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चिराग (1969)
Character: N/A
When Ajay (Sunil Dutt) meets Asha (Asha Parekh), he mistakenly believes she's wealthy. The fact that she's not, however, doesn't prevent him from becoming smitten, and the couple soon marries with the full blessings of Ajay's family. Poverty is one thing, though, and childlessness quite another -- which Asha finds out the hard way. When she fails to produce an heir for the clan posthaste, her mother-in-law begins a search for her replacement.
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Manzil (1960)
Character: N/A
Learning that his beloved has married someone else a composer self-destructs
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Marine Drive (1955)
Character: N/A
After having their goods confiscated by the police a couple of smugglers come up with a plan to recuperate their losses
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Sazaa (1951)
Character: Major Dhurjan Singh
Kamini (Shyama) runs over a young man (Dev Anand), who is seriously injured. Kamini visits him daily even while he is unconscious. When he recovers, she is attracted to him, and sets him up with employment with her dad Seth Mothumal's (Gope) business as a manager. He dines at Mothumal's house by Kamini, where he comes across a mute maid-servant named Asha (Nimmi). Asha is attracted to him, and he also feels attracted towards her, little knowing that his past has come to re-visit him in her form, and not knowing the changes it will bring to his life.
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Parwana (1947)
Character: N/A
Inder is from a well-educated family but spends his life to help people in need which causes many misunderstandings
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Sanam (1951)
Character: Sadhna's Father
An honest but unemployed young man, Yogen, falls for the wealthy, independent Sadhana after a chance encounter, but his desperate circumstances lead to a crime tried by Sadhana's own father, the prosecutor, creating a profound social and legal barrier to their love.
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Krorepati (1961)
Character: Diwan Hukumat Rai
A movie stunt-man is recruited to impersonate a look-alike mentally unstable heir to a vast estate.
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Soorat Aur Seerat (1962)
Character: N/A
The film has been described as an example of a "soft romantic movie" and a "women oriented film" with Dharmendra in one of his "strong, romantic supporting lead roles." Kiran Kumar wrote that it was not a commercial hit but a good movie"
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Mazdoor (1946)
Character: N/A
A village boy seeking work in the city falls for a mill owner's daughter, but their love is tested by escalating labor disputes and class conflict.
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Ek Raat (1942)
Character: Balraj
A thriller centered on Ravi, who arrives at Heera Mahal on a stormy night. He finds the bungalow now owned by Balraj Sharma, a crippled ex-police officer, and his daughter Rekha. Ravi takes a job with Balraj and learns of Balraj's fear of Jaggi, a man seeking revenge. Ravi and Rekha fall in love and try to help Balraj. The plot thickens when Ravi is accused of two murders, leading to more suspense and revelations.
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Phir Milenge (1942)
Character: N/A
In a world of challenges, some promises remain. A social drama about finding one's way back.
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Prarthana (1943)
Character: Doctor
An early Indian film explored themes of faith, hope, societal struggles, and the role of prayer or devotion in overcoming adversity
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Laila Majnu (1945)
Character: N/A
Based on the timeless tragic Arab folk tale of star-crossed lovers, depicting the intense and obsessive love between Qays (Majnu) and Laila, often ending in heartbreak and separation due to societal or familial opposition.
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Sunehra Sansar (1936)
Character: N/A
A parable about human suffering and capitalist enterprise. The village head man has bandits attack the house of Ramesh to settle a feud. They kidnap the man's wife Roma, and abandon their infant son in the forest. Years later, Roma works as the nurse of a kind millionaire while the boy Raghunath shares a neighbourhood house with other unemployed youths who collectively dream of starting a soap factory. The father is a beggar on the streets. None of them know of each other's existence until circumstances bring the family together...
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Baghban (1938)
Character: N/A
The naive Saroop (Nandrekar) romantically renounces earthly pleasures under the influence of a sadhu (Ashraf Khan). Arrested at a fairground and jailed, fellow convicts change his view of the world. Working in the prison’s garden, he meets the superintendent Sohanlal’s (Nazir) daughter Durga (Kumari), who was married as a child to a boy now believed dead. Ranjit (Singh) covets her and on her wedding day to the nasty Ranjit, it is discovered that Saroop was her child-husband.
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Aap Ki Marzi (1939)
Character: N/A
An everyday man, Govindlal (secretly wealthy Seth Bansilal), wins a Kashmir trip in a crossword puzzle, as does unemployed Sumant. They land in the same hotel, leading to a hilarious room mix-up. As Sumant and Bansilal's niece Shashi fall for each other amidst comic blunders, a blackmail plot by another guest, Manjri, adds to the chaos.
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Thokar (1939)
Character: Doctor
A cautionary tale about wealth not bringing happiness. The blind Mohan (Kumar) lives in a village with his ward Radha (Madhuri). He wins a fortune with a sweepstake ticket sold to him by the tramp Ramesh (Charlie), who claims his due and begins to take over Mohan’s life, making him move to the city and getting him married to Chinta, a prostitute. When Mohan’s eyesight is restored, he finds that his wife is having an affair with Ramesh. Mohan takes revenge and eventually lands up in his old village, a poor man, but with Radha still unchanged, waiting for him.
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Saubhagya (1940)
Character: Kedar
Pradip, a poor artist, lives with his sister Rajani, a child-widow whose past he doesn’t know. Wealthy Rohini falls in love with him, but her guardian schemes to marry her to his wastrel son for money. Rajani briefly returns in disguise as a dancer, then withdraws again, and Rohini’s love story with Pradip collapses under the weight of deceit, duty, and misfortune.
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Bhai Bahen (1950)
Character: N/A
True to its title, this family drama follows the life of a strong, orphaned young boy who, driven by fierce self-respect and the emotional promise he makes, embarks on a relentless struggle against a cruel city and a local bully to protect his bond with his new, wealthy sister.
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Saagar (1951)
Character: N/A
Amidst the vastness of the sea, two souls from radically different worlds find their fates intertwined like the unpredictable tides, only to discover that the ocean of life demands a sacrifice deeper than any love.
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Insaan (1952)
Character: N/A
A philosophical drama follows a disillusioned man's journey to rediscover his lost humanity in a society that has forgotten what it means to be a true human.
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Badshah (1954)
Character: N/A
A King (Badshah) betrays the gypsy woman he loves to marry a Princess, triggering a chain of events that leads the King's hunchback slave to seek revenge and ring the bell of justice.
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आँधियां (1952)
Character: Kuber Das
Ram Mohan (Dev Anand) an honest lawyer is in love with Janaki (Kalpana Kartik) the beautiful daughter of Din Dayal. Din Dayal accepts the marriage proposal. Kuber Das (K N Singh), a rich businessman has a lustful eye over Janaki. In order to marry Janaki he devises a wicked plan.
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बढ़ती का नाम दाढ़ी (1974)
Character: N/A
A multimillionaire, who has no heir, decides to leave his wealth to the person who has the longest beard.
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Shikast (1953)
Character: Madho
After a seven year absence, Dr. Ram Singh returns to his village intending to sell his land and go back to the city. He finds that the peasants are being mistreated by the local landlord and the landlord's sister, Sushma.
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Do Chor (1972)
Character: N/A
The Bombay police is baffled at a series of robberies being committed in homes of prominent people, with the thief leaving a swastika and stealing only one set of jewellery instead of everything in the safe. Their investigation takes them to bring in a notorious burglar, Tony, who denies having anything to do with these robberies.
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Prithvi Vallabh (1943)
Character: N/A
The story revolves around two kings, Prithvi Vallabh (Munj) of Avantipur who is kind and just, and Tailap, a neighboring king who is cruel. With the help of his sister Mrinalvati (Durga Khote) and another neighbouring king Bhillam (K. N. Singh), Tailap manages to capture Prithvi Vallabh. The rest of the film follows incidents following his captivity.
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Bade Sarkar (1957)
Character: Thakur Maan Singh
Encountering a young couple on the road, an elderly lady tells them her story
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Hulchul (1951)
Character: Chandan
Kishore loves Asha, whose father raised him like a son, and sets out to earn money to wed her in great pomp. However, fate has other plans as it lands him in jail under a false charge.
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सौदागर (1951)
Character: N/A
A ruthless spice merchant in pursuit of ultimate wealth must choose between his fortune and the only woman who knows the true measure of his heart.
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सिंगार (1949)
Character: Kishan's Father
A couple's marriage begins troubling after the doctor carries an extramarital affair with a dancing girl.
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Do Raha (1952)
Character: N/A
A young girl, impressed by the crystal clear ideals of a writer, falls in love with him, but ends up losing everything she hoped for as a wife.
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Angarey (1954)
Character: Dozila
A fiery, forbidden romance ignites a conflict between the daughter of a powerful clan leader and a man from a poor family, escalating into a bitter feud that brings her father's wrath and merciless torture upon her beloved.
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Ishara (1943)
Character: Dewan Dwarka Das
A love triangle blossoms amidst class divides when a wealthy young man falls for a poor girl, only for a traditional arranged marriage to disrupt their lives and expose the harsh realities of societal expectations.
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Ehsan (1954)
Character: N/A
A 1954 Hindi social drama directed by Rajendra Sharma, featuring Shammi Kapoor and Prithviraj Kapoor, with Munawwar Sultana, K. N. Singh, Gulab, Naaz, and Roopmala in supporting roles. The film is notable for its Madan Mohan soundtrack and for being one of the few films featuring Shammi Kapoor and his father Prithviraj Kapoor together.
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Hangama (1952)
Character: N/A
A 1952 drama directed by Ram Kamlani, starring Nasir Khan and Nutan.
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Dil Aur Mohabbat (1968)
Character: Singh
Widowed by the sudden passing of his wife, Superintendent of Police, Choudhry, brings up his son, Rajesh, on his own, teaches him all known good values, and when he grows up sends him to College in Bombay, and remits money to him regularly. Choudhry would like to transfer to Bombay Police, so that he can be close to his son, and then one day out of the blue, his transfer is approved, and a delighted Choudhry writes to his son to pick him from the railway station. Upon arrival in Bombay, he does not find his son at the Railway Station, but when browsing through a newspaper he sees his son's photograph - wanted for the murder of a card-sharp. Shocked and dismayed, Choudhry attempts to piece his life together and attempts to find Rajesh before the City Police do - for he may well face the death sentence. Choudhry does find him, but only after Rajesh is accused of killing a woman named Kishori, and this time Choudhry is quite sure that there is no hope for Rajesh.
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वचन (1974)
Character: N/A
Film from 1974 with Shashi Kapoor
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Chhabili (1960)
Character: N/A
Following Israeli author Amos Oz over two years, as he meets readers and discusses the Israeli-Palestinian conflict. Along the way, Oz offers advice to Israeli president Shimon Peres, and is seen with fellow writers Salman Rushdie, Paul Auster and Nadine Gordimer, and the Palestinian intellectual Sari Nusseibeh.
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Mere Huzoor (1968)
Character: N/A
Akhtar Hussain saves the life of Nawab Salim, and earns his gratitude. Salim invites Akhtar to come to his palatial home, and Akhtar does so. On the way, he meets beautiful Saltanat, and falls in love with her. On arrival at Salim's house, Akhtar is treated with utmost respect, provided employment, and a place to live. Akhtar meets with Saltanat and both plan to get married. Unknown to them, Salim also loves Saltanat, but Saltanat rejects his advances, and proposal, leaving his heartbroken. Soon Saltanat and Akhtar get married and settle down. Saltanat soon gives birth to a son. Salim is very affectionate with this child, and the child too grows to like Salim. Akhtar, meanwhile, has fallen in bad company, drinks alcohol, and romances a courtesan.
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महलों के ख़्वाब (1960)
Character: Motilal / CID Police Inspector
After winning a lottery, Asha and Bela round up a holiday to find suitable husbands. But they end up being framed for stealing a precious necklace.
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Ghar Number 44 (1955)
Character: N/A
Film about a small-time hood running afoul of a bigtime gangster. Starring Dev Anand, Kalpana Kartik and K.N. Singh.
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Hum Tum Aur Woh (1971)
Character: N/A
Vijay is in love with Arti, but while he tries to woo her he becomes embroiled in a murderous plot that involves Arti, her father and the beloved businessman Mahendra Nath
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Jwar Bhata (1944)
Character: N/A
Film starring Ruma Guha Thakurta, Aga Jaan and Vikram Kapoor
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शर्ट (1969)
Character: Singh
A young man (Sanjay Khan) is driven to desperation when a girl (Kumud Chhugani), whose funeral he had attended, keeps turning up — both dead and alive.
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Parbat (1952)
Character: N/A
When Parbat meets Pahari, the two of them fall in love and everything seems to be going well for both of them. However, things get complicated when a previous obsessive lover enters the narrative.
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Raat Aur Din (1967)
Character: Varuna's father
Mystery about a wife who appears to be leading a double life
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Milap (1955)
Character: Seth Karamchand
Film starring Dev Anand, Geeta Bali and K.N. Singh Rajendra Sayal (Dev Anand) becomes a millionaire from a poverty-stricken situation with the help of his friend Kalu (Johnny Walker). Jealous of his sudden elevation in status, a lawyer named Karamchand (K. N. Singh) plots to rob Sayal of all his property. For this reason, he hires Asha (Geeta Bali) to seduce Sayal and make him fall in love with her, but she ends up falling for him.
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Hindustan Hamara (1950)
Character: N/A
Though times have changed, Ram still uses old ways of farming due to a drought in the village. His brother, Bala, goes to Bombay to earn his living. Mahadev, a Zamindar in the village, eyes Usha, the lover of Bala. Due to the drought, the crops fail in the village, and Shikh Sahib, a social worker, comes to help the farmers, and shows them new ways of farming. Ramu goes to Bombay to take a loan for cooperative farming and asks Bala to turn back to the village, but he refuses. [The film is a socio-economic study of post-independence India, blending documentary elements with narrative storytelling. The film is often described as a "simple story woven into the documentary design" and features actors like Prithviraj Kapoor and Dev Anand.]
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Miss Chalbaaz (1961)
Character: N/A
Roopa returns from England to be confronted with the dead body of her father, one of the most renowned scientists in the country. Her late father had devised a formula that enabled travel to Mars, but he is murdered for this priceless discovery and the formula falls in the hands of Dr. Sinha who plans to use it to destroy the world.
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तेरी तलाश में (1968)
Character: N/A
A man meets a mysterious woman but soon she vanishes. He desperately tries to find her but a shocking revelation about her changes everything.
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काली टोपी लाल रूमाल (1959)
Character: N/A
Two friends both fall in love with two girls. Their romance was to culminate in marriage, when one of girls' brother is released from jail.
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Deedar (1970)
Character: N/A
Deedar is a movie directed by Jugal Kishore featuring Anjana, Premendra.
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Shikari (1963)
Character: Dr. Cyclops
The owners of a circus set out to capture King Kong. They arrive by boat at Kong Island, only to discover that there is another monster living there. Complications ensue.
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कैद (1975)
Character: Dr. Trivedi
Advocate Jai Saxena lives in a small flat with his mom. One day his mom hires a maidservant named Imarsi, but later they find out that she is an impostor, and fire her. A few days later she comes knocking on their door in the dead of night, claiming that she is the sole heiress of Rai Bahadur Tulsinath's estate, and that someone is out to kill her. Jai wants to believe her, but his mother disbelieves her and wants her out of their lives, as she feels that this is nothing but another trick on her part to fool them. When the police are notified, the Saxenas are told that this woman's real name is Ragini, a homicidal killer, wanted by the police. Will Jai be convinced that he was offering to shelter a fugitive from the law?
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Inspector (1956)
Character: N/A
Inspector is a 1956 Bollywood thriller film directed by Shakti Samanta. It starred Ashok Kumar, Geeta Bali and Pran.
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ऑपेरा हाउस (1961)
Character: Danial
A lover follows his sweetheart to her hometown and becomes embroiled in a murder mystery.
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Woh Kaun Thi (1964)
Character: Dr. Singh
One stormy night, a doctor offers a ride to a ghostly woman he meets on the side of the road. Later, he discovers his intended bride is identical in appearance to the ghost. Who was she and why does she haunt him?
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मेरे जीवन साथी (1972)
Character: Gobindram (Prakash's Father)
A talented artist falls in love with a doctor. He loses his eyesight in an accident and wounds up a prisoner of a cruel princess. He escapes, and is helped by another man, who nurtures and allows him to recuperate. When the artist returns home, he find that the girl he wants to marry is engaged to the man who helped him recover.
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बरसात (1949)
Character: Bholu
Two friends with opposite personalities, the rich but sensitive Pran and the womanizing Gopal both have affairs with two mountain girls while holidaying in the valley of Kashmir. While Pran and Reshma's love is true and reciprocated, Gopal is a womanizing villain, who disregards the faithful Neela and condemns her to wait faithfully for his return with the barsaat (rainy season).
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Mera Saaya (1966)
Character: Prosecuting Lawyer
A lawyer's wife dies in his arms. Yet, another woman - identical in appearance and accused of aiding a gang of bandits - claims to be the lawyer's wife. A courtroom drama ensues.
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हावड़ा ब्रिज (1958)
Character: Pyarelal
Rakesh lives with his brother, Madan, and his dad in Rangoon. Madan has fallen into bad company and steals the family heirloom, in the shape of a dragon, some cash and runs away to India. Shortly thereafter, his dead body is found under Calcutta's Howrah Bridge. Rakesh travels to Calcutta in order to find out the mystery behind Madan's death, and also try to recover the family heirloom.
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Bansi Birju (1972)
Character: N/A
Bansi and Birju get married in their village. But the villager's find out that Bansi is a prostitute.
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प्रेम कहानी (1975)
Character: Rai Bahadur Shrikant Sinha
An apolitical poet abandons his love to become a freedom fighter — only for fate to bring them face-to-face again years later.
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Jaane Anjaane (1971)
Character: N/A
Laxmi finds an abandoned baby at a temple and decides to keep him. When her husband, Shankar, returns from jail, they name the child Ramu. While Laxmi wants him to go to school, study and become someone important, Shankar wants him to gamble, partner him in bootlegging and smuggling. Ramu is unable to fit in school and decides to work with his dad. Thus Ramu grows up accepting crime as his career. Then a young woman named Mala enters his life, and both fall in love with each other. When Mala finds out about Ramu's career, she makes him promise that he will go straight. He does go straight, gets a job, and when he is laid off he takes to helping Dhondu catch fish. Then Ramu's world gets turned upside when Inspector Hemant, while apprehending Shankar, guns down Laxmi. An enraged Ramu decides that he must kill Hemant at any cost. Watch what impact this will have on Hemant's mom, his dad, and Mala herself as she watches Ramu descent into the very hell that she had tried to redeem him from.
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Faraar (1965)
Character: N/A
Calcutta-based Naval Officer Shankar Choudhry lives a wealthy lifestyle with his doctor dad, and mom. One day while returning home in a cab home from a Club, he comes an injured man, Shekhar, takes him home, has his dad nurse look after him, as well as goes to his home to notify his sister, Neela. Both Neela and he fall in love with each other. When Shekhar recovers, he returns home, and it is then that Shankar notices a change in Neela. When he questions her, she refuses to answer. Then Shekhar is shot and killed in his apartment. A Police Dectective Officer assigned to this homicide - has a lighter with the word 'S' engraved on it. This leads him to suspect three persons: One is a gangster named Shyam Sunder, second a delinquent runaway child, Sushil Kumar alias Daaku, who lives with his maternal uncle and aunt; and the third is none other than Shankar Choudhry himself.
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हाथी मेरे साथी (1971)
Character: Shravan Kumar
Raju becomes very attached to his four elephants after they save his life. His wife, however, fears for her child and tells him that he must choose between the animals and his family.
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Dulha Dulhan (1964)
Character: Thakur Dharam Singh
Chanda, unconscious for three days goes home only to realize a stranger by the name Rajkumar claims to be her husband and calls her by the name of Rekha. Will Chanda be able to solve this mystery?
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Sikandar (1941)
Character: Raja Ambhi
The film begins after Alexander the Great (Sikander in Hindi/Urdu) conquers Persia and the Kabul valley and approaches the Indian border at Jhelum. Sohrab Modi plays the Indian king Puru (Porus to the Greeks). The story goes that when Sikander defeated Porus and imprisoned him, he asked Porus how would he like to be treated. Porus replied the same way a defeated king is treated by the winner (meaning killed).
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आवारा (1951)
Character: Jagga
A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.
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कालिया (1981)
Character: N/A
Kaalia - A name that spells terror in the minds of people and the police, but Kaalia was not always like this. Years ago he was a mere simpleton. Living simply in a shanty chawl with his elder brother, Shyamlal, Bhabhi (Sister- in-law), whom he adored and their daughter Munni. Apart from them there is no one else in Kallu's little world until one day, an enemy in the guise of Shahani Seth appears. Shahani shatters the happiness in Kallu's life. That same day the young Kallu dies, and the dreaded Kaalia is born. Kaalia's main motive in life becomes wealth, and to destroy Shahani. This path of violence leads Kaalia to inspector Raghubir Singh's jail. Outside of jail, Shahani starts reclaiming his power, and inside jail, Kaalia clashes with Raghubir Singh.
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आम्रपाली (1966)
Character: Balbadra SIngh
After a failed conquest, Emperor Ajaatshatru pretends to be a soldier in the enemy's army to weaken them from the inside. However, he falls in love with Amrapali, a well-respected royal courtesan, and must decide what his main priority is.
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पेरिस की एक शाम (1967)
Character: N/A
In romantic Paris, two Parisians of Indian origin are in love namely Shyam or Sam and Roopa. Mystery and intrigue surround this romance, as Roopa is abducted and held by criminal mastermind Jack and his minions, who will trade her for a hefty ransom. Roopa has a look-alike in the shape and form of Suzy, who is sent in place of Roopa to ensure that the money is received, while the real Roopa is still being held captive. Sam must use all the resources available to in order to set Roopa free, but he will have a difficult time to differentiate between Suzy and Roopa.
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दुश्मन (1972)
Character: Public Prosecutor Saxena
Surjit Singh is forced to take care of Ram Din's family after he accidentally kills him while driving under the influence of alcohol. However, he is treated with hostility by Ram Din's family members.
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रेशमा और शेरा (1971)
Character: Chowdhary
Reshma and Shera love each other in spite of the feud that exists between their families. Chhotu, Shera's brother, kills Reshma's family. When Shera gets the news, he plans to kill Chhotu.
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Suhana Safar (1970)
Character: Dr. Singh
Sapna sets out on a journey to meet her dream man, a poet called Ujjwala, when she comes across Sunil.
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हुमायूं (1945)
Character: Jai Singh
The film follows Humayun’s rise to the throne, his struggles to maintain the empire, and his conflicts with rivals—especially Sher Shah Suri, who defeats him and forces him into exile. Amid political upheaval and personal loss, the story also explores Humayun’s relationships, particularly with his noble wife Hamida Banu. Eventually, with Persian support, he regains his empire, but his triumph is short-lived, as his reign ends with a fatal accident.
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Funtoosh (1956)
Character: Karodi Lal
Ram goes crazy after death of his mother and sister, once released from mental hospital comes across Mr Kirorimal who insures him and wants him dead for the money. However Ram ends up marrying his daughter.
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Baaz (1953)
Character: General Barborosa
The Crown Prince of Malabar dallies with Rosita whilst his people suffer at the hands of cruel Portuguese colonists. Whilst voyaging on a Portuguese ship, the Prince is captured by patriots who are rebelling against the foreign invaders. They are led by a girl called Nisha known as "The Falcon" ("Baaz"). The Prince conceals his identity from Nisha and a romance blossoms between them. Together, they rouse the people, rout the Portuguese and free the Kingdom - but can a commoner marry a Prince ?
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दोस्ताना (1980)
Character: Judge
Two close friends decide to enter law enforcement – one a police officer, the other a lawyer – but their friendship begins to unravel when they both fall in love with the same woman.
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बाज़ी (1951)
Character: Malik
Madan comes from a poor family background. Unable to find employment, he takes to gambling in order to pay for his sister's medical expenses. Soon, he forms a bond with Leena, a dancer, and is falsely accused of her murder.
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बाज़ी (1951)
Character: Rajani's Father
Madan comes from a poor family background. Unable to find employment, he takes to gambling in order to pay for his sister's medical expenses. Soon, he forms a bond with Leena, a dancer, and is falsely accused of her murder.
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Woh Din Aayega (1987)
Character: N/A
The dramatic events in the family of Assistant Police Commissioner Anand Sani began when he arrested a dangerous criminal, a member of a gang that had been wreaking havoc in the city. To force the commissioner to release the arrested man, the gang leader Somnath kidnapped Anand's nephew, a boy named Kapil.
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जाल (1952)
Character: Carlos
Carlos and his sister Maria live along the Indian coast in a fishing village. Tony and Lisa are 2 newcomers and soon Maria and Tony fall in love. This does not go down well with Simon who loves Maria.
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Hukumat (1987)
Character: DBDN's Friend
The town of Shantinagar is terrorized by D.B.D.N who likes to kill people for his will. A daredevil cop enters the town.
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Kuchhe Dhaage (1973)
Character: N/A
In the state of Madhya Pradesh, India, particularly in the Chambal Ravine there are abundance of bandit gangs, chiefly consisting of Brahmans and Thakurs, both carrying on their age-old rivalry and hatred for each other from generation to generation. Our story revolves around Brahman Pandit Tulsiram who betrays Thakur Bahadur Singh to the police, and as a result Bahadur is sentenced to be hanged.
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Loafer (1973)
Character: Mr. Singh 'Uncle'
Ranjit is the right-hand man of a gangster named "Uncle". He has been working for him since he was a runaway child, and excels in all of kinds of criminal activities, currently managing a night-club called "Playboy". He meets with beautiful Anju and both fall in love with each other. Then he finds out that Anju is not who she claims to be but someone hired by Pratap to be close to him, entrap him, and get him killed. But that does not happen, Ranjit survives, rescued by Anju, and he helps her free her brother, Rakesh, from Pratap's clutches. Then some priceless jewelery is placed on display, and a number of gangsters decide to try and steal them, knowing fully well that there is a 24 hour police guard, as well as an alarm system. It is after this robbery that the past will be re-visited and it is then a number of people, on whom Ranjit has depended upon, will come to know of his real background, including the murder he committed before he started his career as a criminal.
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Chalti Ka Naam Gaadi (1958)
Character: Raja Hardayal Singh
Three woman-hating brothers face changes in their respective lifestyles when two of them fall in love.
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Banwra (1950)
Character: N/A
A story centers on themes of social status and romantic conflict, involving a sensitive or "mad" (the meaning of Banwra) character played by Raj Kapoor who must overcome societal hurdles to be with his beloved.
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Rafoo Chakkar (1975)
Character: #3 Duo
After witnessing a murder, musicians Dev (Rishi Kapoor) and Salim (Paintal) dress as women and flee with a girl band to avoid the killers' wrath. Soon, Dev falls for fellow bandmate Reetu (Neetu Singh), but his disguise makes it impossible for him to reveal his feelings. When he discovers that Reetu desires a rich man, Dev devises a second disguise, as the wealthy Esso. Madan Puri and Anwar Hussain co-star in this Indian take on Some Like It Hot.
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Adalat (1976)
Character: Singh
Village bred farmer, brave, and honest, Dharamchand alias Dharma is thrilled when his wife, Radha, gives birth to a baby boy, who they decide to call Raju. Dharma comes to the rescue of Ajit, Suresh, and Sujit, when they are being attacked by a tiger, and they graciously offer him a job in Bombay whenever he needs it. When the region experiences drought, Dharma, Radha, Raju and Dharma's sister, Laxmi, re-locate to Bombay, where Ajit makes Dharma the Manager of his warehouse. Dharma does his job diligently, but one day is arrested by the police for carrying on illegal activities. When in court, he tries to prove his innocence, but is disbelieved and is sentenced to 18 months in jail plus an additional six months for contempt of court. When he returns home, everything has changed. His wife and Raju are near destitution; Laxmi has been raped by Sujit and has killed herself.
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Himmat (1970)
Character: Inspector Mathur
When a poverty-stricken has-been felon decides to renounce his life of crime upon meeting another runaway women, he seeks to embark on a new and domesticated chapter in his life. However, foes from his dark past threaten to disrupt his newfound life of peace.
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Jigri Dost (1969)
Character: N/A
When rustic farmer Gopi (Jeetendra) visits a lawyer's home, he's mistaken for Anand, a wealthy attorney who's engaged to the lawyer's beautiful daughter. When the real Anand shows up, the two discover they could be twins and agree to switch places. Will true love win out once the truth is revealed? Or have they sown the seeds of ruin for them both? Directed by Ravikant Nagaich, this entertaining comedy stars Komal, Mumtaz and Aruna Irani.
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तीसरी मंज़िल (1966)
Character: Manohar
Blaming him for the suspicious death of her sister, a young woman sets out to exact revenge on a nightclub drummer. She becomes romantically involved with a charismatic young man she meets on the way, unaware that he is the suspect.
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C.I.D. (1956)
Character: SP Mathur
A newspaper editor gets murdered when he was about to expose the underworld links of a rich man. A C.I.D inspector gets assigned to investigate the murder.
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The Guide (1965)
Character: N/A
When mistaken to be a sage by some villagers, an ex-tour guide reflects on his past and lost love to search for spiritual wisdom to guide the villagers in this lesser-known English-language version of R.K. Narayan's classic.
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Teri Maang Sitaron Se Bhar Doon (1982)
Character: Nataraj Seth.
Anjali lives in a hostel and always waits for her mother Kamini to come take her during holidays but Kamini never takes Anjali home; instead she takes her on holidays to different places. Kamini pretends to be a wealthy woman in front of Anjali, but she actually works for the Bombay-based Don Sultanbhai--she conducts robberies for him. Anjali falls in love with Anand and both want to get their parents together, but at the last moment Kamini is called back to Bombay by Sultanbhai; this doesn't go over well with Anand's mother. Sultanbhai finds out from Kamini about Anjali and how life was cruel to her he promises Kamini that he will get Anjali married to Anand and makes a fake family out of his gang and present them in front of Anand's family.
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मज़बूर (1974)
Character: N/A
A terminally ill man frames himself for murder to allow his family to collect the reward money. After a successful operation, he escapes police custody and searches for the real killer.
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