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गीत (1970)
Character: Champavati 'Champa'
Delhi-based Kamla lives a wealthy lifestyle along with her widower dad, Dindayal, and is a popular stage singer and dancer. She goes for a holiday in scenic Kulu, meets with flute-player and singer Sarju, and both fall in love with each other and both decide to get married. Kamla returns home and convinces her employer, Kunver Shamsher Singh, to let Sarju also sing on stage. Shortly thereafter Sarju and his sister, Janki, move in with them. Sarju is given a new look and name, Suraj Kumar, and soon Kamla and Suraj become a popular stage and singing pair. Kamla arranges for Janki's marriage with Agra-based Ashok, while her dad also finalizes her very own marriage with Suraj on the same day. On the way back from Agra, Suraj's has an accident, he does survive but is grievously injured. After he recuperates he finds he cannot speak due to a brain blood clot. Janki's marriage takes place and she re-locates to Agra.
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नौ दो ग्यारह (1957)
Character: N/A
A sleep suspense thriller, from Vijay Anand (his directorial debut), Nau Do Gyarah is the story of Madan (Dev Anand) on his way to Bombay to inherit his uncle's estate. On the way, he picks Raksha (Kalpana Kartik), who has run away from home, rather than be married to a man she does not like. On reaching Bombay, Madan finds his uncle dead, and the estate taken over by Kuldeep, his aunt's nephew. The new will is missing. Madan has to find out, what really happened to his uncle and the missing second will. S. D. Burman's compositions embellish this fast paced and stylish thriller.
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Jaali Note (1960)
Character: N/A
High-minded and hardworking Inspector Dinesh Kumar (Dev Anand) is assigned to crack the case of a notorious band of counterfeiters. Risking life and limb in pursuit of the criminals, he goes undercover to infiltrate the gang and bring them to justice. Along the way, he finds romance with a beautiful journalist (Madhubala) and makes a shocking discovery that resonates with personal meaning.
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Dil Daulat Duniya (1972)
Character: N/A
Udharchand Shikarpuri is a homeless man who lives in Bombay albeit under the roof of multi-millionaire Seth Kalidas, who six months away in his palatial house in Mussoorie. For the 4th time in his life, Udharchand 'moves' into Kalidas's Mansion along with his dog, Chicko. He meets and befriends two other homeless men, Raju and Vijay, and invites them to live with him. Shortly thereafter, one night the trio find that a female thief has broken into the mansion, they confront her, find out her name is Roopa, feel sorry for her, and invite her to also live with them. Subsequently, Raju's wife, Kiran, his son, and sister, Rita also move.
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Afsana (1966)
Character: N/A
Gopal escapes from prison and finds shelter hos Shekhar, a man who hates all women.
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Phool Bane Angaare (1963)
Character: N/A
Committed to taking care of her widowed mother and younger brother, Usha tells her sweetheart, an army officer, that she cannot marry him until her brother has grown up and can take care of himself.
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Ek Hasina Do Diwane (1972)
Character: N/A
A wealthy and educated wife gets physically abused by her husband, but must agree to live with him for 15 days in order to get a divorce.
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Samadhi (1972)
Character: Kalavati
Lakah Singh gives his life of a Dacoit and lives a happy life with his wife Champa when his son Jaswant becomes three years old, Champa becomes ill with cancer and circumstances force him to be again a Dacoit.
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Ujala (1959)
Character: N/A
An honest man dreams of a better life for his family, but a childhood friend leads him into a world of crime that keeps happiness just out of reach.
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Tarzan and Cobra (1987)
Character: N/A
Prof. Ram Dayal, his assistant Johnny and daughter Leena go to the jungle in search of Cobra Tribe's treasure. Jojo and Bakona, a pair of crooks, follow them secretly. When the party enters the jungle, Tarzan, the king of the jungle, takes Leena away to his hideout. The Professor and his party search for her. Leena is treated well by Tarzan and they fall in love. When the party sees Tarzan they want to kill him, but Leena saves him. Later the party must deal with the two crooks, betrayal among them, and the Cobra Tribe.
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Pehchan (1970)
Character: Ganga's prospective bride
An impossibly innocent villager named Ganga comes to the big city to find a girl who would agree to become his wife. The first girl he meets is actually a troubled prostitute named Champa whom he manages to rescue from the brothel she has been in for some time. He takes her home and in a most typical Hindi film style, announces her as his sister. Along with them lives a crippled middle-aged man. Ganga falls for a beautiful girl named Barkha, and her parents agree to have them married, but alas, Barkha's brother Rakesh identifies Champa and the marriage is cancelled as a result.
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Rangeen Raaten (1956)
Character: N/A
Rangeen Raaten is a 1956 Hindi film starring Shammi Kapoor, Mala Sinha and Geeta Bali in lead roles. The music was composed by Roshan.
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Marine Drive (1955)
Character: N/A
After having their goods confiscated by the police a couple of smugglers come up with a plan to recuperate their losses
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Jhoola (1962)
Character: N/A
Dr. Arun lives with his brother, Madhu; dad Judge Ramkrishan; and mom Kamla in a palatial house. He decides to help the poor and the needy and in order to do this he re-locates to a small town, where he meets with a young nurse named Sumati and both fall in love with each other. Sumati lives with her mom, Laxmi, and has no father. When Kamla starts looking for a prospective bride for Arun, he informs her that he has given his heart to Sumati. Ramkrishan sends for Laxmi, who gladly accepts the invitation. After her meeting, Arun inquires about the results with his mom and dad, and is told to forget about Sumati and marry someone else. When Arun asks for a reason behind their refusal, they refuse to divulge any information. The question remains, why did his parents turn down Sumati's mom, and what exactly happened during that meeting with her?
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Danka (1954)
Character: N/A
The arrival of a single proclamation throws a peaceful community into chaos, as one courageous voice is forced to take a stand against injustice, drawing the wrath of powerful, hidden forces.
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Police (1958)
Character: N/A
When an airplane brings ex-dacoit Rangooni (Pradeep Kumar) from Singapore to Bombay, Inspector Mehra (Raj Mehra) looks upon Rangooni's return with well-founded suspicion. His arrival in Bombay disturbs the activities of a gang of jewel-theft specialists, led by man-about-town-Ramesh (Anwar Hussain). Manju (Madhubala), daughter of Bahadur Sunderdas, who has encountered Rangooni many times, is excited by the prospect of getting the dacoit arrested and hopes to get a lot of publicity by so doing.
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कश्मीर की कली (1964)
Character: Rama Devi
A rich young man woos proud girl against her father's wishes.
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Naya Din Nai Raat (1974)
Character: N/A
Sushma believes that she is too young to get married, but her father, Lalla Banarsilal insists, and she runs away. Her adventures take her to a lonely wealthy widower with a cute daughter named Guddi; a drunken lout in a brothel; Dr. Kruparam, a psychiatrist, who admits her in his mental hospital; a dreaded bandit who has killed his tormentor, cut him into pieces and fed them to birds, and who still on a killing spree; Pandit Gorakhnath who lives a double life - as a priest and as a smuggler; a leper Dhanraj, who once was a very wealthy man, but is now shunned by everyone; a transvestite stage actor; and a hunter who saves Sushma's life by shooting dead a man-eating lion. As things spiral out of control for Sushma, there is yet one more male she has to meet, and it is this meeting that will change her life even more.
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आखिरी खत (1966)
Character: N/A
An estranged husband refuses to take up his son's responsibility after parting ways with his wife. But when he receives the news of his wife's death, he sets out in search of his son.
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Godaan (1963)
Character: N/A
An impoverished farmer struggles to buy a cow. Based on Munshi Premchand's novel "Godaan".
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कन्यादान (1968)
Character: Bansi's Mother in Law
Amar and Rekha fall in love, but their happiness is endangered when Rekha discovers that she was already married as a child.
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Agar... If (1977)
Character: N/A
Bombay-based Anil Agarwal lives a very wealthy lifestyle, mostly from wealth, estate, and business inherited from his grandfather, along with his wife, Anju, and a school-going son named Jimmy. One day while at the beach a stranger named Vijay Sohni, rescues Jimmy from drowning, refuses to accept any compensation, but is invited to live in the palatial house of the Agarwals indefinitely, which he accepts. Anil's garage owner friend, Daver, cautions him against Vijay, as he has been seen making advances to Daver's wife, Suman. Anil decides to pay close attention to Vijay, and does find him getting closer and closer to Anju. He decides to ask Vijay to leave, and even gives him some money, when Daver bursts in accusing Vijay of having an affair with Suman, an argument ensues, which regresses into fisticuffs, Anil hits Vijay on his head which leads to his death. Daver disposes of the body, and both decide not to tell anyone about Vijay's disappearance...
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गुनाहों का देवता (1967)
Character: N/A
A drunkard falls in love with a girl, who takes on the responsibility of making him better.
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Aap Ki Khatir (1977)
Character: N/A
A young couple strapped for cash get in over their heads trying to repay a loan.
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Abana (1958)
Character: Nanu Maa the Fat Lady
Two friends, one rich and one poor, are torn apart by love, jealousy, and the Partition of India. Misunderstandings separate them, but years later, a hidden act of sacrifice leads to forgiveness and reunion.
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परदेस (1950)
Character: Ramdhan's Wife (as Uma Devi)
A teacher falls in love with a wealthy girl but decides to go away from her to earn money.
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यहूदी की लड़की (1957)
Character: N/A
Yahoodi Ki Ladki (The Jew's Daughter) is a Hindi drama film directed by S.D. Narang, starring Madhubala and Pradeep Kumar as leads. The film became a silver jubilee hit on its release in January 1957.
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Andhera (1975)
Character: N/A
A killer with a metal glove stalks a group of gangsters responsible for the torment and mutilation of a man and his mother.
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Dil Aur Mohabbat (1968)
Character: NCC Team Capt.
Widowed by the sudden passing of his wife, Superintendent of Police, Choudhry, brings up his son, Rajesh, on his own, teaches him all known good values, and when he grows up sends him to College in Bombay, and remits money to him regularly. Choudhry would like to transfer to Bombay Police, so that he can be close to his son, and then one day out of the blue, his transfer is approved, and a delighted Choudhry writes to his son to pick him from the railway station. Upon arrival in Bombay, he does not find his son at the Railway Station, but when browsing through a newspaper he sees his son's photograph - wanted for the murder of a card-sharp. Shocked and dismayed, Choudhry attempts to piece his life together and attempts to find Rajesh before the City Police do - for he may well face the death sentence. Choudhry does find him, but only after Rajesh is accused of killing a woman named Kishori, and this time Choudhry is quite sure that there is no hope for Rajesh.
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Jwaala Daaku (1981)
Character: Raamkali
Ravi would like to study medicine and then come back and practice it in his small town where there is no doctor or medical facility available for miles. Encouraged by the townspeople and his brother, Bankhe, he re-locates to Bombay, where in a few years time he is able to successfully complete his studies and become a doctor. When he returns home, nothing is the same anymore. His brother Bankhe is absconding, running away from Daku Jwala, who has sworn to kill him to avenge his brother's death - and Dr. Ravi himself has to face Jwala sooner or later - as Jwala's vengeance includes Bankhe and all of his family. Dr. Ravi must now make up his mind to look death at the hands of an angry Jwala - or re-locate and practice medicine elsewhere.
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हाफ टिकट (1962)
Character: Real Munna's Mother
A diamond thief hides his loot on an innocent child, but the child turns out to be an adult posing as a youngster to purchase a half-priced train ticket. Now, the thief will have to outwit the eccentric in a series of wacky misadventures.
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Johar Mehmood in Hong Kong (1971)
Character: N/A
Two swindlers keep trying to one up each other and get rich but finally learn there are more important things when they are enlisted in a scheme to marry an innocent girl in order to retrieve secret plans from a bank vault.
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Do Posti (1981)
Character: N/A
Do Posti is a film released in 1981, it is an Indian Punjabi film
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जब से तुम्हें देखा है (1963)
Character: N/A
A young couple in love face obstacles in their relationship when the woman's father tries to use her to repay a debt.
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Main Jatti Punjab Di (1964)
Character: N/A
Preetop (Nishi)is a beautiful girl of handicapped father, her mother is dead. She loves her father and takes responsibility of farming in their fields.
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Mirza Sahiban (1957)
Character: N/A
Based on one of the four tragic romances of the Punjab, it is only one of over a dozen film versions of the tale.
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Tulsi Vivah (1971)
Character: Senapati's mother-in-law
Vrunda is married to Jalandhar who gets involved in a vicious battle with Lord Vishnu. As a war between gods and demons wages, Vishnu earns Vrunda's wrath after her husband is killed by Shiva.
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Tarzan aur Jadui Chirag (1966)
Character: N/A
Tarzan, born of an exiled queen, falls in love with a gypsy whose people conspire with palace officials to destroy him. A magical monster-woman is also in the mix.
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Mujrim (1958)
Character: N/A
Shammi Kapoor stars as a criminal who exchanges identity with a dead man in order to start over.
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Hum Tum Aur Woh (1971)
Character: N/A
Vijay is in love with Arti, but while he tries to woo her he becomes embroiled in a murderous plot that involves Arti, her father and the beloved businessman Mahendra Nath
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दिल दिया दर्द लिया (1966)
Character: Mrs. Murlidhar
A kind-hearted, widowed landlord, Thakur, lives a wealthy lifestyle with his son, Ramesh; daughter, Roopa; and an adopted child, Shankar. Ramesh hates Shankar and often abuses him. Years pass by, Thakur has passed away, and all three children have grown up. While Ramesh visits a stunningly attractive Courtesan, Tara, drinks alcohol, and continues to abuse and mercilessly beat Shankar, who bears this in silence as he and Roopa are in love with each other. When Ramesh finds out that Roopa wants to wed Shankar, he has him severely beaten and thrown off a cliff. He then arranges Roopa's marriage with another wealthy man, Satish, while he continues to romance Tara and even signs over his entire estate and home to her name.
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मोहब्बत इसको कहते हैं (1965)
Character: Baby
Childhood sweethearts Vijay and Rajni are separated when Rajni moves to Calcutta with her grandmother.
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Badi Didi (1969)
Character: N/A
Bollywood family drama from director Narendra Suri and featuring music from Ravi.
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Zameen Ke Tare (1960)
Character: Musician Priest's Wife
A rich child and a poor one are both unhappy and search for God in the Himalayas.
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बम्बई की बिल्ली (1960)
Character: N/A
A group of gangsters, using clay cat statues in which to smuggle their goods, are hunted down by a mysterious cat-like human.
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Heeralaal Pannalaal (1978)
Character: N/A
Two boys grow up together in an orphanage and become best friends, swearing their undying brotherly devotion to each other. Unknown to them, a dark secret related to their past may hamper this bond.
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Milap (1955)
Character: Mrs. Akrodhwala
Film starring Dev Anand, Geeta Bali and K.N. Singh Rajendra Sayal (Dev Anand) becomes a millionaire from a poverty-stricken situation with the help of his friend Kalu (Johnny Walker). Jealous of his sudden elevation in status, a lawyer named Karamchand (K. N. Singh) plots to rob Sayal of all his property. For this reason, he hires Asha (Geeta Bali) to seduce Sayal and make him fall in love with her, but she ends up falling for him.
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Ek Paheli (1971)
Character: Lily
Sudhir goes to take care of his family business in Goa. He is attracted to Maria, a mysterious woman who meets him in an old graveyard.
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बहारों की मंजिल (1968)
Character: Glory D'Silva
During a ceremony, Nanda gets amnesia after an explosion. She claims to be Radha. Dr. Rajesh treats her. They visit Bombay to uncover her past but are trailed by a goon. Rajesh investigates further to unravel the mystery.
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Cha Cha Cha (1964)
Character: N/A
After her return from abroad, Lali adjusts to life in India along with her devout Hindu mother, Laxmi; an easy-going father, Dinanath; two sisters, Kalpana and Geeta, and spends most of her time dancing along with her sisters and friends. On her way to the Mandir, she assumes a singer, Puranchan, is teasing her and she slaps him, but ends up apologizing when she is told that he is blind. Guilt-ridden, she makes arrangements for him to be taken to Bombay, has his vision restored, and both fall in love with each other. Dinanath takes a liking to Puranchan and not only gets him a job but also wants him to wed Lali. About to inform his parents, Purchan does not know that Dinanath has actually instructed Lali not to see him anymore as he is a Harijan (Lower-Caste).
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Bombai Ka Babu (1960)
Character: N/A
A man on the run pretends to be the long-lost son of a wealthy family. To complicate matters, he falls in love with the woman who is supposed to be his sister.
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प्रोफ़ेसर (1962)
Character: Phool Rani
Sita devi is a very strict aunt for a number of young ladies, and does not allow them to fraternize with males. Along comes Pritam disguised as an elderly Professor Khanna to break every possible rule of the aunt
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Shikari (1963)
Character: N/A
The owners of a circus set out to capture King Kong. They arrive by boat at Kong Island, only to discover that there is another monster living there. Complications ensue.
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यह तो कमाल हो गया (1982)
Character: N/A
Saxena, a corrupt lawyer, frames Shankar's son of murder and has him put in juvenile jail. A vengeful Shankar kidnaps one of Saxena's twin boys and raises him as a thief to exact revenge.
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Black Cat (1959)
Character: Mrs. Ramanlal (uncredited)
Bombay Police are baffled by a series of crimes - all at the hands of arch-criminal "Black Cat" who leaves his calling card at every scene of the crime. The Commissioner assigns this matter to this best plainclothes agent, Rajan. Rajan's investigations lead him to suspect Professor Gupta, who is also the brother of his girlfriend, Nita. Rajan decides to use Nita's love for him, and spies on Gupta. When Nita finds out, she is enraged at Rajan, and blames the police who she feels are covering-up their inefficiency by making a scape-goat of an innocent man. Rajan fails to prove that Gupta is somehow involved with "Black Cat", and the Commissioner gives him a deadline. If Rajan does not apprehend Black Cat within that deadline, he may be suspended or even dismissed from the police force. With no clues whatsoever as to the whereabouts of Black Cat and it's gang, Rajan has the challenge of his life, which he may not be able to fulfill.
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Garam Masala (1972)
Character: Queen Khatoria
Lusty womanizer, army Captain Kishore, wants a gypsy dancer for himself, and is ready to kill anyone who tries to get in the way. But his plans are foiled when the woman kills herself, leaving behind an injured father, the head of the gypsies, and a younger sister by the name of Jugnu. Jugnu swears to avenge her sister's death, and seeks training from Robert Taylor, and becomes an expert in weapons and fist-fighting. She assumes the guise of a masked male and calls herself "Garam Masala", and inflicts terror in Captain Kishore's life and army. Garam Masala's attempts to kill Kishore are foiled when she is captured. She is rescued by a mysterious masked male, who disappears into the night. Kishore is clearly baffled by the appearance of two masked men, and asks his men to search high and low for them. In the meantime, Kishore returns to his kingdom, which has it's King missing for several years, and the prince - a puppet in the hands of Kishore and his men.
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Dilli Ka Thug (1958)
Character: Businessman's Wife
Kishore is a conman who has little respect for the rich. He learns that the person responsible for his friend's death is the same who led to his own father's death. He swears to bring him to justice.
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Anita (1967)
Character: N/A
Anita is a weird girl, who either loses her memory or pretends to not remember.
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Paapi (1977)
Character: Laila (as Tuntun)
Long lost siblings grow up on opposite sides of the law; the girl becomes a thief and the boy becomes a police officer.
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पहली झलक (1955)
Character: Lavni Dancer / Singer (uncredited)
A woman rejects her father-approved groom, runs away, and falls in love with a petty thief/gambler.
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दि ट्रेन (1970)
Character: Guest Appearance
Shyam is an honest and dedicated CBI Officer. He is assigned to a series of crimes involving a crime syndicate who, amongst other things, use disappearing ink on cheques issued to jewellers. With no clues left behind, Shyam is under pressure to put a stop to these crimes, as well as apprehend their perpetrators.
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अंबर (1952)
Character: Veenu's Dance Partner (uncredited)
A vengeful princess waits for the right moment to kill her foster father - the Emperor.
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Kismet ka Khel (1956)
Character: N/A
Pratap, a fugitive, meets Anokhi and her friends who can resort to any means to sustain their livelihood. He then helps them change their ways.
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फूल और पत्थर (1966)
Character: N/A
Circumstances have made Shaka a career criminal. When plague empties a town of its inhabitants, he takes the opportunity to burgle a house. He finds nothing except Shanti, a widowed daughter-in-law who has been left to die by her cruel relatives. Shaka nurses her back to health. When her relatives return they are not pleased to find her alive and even less pleased to discover that someone has tried to rob them. Shanti gets the blame and a beating. Shaka saves her from worse, at the hands of brother-in-law, and the pair flee. They set up home in Shaka's house, much to the displeasure of the respectable neighbours who are all too ready to think the worst.
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Dil Apna Aur Preet Parai (1960)
Character: Haseena
A rich girl marries a doctor. Differences crop up between the two and starts to snowball wherein she returns to her father's house. Months later she returns only to find he is in love with a nurse.
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Kaajal (1965)
Character: Amba
Raised by a kind matriarch, Madhavi (Meena Kumari) shares a close bond with her foster brother Rajesh (Dharmendra). When Rajesh marries the insecure Bhanu (Padmini), Madhavi faces false accusations and attempts suicide. Rescued by Moti (Raaj Kumar), she marries him, only to discover his manipulative and exploitative true nature, leaving her trapped in a life of further sorrow.
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Lajwanti (1958)
Character: Herself (uncredited)
Having been unjustly accused of having an affair, a dutiful and loving wife is thrown out of the house by her husband and forced to abandon her baby. When mother and child are eventually reunited, the mother faces an uphill struggle to regain the love of her daughter.
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डरा सिंह (1964)
Character: Rangili's mom
A poor wood-cutter is rewarded with a gold, but the rejected ruler abducts his mother for ransom.
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Aankh Ka Tara (1978)
Character: N/A
Geeta falls in love with a blind radio singer named Mohan, but his disability hampers their happily-ever-after.
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काला जादू (1963)
Character: N/A
When Maharaja Ajay Singh goes missing, his right hand man Sher Singh takes over the kingdom and makes a claim on the princess. The princess flees and is taken in by a muscular cave dweller named Raja. Together they find that the maharaja is being held prisoner by a demon in the magic cave.
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Mr. X in Bombay (1964)
Character: Kamini
Shobha Mathur lives a wealthy lifestyle with her Professor dad, who is now carrying out experiments on various issues. One day while doing so, he makes an employee named Manohar drink a potion, which results in his death. Rajan comes to their rescue, gets rid of the body, and starts blackmailing Mathur, which can only end when Shobha marries Rajan. Then one day Shobha meets a poet by the name of Sudarshan and both of them fall in love. When he asks for her hand in marriage, Shobha refuses. The next day Shobha finds a note addressed to her from Sudarshan in which he has stated that he is going to kill himself. Thereafter, every night she starts to hear Sudarshan's voice, blaming her for his death, as his soul is unable to find solace. With Sudarshan out of the way, Rajan readies himself for marrying Shobha - and it looks like he may have his way with the Mathurs after all - without having to encounter any more obstacles.
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आर पार (1954)
Character: Rustom's girlfriend's mother
Kalu is a taxi-driver in Bombay, India. He has two women who love him and would like to marry him. Kalu first wants to establish himself, and become rich, before he can even think of marriage. One of the women who loves him, has a father who is involved in gangster-type activities, and would like Kalu also to join him so that he can get rich soon. Kalu has now to decide to become rich quick or sleep better.
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Ek Dil Sau Afsane (1963)
Character: Wedding Guest who requested Laddu
Shekhar's maternal grandmother loves him dearly, but she is also very religious and firm in her beliefs. Convinced that every man must have a male heir to carry on the family's name, she will only permit Shekhar to marry a woman who will bear him a son. Shekhar wants to marry Sunita, but an astrologer tells the grandmother that Sunita cannot bear any children, and so she disapproves of her. However, Shekhar and Sunita marry anyway.
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चौदहवीं का चाँद (1960)
Character: Naseeban
Nawab sees Jameela in a market and instantly falls in love with her. The situation gets complicated when Aslam, his childhood friend, also ends up liking her.
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मिस्टर अॅन्ड मिसेस '५५ (1955)
Character: Lily D'Silva (as Uma Devi)
A young, naive heiress is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt.
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Tyaag (1977)
Character: N/A
Rajesh Khanna and Sharmila Tagore play the roles of estranged lovers and are busy sacrificing for each other.
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हीर राँझा (1970)
Character: N/A
Heer Raanjha is a 1970 Indian Hindi-language romantic musical film directed by Chetan Anand. It stars Raaj Kumar and Priya Rajvansh and tells the tragic love story of Heer, a wealthy girl, and Ranjha, who has been banished by his family. The film is often referred to as a Punjabi version of "Romeo and Juliet.
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Thokar (1974)
Character: Mukhti's Wife
After being released from jail, Shyamu returns home to his village and his home to his mom, and blind sister, Radha. Shyamu and his mom try to get Radha married, but in vain, as no one wants to marry blind woman. Shyamu takes Radha for treatment to Dr. Ashok, who assures them that her vision can be restored, and the cost is around Rs.5000/-. Shyamu come up with the money, and soon Radha gets her eyesight back. One day, Shyamu rescues a beautiful young woman, Seema, from being raped by Gangu, takes her home, nurses her, and falls head-over-heels in love with her. He hopes to marry her. His mother is thrilled and plans the marriage of both Shyamu and Radha. But there is a hitch in the plans. Seema loves another man - a man to whom Shyamu is indebted to for life. Will this man permit Shyamu to marry Seema?
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Phir Subha Hogi (1958)
Character: Ram's Landlord
Ram is a bright but destitute law student. Out of love for an even poorer girl, he commits a crime that starts chasing him like a ghost. He is torn between 'wanting a punishment' and 'getting away with it.' But, is it really in his own hands?
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जीवन संग्राम (1974)
Character: N/A
Arjun is part of a group of independence fighters in 1914, during a mission in Kolkatta he is seen by the police and during his escape he is saved by Amba, a village girl. But is there time for love when the country's freedom is at stake?
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Nagin (1976)
Character: Maid
A male and a female in their human forms are in love with each other. When the male turns back into a snake, he is shot by a member of a hunting party, who thought the snake was going to attack the woman. Enraged at the brutal killing of her beloved; the female snake begins to take revenge on the six involved, killing them one by one after assuming the form of a human.
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Uran Khatola (1955)
Character: N/A
When a plane crashes the pilot is saved by the beautiful Soni and the two fall in love, unfortunately, however, the local queen also falls in love with him.
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C.I.D. 909 (1967)
Character: Julie Fernandes D'Silva Ghobewali
Professor, an Indian scientist, develops a nuclear project to bring world peace. When Wong and Wasco want to get their hands on the project, it is up to CID Agent Raju to save the day.
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दो रास्ते (1969)
Character: Swimming pool attendant
After his father’s death, Navendu devotes his life to raising his step-siblings and honoring his promise to care for his stepmother. However, as the siblings reach adulthood, the family bond is tested. Each must choose between the Road of Sacrifice and the Road of Selfishness, leading to a dramatic conflict between duty and personal greed.
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बंधे हाथ (1973)
Character: Kavita
Shyamu is an orphan, living with his mentor, and has lived a life of crime. While his partner is recuperating in hospital from a injury incurred on the job, Shyamu decides to go straight. In a case of mistaken identity, he ends up in showbiz and gets a gig as a playwright for a beautiful starlet when he shows up instead of popular writer Deepak, whom he looks just like, and is met with considerable respect. One day Shyamu goes to Deepak's house for something and discovers just how identical they are. Unfortunately, Deepak is on his death bed and Shyamu, reverting to his evil nature, "helps" Deepak along on the way to his demise and takes on his identity, even down to learning to copy his handwriting. But not everyone believes the goings on are all above board, especially Deepak's girlfriend and a certain police inspector.
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दिल ने पुकारा (1967)
Character: Kamla (uncredited)
Asha lives a wealthy lifestyle in Bombay with her widowed dad, who would like her to get married to Dr. Prakash. While vacationing in Kashmir, she meets with a young man, Rajan, and both fall in love with each other. When she returns home and attends Dr. Prakash's birthday party, she gets a pleasant surprise when she finds out that Rajan is Prakash's friend. Rajan introduces Asha to his mom, while Asha introduces Rajan to her dad, and both parents approve of their match. Before they can get engaged, Rajan had promised his late father that he would obtain a degree from Oxford University, and be back after one year. He decides to travel by boat, which meets with an accident and there are no survivors. A shocked and devastated Asha finds out that Rajan's death has killed her dad, and she throws herself in her work as a doctor, working side by side with Prakash.
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Qurbani (1980)
Character: Fat Woman
Cabaret dancer and singer, Sheela has two admirers: small-time thief Rajesh and eligible young widower Amar. They are best friends and don't realize that they love the same woman. An enemy in the guise of Vikram Singh makes both men's lives miserable by exposing their realities to each other, turning their friendship upside-down.
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सत्यम शिवम सुंदरम (1978)
Character: Fat Lady
Rajeev falls in love with Roopa, a beautiful singer who hides the fact that half her face is disfigured. However, he soon discovers her secret after marriage and begins to ignore her.
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Raj Hath (1956)
Character: N/A
A stubborn emperor plans to wage war against another who had humiliated him and his daughter.
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Baton Baton Mein (1979)
Character: Imaginary Nancy's mom
Rosie Perreira is an overly anxious widow, living with her guitar-obsessed son, Sabhi, and a lovely daughter, Nancy, who she would like to get married to a wealthy young man. Her helpful neighbor, Tom, introduces a young eligible Tony Braganza to Nancy in the 9:10 AM Western Railway local train from Bandra to Churchgate. Tom also asks Nancy to introduce Tony to Rosie, which she does. Rosie is initially apprehensive about him as he only drawing a mere Rs.300/ compared to Nancy's Rs.700/-, but soon changes her mind when she finds out that after his probationary period he will draw a monthly pay of Rs.1000/-. Nancy and Tom are permitted to meet and both eventually fall in love. While Nancy wants to follow her mother's directions and get married, Tony is hesitant, and this is what costs him Nancy's love, as she starts to feel that he will not come through with the marriage. And soon Rosie starts looking elsewhere for a son-in-law, while Tony is still reluctant to make any commitments.
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Aabroo (1968)
Character: Whisky Rani
After being betrayed by the woman he loves, a doctor is accused of killing her husband.
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आखरी दाव (1958)
Character: Muthuswami's Daughter
A car mechanic falls in love with a girl but discovers her father has a large debt, leading him to gamble and marry another to pay off the debt.
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Saajan Ki Saheli (1981)
Character: Maria
Young and attractive Kunti has fallen in love with a young man by the name of Anil, and both intend to marry...
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प्यासा (1957)
Character: Pushplata
Vijay, a destitute poet, searches for true love while attempting to get his work published. With the assistance of two women in his life, his dream comes true - but at a cost that causes Vijay to rethink his worldview.
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Lalkar (1972)
Character: Danko
During World War II, two army officers who are also brothers fall for the lady doctor and one of them proposes marriage to her. As war intensifies, both are sent on different secret mission and one of them is assumed to be dead.
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Shrimati Ji (1952)
Character: Typing Center Owner
Shrimatiji is a comedic social satire centering around a middle-class housewife—her misadventures, misunderstandings, and life in a household setting. Though many plot details remain elusive, the tone is light, humorous, and situational with elements of mistaken identity and social commentary. One online synopsis hints at romantic entanglements, familial mix-ups, and comedic twists: the heroine finds herself accused unjustly, love sparks, misunderstandings brew, and identity crises ensue—all resolved by the end
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कागज़ के फूल (1959)
Character: Telephone operator
The film tells, in flashback, the story of Suresh Sinha, a famous film director and his relationship with an aspiring actress.
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उपकार (1967)
Character: N/A
Widowed Radha lives in rural India in the 1960s, along with two sons: Bharat and Puran. While she would like to educate her sons and ensure that they lead good lives, she cannot do so on her own, and must sacrifice the career of one son so that the second can achieve this goal. Bharat sacrifices everything to educate his brother Puran. However, Puran turns into a greedy man and gets involved in drug trafficking in order to make money.
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बेनाम (1974)
Character: N/A
After helping a stabbing victim to the hospital, a man begins to receive anonymous threats. The only way to save his wife and child is to unravel the mystery of the killer's identity.
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आफ़त (1977)
Character: Judo Karate Center Owner
Plainclothes Police Inspector Amar has been assigned the task of apprehending an elusive criminal don who goes under the name of Hardayal. During his investigation, he meets with fellow Inspector Chhaya, and both fall in love. During this investigation, Chhaya finds out that Amar has been two-timing her, and there is confrontation between the two. Amar also goes beyond the call of duty, and is subsequently suspended. Stripped of his powers, Amar is caught by Hardayal and imprisoned, leaving Chhaya alone to figure out the whereabouts of this criminal.
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बाबुल (1950)
Character: Munshi's Daugther
Two fathers, one poor and the other rich, hope that a wealthy postmaster will wed one of their daughters.
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Aag (1967)
Character: Phoolmati
Shanker is a young man who lives in a small village community with his mute sister, Durgi, and his mom, Shanti. Shanker's efforts to get Durgi married are all in vain. The local money-lender, Lala, in his early 60s, comes to know about this and proposes to marry Durgi, but is refused, and asked to leave. Lala plots vengeance, and gets his chance to rape Durgi, resulting in the death of Durgi. Shanker hunts him down, and kills him. Lala's death involves the police, and Shanker must run from them. He does so, and joins a gang of dacoits and pledges to be part of their gang, not knowing that in so doing, he will be spending the rest of his life, hiding in caverns and the countryside, unable to see his mother anymore, nor any normal human being, for the rest of his life.
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Gomti Ke Kinare (1972)
Character: Petrol Pump owner's wife
After his father's death, young Sameer runs away to search for his mother and is adopted by the tawaif Ganga.
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डिस्को डांसर (1982)
Character: Bride (uncredited)
Street singer Anil is humiliated and—with his mother—driven out of Bombay. He soon becomes an acclaimed performer but the enemies from his past plot to destroy his hard-earned career.
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कूली (1983)
Character: N/A
When Iqbal gets separated from his mother and brother by a flood, he becomes a coolie at Mumbai railway station. He then fights for the coolies rights and faces challenges from a businessman.
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दुनिया (1968)
Character: Chabeli
An advocate faces heavy odds defending the brother of his sweetheart.
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रूठा ना करो (1970)
Character: Neeta's Maidservant
Neeta loves Sudhir, but Naina tries to convince her that Sudhir's love is a scam to get her money.
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Cobra Girl (1963)
Character: Chand's friend (uncredited)
A princess attempts to win back her kingdom from a powerful shape-shifting sorcerer.
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Hulchul (1971)
Character: Philomena D'Costa
Peter (O. P. Ralhan) and Kitty (Helen) love each other, but due to Peter's poverty, they are unable to marry each other. One day, during a secret rendezvous, Peter accidentally overhear a conversation between one Mahesh Jetley and his paramour, where Mahesh tells her that he is soon going to bump off his wife on a certain date. Peter and Kitty decide to foil this man's plans. However, there are 2 problems: 1 - They have not seen Mahesh or his paramour's face. 2 - Even if they had, no one would believe their story. Hence, the lovers decide to do a little investigation on their own. They find three Mahesh Jetleys. On some snooping, they find that each man is married and each of them has a miserable married life. To find their suspect, they devise a plan whereby they will stage an attack on each man's wife. Whoever the culprit is, will freak out and his identity will be revealed.
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श्री ४२० (1955)
Character: N/A
The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.
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हीरा (1973)
Character: N/A
A man is arrested for murder but escapes and becomes a bandit to clear his name and find the real killers.
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Insaaf (1966)
Character: N/A
Rakesh promises a women justice who stands trial by the law created by his own father.
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Himmat (1970)
Character: N/A
When a poverty-stricken has-been felon decides to renounce his life of crime upon meeting another runaway women, he seeks to embark on a new and domesticated chapter in his life. However, foes from his dark past threaten to disrupt his newfound life of peace.
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C.I.D. (1956)
Character: Complainant
A newspaper editor gets murdered when he was about to expose the underworld links of a rich man. A C.I.D inspector gets assigned to investigate the murder.
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तलाश (1969)
Character: N/A
A business man must choose between keeping his promise to marry a poor village belle, or making it big by wedding his boss's daughter: a wealthy Westernized girl who bares a striking resemblance to his first love.
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Kundan (1955)
Character: N/A
Classic Bollywood film about a young man whose poverty leads him to commit crimes which, in turn, lead him to harsher and harsher punishments.
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Anjaana (1969)
Character: Aunt Pampi
Raju lives with his widowed mother, Janki, in a small town and works as garage mechanic. One day he meets with wealthy Rachna Malhotra, and after a few misunderstandings, both fall in love with each other. When Rachna's guardian, Diwan Mahendranath, finds out he forbids Rachna to ever see Raju again, as well as goes to Raju's house and humiliates his mother, for he wants Rachna to marry his son, Ramesh. An enraged Raju wants to avenge this humiliation and decides to teach Mahendranath a lesson. He enlists the help of his maternal uncle, Chamanlal Kapoor, and together they succeed in fooling Mahendranath and making him give up all his money.
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Rustam Kaun ? (1966)
Character: Chubby village woman
Two friends accidently enter the valley of death where more than adventure awaits them!
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दीदार (1951)
Character: Rai's maidservant
A traumatized and blind young man makes a living singing, and searching for his childhood sweetheart.
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एक फूल चार काँटे (1960)
Character: N/A
To wed his sweetheart, a man must try and prove himself to her eccentric paternal uncles.
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