his wife's brother (Leonardo), who had been lost for years. The rich man then remembers that his father in law's testament could only be paid when all brothers get together, so treats Cantinflas, a real bum, as a king.
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Club de señoritas (1956)
Character: Don Susanito Peñafiel
Lonelyhearts advisor on a tv show becomes feminist icon and movement-leader.
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En los tiempos de Don Porfirio (1940)
Character: don Rodrigo
In a Mexican city at the end of the 19th century, Don Francisco, a gambler and a bohemian, almost forgets his wedding and is late. The bride, who is pregnant, is sent to Paris by the snubbed family.
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