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Esa pícara pelirroja (1963)
Character: Pablo Corell
A redhead girl triumphs in the world of varieties using their good humor, and especially his playfulness. Confusing and enmesh the people around, get out the tangles always most unlikely, thanks to its know-how and sympathy.
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Jugando a morir (1966)
Character: Empresario
Blas Romero "El Platanito" is a bullfighter who begins to take its first steps in Merida. After a long journey, one day he is lucky enough, his performance is showed on TV and that brings him to top of the charts. From now on, his problems will be centered with the dilemma of having to give up their dreams of making serious classical bullfighting, or jump to a false bullfighting, between slapstick and temerity, which will give offer him numerous well-paid contracts.
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El Litri y su sombra (1960)
Character: Pepe Aguayo
Biopic about Miguel Báez "El Litri", a descendant of two generations of bullfighters: his older brother touched the glory before he died at twenty years after being gored and complicated by gangrene. His father begged everyone until the last minute that they keep him away from the arena, but "El Litri" knew since childhood that his destiny was to succeed in the world of the bulls
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Aprendiendo a morir (1962)
Character: Rafael Sánchez
Despite the advice that friends have given, Manuel wanders tentaderos and squares to see if they let him fight. After many calamities and thanks to Rafael, get a bullfight in Cordoba. From here, it rains contracts and get a series of victories, winning his first money.
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Llegaron los franceses (1959)
Character: Andrés
On May 2, 1808 the Spanish took up arms against Napoleon. The war are surprised by a traveling company of actors formed by Damian and their four daughters. Rosita, the eldest, is in love with a revolutionary, but Duvalliers, a French officer, also sought. Circumstances beyond all that Rosita can support: conflict views that cause her two suitors, the love of family, his duty as a patriot ... Having become human torch accidentally Rosita launches into a tinderbox and thereby causes the beginning of a decisive battle against the French.
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Flor de santidad (1973)
Character: Electus, el ciego
A beautiful teenage shepherdess named Adega sleeps one night with a mysterious pilgrim in a barn of impoverished and superstitious Galicia of the nineteenth century. The overwhelming fanaticism of the villagers motivates them to consider the outsider an envoy of Satan, reason why they deny him the lodging. The pilgrim, on the other hand, will react by cursing the people with plague and misery.
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Experiencia prematrimonial (1972)
Character: N/A
In Spain of 1972 a student couple decides to test the marriage before marrying in reality in order to prevent a irremediable failure. But this was like a revolution for the catholic society of this time.
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Las autonosuyas (1983)
Character: Don Ángel
The Eternal Spain, birthplace of the Cid, Hammer of Heretics... and other deserved historical appellations, is suddenly transformed, through democratic elections, in a chaotic Tower of Babel where every province, every town, each village wants to have its own opinion. Comedy about the rise of nacionalism in the different Spanish regions with the arrival of democracy.
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Paco l'infaillible (1979)
Character: Marqués
In Madrid of the 20's, many women were hired as wet nurses for middle class families. Milk is paid very well, so women are turning to the honest services of Paco, glazier by trade, which completes his monthly salary getting pregnant the clients who pay for it.
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Tú y yo somos tres (1962)
Character: Dr. Alberto Cendreras
When Manolina saw a picture of Rodolfo, a South American poet, she falls in love for him. Three months after marriage by proxy, Rodolfo meets with her, which takes a major surprise to meet the twin brother of her husband.
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Las viudas (1966)
Character: Médico del Hotel (segment "El Aniversario")
Comedy consists of three stories about the sudden death of three husbands: a newly married man dies as a result of the excessive enthusiasm of his wife ("Honeymoon"), another because of a fling with a girl too fiery ("The Anniversary" ), and finally, a husband dies because of his greed and stinginess ("Portrait of Regino").
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La moza de cántaro (1954)
Character: Felipe IV
Doña Maria de Guzman, a beautiful lady of Ronda has seen as Don Diego slapped his elderly father, disguised as a man pretending to be his brother (the expected return from Flanders) duels with him and kills him. Forced to flee, traveling in company with Don Juan, one of his fans, still hiding her gender. Unable to bear the intimacy with a soldier who believes him, leaving Don Juan and arrives in Madrid. Based on the play by Lope de Vega. The Adventures of Dona Maria de Guzman, a seventeenth-century noblewoman: served in a hostel, dressed as a man, dueled ... A life rich in experiences.
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Escuela de seductoras (1962)
Character: Enrique
Three friends in love, are ignored because of their lack of gift to conquer. After learning of the existence of a school of seduction, are enrolled as students.
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Los que no fuimos a la guerra (1962)
Character: Pons
First World War. In a largely rural area of neutral Spain, two families confront one another and play a part in embarrassing situations because they don't support the same side in the war. This will influence the breakup of an engagement.
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Trampa mortal (1963)
Character: Don Tomás
A former convict, named Raul Vela, and a cabaret singer, called Clara, are a couple who tries to lead a normal life. He has found an employment and she wants to leave the cabaret. One day an old chief, who wants to disappear, proposes him to justify his supposed death in a supposed accident. In exchange, Raúl will receive one hundred thousand pesetas as gratification. Raul refuses to engage in the deception. Shortly after, he reads in a newspaper about the death of Cervera, which makes the police relate him to the case.
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Cuento de hadas (1951)
Character: N/A
Two fairy godmothers struggle to make their godchildren not fight and love each other, but a third person intervenes and worsens the situation.
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Tormento (1974)
Character: Padre Nones
A rich emigrant returns to Madrid where he meets the beautiful Amparo . The girl, however, lives a secret affair with a priest
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La madrastra (1974)
Character: Marcos
In Segovia at the beginning of the thirties the hoarder widower and Marcos must be prudent but has relations with the sterile prostitute Mercedes every week.
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La revolución matrimonial (1974)
Character: Padre de Begoña
Begoña and Pedro are stuck. Despite having been married for many years, now the only thing they have in common is a son obsessed with basketball. A new conjuncture will cause love to resurface.
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Ventolera (1962)
Character: Máximo
Cristina, a beautiful woman, lives in love with her husband Manuel, who believes the most handsome, charming and, above all, the best husband in the world. Unexpectedly, Manuel dies and, thereafter, Cristina not live but to idealize her husband, going so far as to pay a reasonable service. Until a jilted suitor puts aware of the true personality of her husband. Cristina's reaction was swift, gets a 'gale' and women becomes more attractive and desired of Sevilla.
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Doce hombres sin piedad (1973)
Character: Juror #10
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young man is guilty or innocent of murdering his father.
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Cristina Guzmán (1943)
Character: Marqués de Atalanta
Cristina Guzmán is hired to impersonate the disappeared sister-in-law of a rich man.
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Usted tiene ojos de mujer fatal (1975)
Character: Oshidori
Madrid, Spain, early thirties. The charming playboy Sergio Hernán is an unscrupulous womanizer who over the years has seduced and abandoned hundreds of women with the complicity of Oshidori, his cynical butler. However, his brief encounter with Elena Fortún, blonde, posh and a bit cheesy, unexpectedly leaves an indelible mark on his soul.
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Ídolos (1943)
Character: N/A
Clara Bell, a famous French actress, rejects the protection of a producer and falls in love with a handsome Spaniard. But the story is complicated and his love will not come to fruition.
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Las largas vacaciones del 36 (1976)
Character: Grandfather
Spain, 1936. The Civil War breaks out. In a village near Barcelona, several families decide to continue living in their summer houses until the violence ends.
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La semana del asesino (1972)
Character: Head of Personnel
A young man, Marco, working as a butcher, accidentally kills a taxi driver. His girlfriend Paula wants to go to the police so he has to kill her too. He then has to kill his brother, his brother’s fiancée and his father, who have become suspicious. He gets rid of the bodies by taking them to a slaughter house.
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Mentirosa (1962)
Character: N/A
Nina, secretary of the lawyer Mr. Mendoza, is an imaginative liar. Because of her work, she has access to the will of an old millionaire who died naming as the sole beneficiary his daughter, the fruit of a love affair of youth. Only the millionaire's sister, the widow of Martiarena, knows who she is and where she lives. Nina decides to impersonate her and, to his astonishment, is recognized as the real daughter by the sister. But the housekeeper and the doctor of Mrs. Martiarena decide to resolve the situation.
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La batalla del domingo (1963)
Character: El risitas
Alfredo Di Stéfano plays himself, not as a soccer player but as a man, husband and father. This is a personal portrait of the mythical athlete, in the decline of his career. Film made to the greater glory of the football player Alfredo Di Stefano. In principle it is a portrait of manners of the life of the athlete at the time of professional retirement. Filmed by Luis Marquina, " The Battle of Sunday " mixes the form of a conventional film with the topics of biographical documentaries. However, the film was an important public success, given the importance of Di Stefano in Spanish football.
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La chica del trébol (1963)
Character: D. Andrés
Rocio is a young deliverer of a fashion house who walks the streets of Madrid delivering dresses to clients. Until one day, because a model does not arrive to a parade, there arises an opportunity to replace her to save the situation. Therefore Rocío becomes a model overnight. A new work that opens unsuspected horizons about relationships and friendships.
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Furtivos (1975)
Character: Cura
Angel is a poacher who lives in the forest with his domineering mother. One day he goes to the city and meets Milagros, an escapee from a reform school and the lover of a known criminal so he takes her to his house in the mountains.
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La boda era a las doce (1964)
Character: Andrés
Elisa, a seller of a fashion house, sends a model to the wrong address. For fear of being fired she decides to recover it on her own. She encounters Alberto, a guy whose wedding is at noon, going to the same place it. From the moment they meet, they begin to suffer all kinds of mishaps.
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Una pareja... distinta (1974)
Character: Manolo
Zoraida is a single mother and bearded woman in a circus, while Charly works in transvestite shows. Together they will live a difficult and unusual love story.
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Sabían demasiado (1962)
Character: Don Rafael, 'El cajero'
A gang of Spanish pickpockets decide to send one of them to Chicago to learn how to be a gangster...
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Julio César (1965)
Character: Julio César
After Pompey's defeat at the Battle of Farsalia, Julius Caesar becomes the beacon of the Roman Republic and the master of its destiny; but many patricians want to avoid the birth of a tyranny and plot to assassinate him…
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Canção da Saudade (1964)
Character: Leonel
Leonel is a pianist, nostalgic of sweet melodies, while his son is the (real-life) leader of Os Gatos Pretos (black cats), a twist musical group. The conflict is eventu ally solved when Leonel's daughter, Cilinha, starts dating Raúl, a well-off young man, who promote a new dancing club, the Lisboa Antiga e Moderna, where old new music get even shares.
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La caza (1966)
Character: José
Three veterans of the Spanish Civil War go rabbit hunting. While doing so, old wounds open up.
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La pandilla de los once (1963)
Character: Toni 'El Jefe'
Inspired by the American gangster films, a group of thugs decides to dock the Bank of Spain. "El Rubio" explains to his men that, to commit the armed robbery, they will have to dig a gallery in the Cibeles. But, due to the threats of a rival band, "El Rubio" decides to disguise itself and pretend to be one of the most famous actors of the moment.
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Rojo y negro (1942)
Character: Miguel
Since childhood, Luisa and Miguel have always been good friends; but several years later, as adults, when Spain faces the abyss of the Civil War (1936-1939), they support ideologically opposed camps.
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