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Playboy: Sex at 24 Frames Per Second (2003)
Character: Self
Examines the relationship between sex, women, and the role of female sexuality in popular Hollywood culture, focusing on Marilyn Monroe, Jayne Mansfield, Jean Harlow, and Sharon Stone.
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Tales from the Script (2009)
Character: Self
Shane Black ("Lethal Weapon"), John Carpenter ("Halloween"), Frank Darabont ("The Shawshank Redemption"), William Goldman ("The Princess Bride"), Paul Schrader ("Taxi Driver"), and dozens of other Hollywood screenwriters share hilarious anecdotes and penetrating insights in "Tales from the Script," the most comprehensive documentary ever made about screenwriting. By analyzing their triumphs and recalling their failures, the participants explain how successful writers develop the skills necessary for toughing out careers in one of the world's most competitive industries. They also reveal the untold stories behind some of the greatest screenplays ever written, describing their adventures with luminaries including Harrison Ford, Stanley Kubrick, Joel Silver, Martin Scorsese, and Steven Spielberg. The film was produced in tandem with the upcoming HarperCollins book of the same name.
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Schrader's Exorcism (2008)
Character: Self
A documentary chronicling director Paul Schrader's ride through hell and back while making film history with his prequel to The Exorcist. Schrader, after being fired from the production and his version of the film shelved, is brought back 2 years later to complete it on a shoestring budget. In true cinéma vérité style we watch as Schrader and editor Tim Silano work all the angles to get the film on its feet and over to Europe for the world premiere.
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Untitled: New Blue (1995)
Character: Himself (uncredited)
A short film directed by Paul Schrader following the story of a painting from Schrader's collection.
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Murnau, Borzage and Fox (2008)
Character: Self
Documentary focusing on the film careers F.W. Murnau, Frank Borzage and William Fox and their impact on the history of cinema.
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Hollywood Mavericks (1990)
Character: Self
A documentary focusing on seventeen maverick directors who were not afraid to break the rules of filmmaking to advance their art. Among the classic directors profiled are D.W. Griffith, Josef von Sternberg, Erich Von Stroheim, and Preston Sturges up until more current filmmakers like David Lynch, Robert Altman, and Martin Scorsese..
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Godard Made in USA (2010)
Character: Self
Documentary by Luc Lagier exploring Godard's career as a filmmaker, the production of Breathless and his influence and his relationship with American cinema.
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Männer im Trenchcoat, Frauen im Pelz (2004)
Character: Self
Film noir, which enjoyed particular success in the 1930s and 1940s, is probably the most profound genre of classic Hollywood cinema. Eckhart Schmidt tries to show the background and developments and speaks, among others, with directors such as Richard Fleischer and Robert Wise as well as with "femme fatale" actresses. Filmmakers of the following generations explain how the style and themes of noir continue to shape cinema today.
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Best Served Cold: How a Revenge Film was Buried for Decades (2026)
Character: Himself
A feature length cinema documentary on how THE FARMER (1977) became the most-requested cult film of the new millennium, and it's a crazy tale that involves an actor incarcerated for manslaughter, serious on-set injuries, banana-man costumes- as well as surprising links to Clint Eastwood and Martin Scorsese. The film also broadens its scope to explore the overlooked, eclectic and often ultra-violent sub-genre THE FARMER belongs to - The Returning Veteran film. A film type that hit its stride in the 1970's with hard hitting character studies such as WELCOME HOME, SOLDIERS BOYS (1971), THE NO MERCY MAN (1973) and ROLLING THUNDER (1977).
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Inside Mishima (1985)
Character: Self
Short report on the making of Paul Schrader's film Mishima: A Life in Four Chapters, aired as part of the VISIONS: CINEMA programme in 1985.
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Pictures of Europe (1990)
Character: Self
What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven
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Masterclass di Paul Schrader al Laceno d'Oro 48 (2025)
Character: Self - filmmaker, guest
At the 48th edition of the Laceno d'Oro Festival in 2023, Paul Schrader is the guest of honour in Avellino, receiving a lifetime achievement award and taking part in this conversation with Sergio Sozzo and Aldo Spiniello, pillars of Sentieri Selvaggi and curators of the festival.
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We Blew It (2017)
Character: Self
How did America change from Easy Rider into Donald Trump? What became of the dreams and utopias of the 1960's and 1970's? What do the people who lived in that golden age think about it today? Did they really blow it? Shot in Cinemascope - from New Jersey to California - this melancholic and elegiac road-movie draws upon the portrait of a confused, complex and incandescent America one year after the start of the electoral campaign. That golden age has become its last romantic border and an inconsolable America is about to pull on a trigger called Trump.
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Making 'Taxi Driver' (1999)
Character: Self
A behind the scenes snapshot of the making of one of the greatest films ever made. Filled with trivia, interviews from cast and crew, and more.
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What She Said: The Art of Pauline Kael (2019)
Character: Self
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
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Clapboard Jungle: Surviving the Independent Film Business (2020)
Character: Self
Following five years in the life and career of independent filmmaker Justin McConnell, this documentary explores the struggles of financing, attracting the right talent, working with practical effects and selling the finished product in the hope of turning a profit. Featuring interviews with a range of industry luminaries, not only are technical aspects and interpersonal skills discussed but also the emotional stamina and little-known tips needed to survive in the low budget film industry.
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Producing 'Taxi Driver' (2007)
Character: Himself
Nice interview with producer Michael Phillips who discusses his early career and how he got involved with the production of Martin Scorsese's Taxi Driver (1976)
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Paul Schrader: Man in a Room (2020)
Character: Self
In the sixth installment of the Criterion Channel's Meet the Filmmakers series, director Alex Ross Perry (Her Smell, Listen Up Philip) visits the ever-iconoclastic auteur Paul Schrader during the making of his 2017 masterpiece First Reformed. On set and at home- where, for his own pleasure, he continues to work and rework his previous films- Schrader reflects on the highs and lows of his legendary career, the challenges and rewards of slow cinema, and the influences and experiences that continue to shape his approach to filmmaking. With this insightful portrait of one of his filmmaking heroes, Perry captures an artist who is continually at play, intentionally provocative, and never less than vital.
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Richard Pryor: Omit the Logic (2013)
Character: Self
Mike Epps, Richard Pryor Jr. and others recount the culture-defining influence of Richard Pryor - one of America's most brilliant, iconic comic minds.
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A Decade Under the Influence (2003)
Character: Self
A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.
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Milius (2013)
Character: Self
The life story of ‘Zen Anarchist’ filmmaker John Milius, one of the most influential storytellers of his generation.
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Dog Eat Dog (2016)
Character: El Greco
Ex-cons Troy, Mad Dog, and Diesel are hired by an eccentric mob boss to kidnap a baby and hold it for a large ransom. When the abduction goes awry, the men find themselves on the run from the mob and the cops. Vowing to stay out of prison at all costs, getting away with the crime is a matter of life and death.
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小津と語る (1993)
Character: Self
A tribute to the legendary Japanese film director featuring the reflections of filmmakers Lindsay Anderson, Claire Denis, Hou Hsiao-hsien, Aki Kaurismäki, Stanley Kwan, Paul Schrader, and Wim Wenders
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Venezia 70: Future Reloaded (2013)
Character: Self (segment Paul Schrader)
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
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Eames: The Architect and the Painter (2011)
Character: Self
Interviews with the junior designers swept into the 24-7 world of "The Eamery" are the heart of this complex picture of a husband-and-wife creative team that define the era of Mid-Century Modernism. Narrated by James Franco, the film draws from a trove of archival material, primarily the stunning films and photographs produced in mind-boggling volume by Charles, Ray, and their staff during the hyper-creative forty years of the Eames Office.
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Hitchcock/Truffaut (2015)
Character: Self
Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.
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Film Noir: Bringing Darkness to Light (2006)
Character: Self
Film Noir burrows into the mind; it's disorienting, intriguing and enthralling. Noir brings us into a gritty underworld of lush morbidity, providing intimate peeks at its tough, scheming dames, mischievous misfits and flawed men - all caught in the wicked web of a twisted fate.
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Birth of a Nation (1997)
Character: Self
Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
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The Book of Harth (2022)
Character: Self
A New York City-based conceptual artist embarks on a 20-year art project asking culturally significant people to sign his copy of The Holy Bible.
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健さん (2016)
Character: Self
KEN SAN pieces together the puzzle of the life and legacy of Japan's mythical acting icon, Ken Takakura. Collaborators, friends and family tell intimate stories of Ken's journey: how one man of quiet dignity became a cultural barrier-breaking film star.
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