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उधार का सिंदूर (1976)
Character: Shanta
Wealthy Dr. Shivnath decides to adopt an injured orphan named Rajkumar, who has been separated from his sister, Munni, much to the chagrin of his wife, Janki, who resents him and reserves her love for her two biological children, Premnath and Sudha. Years later all the children have grown up, and Dr. Shivnath may have nothing but regret in adopting Rajkumar - who is not only living a dual life; getting into arguments and fisticuffs with Premnath; but may also soon be arrested by Inspector Chauhan for marketing and distributing fake currency.
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Zakhmee (1975)
Character: N/A
On the night of his marriage to Asha (Asha Parekh), Anand (Sunil Dutt) is arrested for allegedly murdering his business partner, and held in prison until his trial takes place. Anand refuses to say anything in his favor, thus leading his lawyer to conclude that Anand did commit this homicide. Refusing to believe that their brother could murder, his brothers, Amar and Pawan (Rakesh Roshan and Tariq respectively) kidnap Judge Ganguly's (Iftekhar) only daughter, Nisha (Reena Roy), in order to force the judge to find Anand not guilty, with disasterous results.
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Do Badan (1966)
Character: N/A
Vikas comes from a poor family, and is attending college so that he can complete his studies, get a job, and financially look after himself and his dad. He meets with wealthy Asha at this college, and after a few misunderstandings, both fall in love. Vikas' dad passes during the exams, and Vikas leaves to attend the funeral, and is unable to complete his studies. Asha feels sorry for him, and arranges to get him employed with her dad, which he does so, not knowing that his employer is Asha's dad. Asha's dad wants her to get married to Ashwini, and he soon announces their engagement. Ashwini finds out that Asha is in love with Vikas, and arranges an accident for Vikas.
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Meri Surat Teri Ankhen (1963)
Character: Kavita
Raj Kumar is a wealthy businessman and dislikes everything ugly. When his wife, Kamla, becomes pregnant and gives birth to an ugly son, he asks the attending Dr. Mathur to inform his wife that their child was still-born. Dr. Mathur places the child in the hands of Rahmat and his wife, Naseeban, who welcome him with open arms. But misfortune follows them, as the child, who is named Pyare, accidentally burns their dwelling down, killing Naseeban. Rahmat then re-locates to his village when he teaches Pyare the skills required to play musical instruments and sing. Years later, Rahmat passes away, and informs Pyare that he is really a Hindu. Dr. Mathur fills the rest of the blanks for Pyare, and arranges a song and dance play and hopes that Raj will overcome his dislike for his now-grown son.
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चिराग (1969)
Character: Asha Chibber
When Ajay (Sunil Dutt) meets Asha (Asha Parekh), he mistakenly believes she's wealthy. The fact that she's not, however, doesn't prevent him from becoming smitten, and the couple soon marries with the full blessings of Ajay's family. Poverty is one thing, though, and childlessness quite another -- which Asha finds out the hard way. When she fails to produce an heir for the clan posthaste, her mother-in-law begins a search for her replacement.
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Dil Deke Dekho (1959)
Character: N/A
Neeta is a heiress, the only daughter of U.K. based Industrialist, Jagat Narayan. She is of marriageable age, and is presently wooed by Kailash, Chandra, and Raja. She prefers Chandra over Kailash and Raja, but subsequently changes her mind and falls in love with Raja. Things take a dramatic turn when Jagat and Neeta find out that Raja is not who is claims he is. When Raja defends himself, and calls himself Roop, his very own mother denies this claim, and instead states that Chandra is Roop, her only son. Raja alias Roop must now make attempts to prove himself, and realizes that this is indeed an uphill task.
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Pagla Kahin Ka (1970)
Character: N/A
Sujit started having mental problems when he was six years after visiting his dad, Ajit, at a mental asylum. Thereafter he kept on getting into trouble, and even ran away from the orphanage.
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Samadhi (1972)
Character: N/A
Lakah Singh gives his life of a Dacoit and lives a happy life with his wife Champa when his son Jaswant becomes three years old, Champa becomes ill with cancer and circumstances force him to be again a Dacoit.
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Bhai-Bhai (1970)
Character: N/A
Deep Sharma lives a very poor lifestyle with his widowed mom, Radha, and a younger brother, Ashok, who he would like to become a Judge. Unable to fend for themselves in the small town, Deep relocates to Bombay, where he attempts to sell poetry, to no avail. Then he is asked to write stories about an imaginary bandit, Sangram Singh, which he agrees to do so under the pen name of his friend, Jani Babu. Shortly thereafter he gets very popular, so much so that his girlfriend, Lajwanti's dad, the former King Maheshwari Prasad, consents to let him marry his daughter. Then things get complicated when a bandit who calls himself Sangram Singh goes on a crime-spree throughout the region.
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Sau Din Saas Ke (1980)
Character: N/A
Widowed Bhavanidevi rules her palatial home with an iron hand. Nothing is permitted to be touched or moved without her permission and approval. She has two sons, and one daughter. She dotes on her daughter, Shobha, and son-in-law, Khubchand. When her eldest son marries a young woman, Sheela, Bhavani is enraged because Sheela did not bring in enough dowry. To teach Sheela a lesson, she burns her foot, leaving a petrified Sheela submissive and open to even more abuse. When Bhavani's second son gets married without her permission, she is angered even more, and will not have anything to do with her new daughter-in-law, Durga. When Durga insists on living there, she is permitted to do so, not knowing that she has now entered a household where she will be another abused and submissive slave to her dominating mother-in-law.
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Dharm Aur Qanoon (1984)
Character: N/A
Justice Diwan lives in a palatial house with his wife, Sharda, and a son named Rajan. Diwan and Rajan do not get along and as a result, Rajan moves out and goes to live in a nearby slum area with two friends, Dr. Bashir Khan and his brother, Rahim. Bashir is in love with Reshma and hopes to marry her soon. Before that could happen, Dr. John, Bashir's senior, gets killed and the police find Bashir there with a knife in his hand. Bashir is arrested and taken to Court, where Justice Diwan finds him guilty and orders that he be hanged. Then a man named Bhurre gets killed, and the evidence points to Rajan, who is also arrested and produced before Justice Diwan, who also finds him guilty, and sentences him to death. Rahim then finds that his house had been burned down and is out on the street. Then the unexpected happens, Sharda is killed, and Diwan finds out that Rahim had been seen outside his house. Will Rahim be the next accused to be sentenced to death by Diwan?
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Jawan Muhabat (1971)
Character: N/A
Dr. Sarin lives with his wife, Sunita, young daughter, Rekha, and his brother, Rajesh. Rajesh is an eligible bachelor, and on the lookout for a life-partner with a view of marriage.
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Ghunghat (1960)
Character: N/A
An adaptation of Rabindranath Tagore's 1906 Bengali story Noukadubi (The Wreck).
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Lava (1985)
Character: Amar's Mom
The mother of Amar (Rajiv Kapoor) has long believed that water will be the cause of her son's death, so when she meets Rinku (Dimple Kapadia), the girl he is in love with, she tells her to keep Amar away from anything that could drown him. But a short time later, he is involved in an accident that sweeps him down a waterfall. He manages to survive but is lost for six months, during which time his mother mourns for him. When Amar does finally return, he discovers Rinku has married another man.
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ज़िद्दी (1964)
Character: Asha Singh
On the lookout for employment, Ashok sees photographs of beautiful Asha and decides to accept employment as an estate's manager.
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ज्वाला (1971)
Character: Ranjana
Jwala (transl. Flame) is a 1971 Indian Hindi-language action film directed and produced by M. V. Raman and written by Chandliyan. It stars Madhubala (in her final, posthumous film appearance) and Sunil Dutt, with Sohrab Modi and Pran in pivotal roles. The film's music was composed by Shankar–Jaikishan.
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पाखंडी (1984)
Character: Asha
Orphan brothers Ashok and Kishore get separated in childhood. Years later their paths cross in prison as both con people for a living. Kishore lives with his adopted sister, Asha, and her son. Kishore falls in love with a wealthy Preeti, and discovers that Ashok is involved in a scam to marry her to get hold of her money.
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Ghar Ki Izzat (1994)
Character: Seeta
Ram Kumar (Kader Khan) is the eldest of four sons in his family. He has brought up his three younger brothers, Shyam (Kanu Chauhan), Sohan (Jeetendra), and Mohan (Rishi Kapoor), with love and fatherly care, together with his wife, Sita (Asha Parekh). Sita has a younger sister, Gita (Juhi Chawla), who also lives with them. Gita is a child-widow. Ram does not approve of anyone referring to Gita as such. Ram decides that it is time for Shyam and Sohan to get married, and he picks their brides for them. Shyam marries Mona, and Sohan marries Sheela (Anita Raj). With the entry of these two new wives, the equilibrium of love and respect is disrupted, as both want more control and demand more respect, which leads to clashes and quarrels all round, and changes in the lives of all the inhabitants. Eventually, in the end, everyone lives happily together and Mohan and Gita get married.
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कटी पतंग (1971)
Character: Madhavi 'Madhu' / Poonam
A runaway bride promises her dying widowed friend that she will assume her identity and look after her infant child.
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Raiszaada (1990)
Character: Sanjay's mother
Sanjay (Govinda), an honest police officer, is determined to bust the crime world which has taken over the city. Criminals have made a mockery of justice. His father (Shashi Kapoor), a senior police officer himself, makes heroic efforts in the fight against crime and initially arrests kingpin Jagannath, but winning the battle does not win the war. Sanjay feels fed up and goes after Jagannath himself. He quits the police department and becomes a vigilante, losing his girlfriend in the process. Can he win back his girlfriend and his mother's love in his fight for justice?
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Nadaan (1971)
Character: Seema
Rivalry has existed between Ranimaa and a small and hostile community. The passage of time has only widened the gap between the two. When Ranimaa's heir apparent, Seema, attempts to make peace, she is severely reprimanded by Ranimaa. Then Seema meets with Ajay Jain and both fall in love. When Ranimaa finds out about this, she indicates her disapproval of Ajay. Seema, however, is adamant about this, and will only marry Ajay, and wants peace between the two communities. Finally, Ranimaa agrees to make peace with the tribe, only to be blackmailed by Manghu, who knows that Ranimaa's had a questionable past, a past so terrible that she will kill anyone who will dare to reveal it.
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कन्यादान (1968)
Character: Rekha
Amar and Rekha fall in love, but their happiness is endangered when Rekha discovers that she was already married as a child.
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Shri Chaitanya Mahaprabhu (1954)
Character: N/A
Shri Chaitanya Mahaprabhu is a 1954 Hindi devotional biopic film produced and directed by Vijay Bhatt. The film is about the 15th century "medieval Vaishnav poet saint" and social reformer of Bengal, Chaitanya Mahaprabhu, whom many considered an Avatar of Krishna.
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Kahin Aur Chal (1968)
Character: Rajni
Shail is devastated when he finds his wife Leela having an affair with his friend Paul. He shoots Paul and then runs away. After surviving a suicide attempt Shail found out that Paul and Leela are spending Shail's money.
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Adha Din Adhi Raat (1977)
Character: Seeta
Gopal is constantly haunted by the tragedy that took place in his childhood. His youthful elder sister Sita and his younger brother Jagan were abducted by villainous Gulshan and his men. Gopal's mother dies with this shock, before innocent Gopal's eyes. This tragedy leaves a deep and an unerasable scar on Gopal's heart and mind. Revenge becomes his motto.
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Car Thief (1986)
Character: Mrs. Mehra
The film is about an Indian car thief in America.
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Rani aur Lalpari (1975)
Character: Kamla / Rani's mom
Rani is a child who is being brought up by her mother, Kamla (Asha Parekh) as her dad Rajendra (Rajendra Kumar) has gone out of town on business. Both mother and daughter live with their cruel and selfish relatives (Satyendra Kapoor and Lalita Kumari). They live with her abusive uncle. One day, Kamla gets the news that her husband is returning, and she is overjoyed. This joy turns to sorrow when she finds out that he has died in an accident. Shortly thereafter, she too passes away, leaving poor Rani at the hands of the cruel relatives. Her best friend Pappu (Master Abbas) tells her about Lalpari (Reena Roy). She succeeds to reach heaven with the help of Lalpari and manages to trick Yamraj (God of truth and death). However, Rani's father was only injured in the plane crash. Rani lives happily ever after with her parents. This movie also features the story of Cinderella and Gulliver's Travels in two songs.
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जब प्यार किसी से होता है (1961)
Character: Nisha R. Singh
About to be married, Nisha learns that Sunder had already been married to another woman, whom he is accused of murdering. And Sunder scrambles to come up with an explanation and absolve himself.
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शिकार (1968)
Character: Kiran
An estate manager discovers his employer dead and a mysterious woman unconscious after a car accident, and must collaborate with a police inspector to solve the mystery.
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Bin Badal Barsaat (1963)
Character: Sandhya Gupta
Seventy years ago the wealthy Thakur of Neelamghat had an affair with a gypsy girl, and then married another woman. The gypsy girl's dad placed a curse on the entire Thakur family that whenever a male marries, his wife will die in mysterious circumstances after an year. The curse has come true over the years, and none of the Thakurs have escaped it's wrath. The latest Thakur, Prabhat has now come to settle in Neelamghat, and is attracted to the local doctor's daughter, Sandhya Gupta. When Dr. Gupta proposes marriage, Prabhat tells them about the gypsy curse, and both father and daughter scoff at this. They quickly change their minds one night, when they find Prabhat dressed as a groom, getting ready to marry a reincarnated gypsy girl.
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Phir Wohi Dil Laya Hoon (1963)
Character: N/A
Due to a growing marital rift between Jamuna and her husband, she decides to leave him. He does not permit her to take their son, so she arranges his abduction, and disappears from her husband's life. Years later, Jamuna's son, Mohan, has grown up, and together they live a middle-class existence. One day, Mohan meets with Mona and both are attracted to each other. But Mona's guardian would like her to marry Biharilal alias Difu, who is foreign returned and comes from a very wealthy family. Mona and her friends embark on a trip to Srinagar, and Mohan follows her there. Then Jamuna's overjoyed husband announces the return of his son, Mohan, back to his household.
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आशा (1957)
Character: N/A
A wealthy Kishore always ready to help the poor.He travels to Bombay to be with his cousin Raj whose a womanizer and has ditched many women.Raj and Kishore go for hunting in Jungle where Raj meets a man who ask shim to marry his daughter whom he had cheated but Raj kills him and frames Kishore for the murder whose then on the run from police.
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Sajan (1969)
Character: Rajni
Hesitant to marry dancer Rajni, Ashok initially refuses but slowly falls in love with her. However, when Ashok and Rajni are about to get married, they find themselves embroiled in a murder.
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प्यार का मौसम (1969)
Character: Seema
A man learns that the people who raised him are not his biological parents.
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Bulundi (1981)
Character: Sarla Khurana
A college professor agrees to teach the son of a gangster and becomes a pawn in a deadly game.
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Bharosa (1963)
Character: N/A
Ramdas is a trusting individual, and trusts everybody around him. When times turn bad for him, he entrusts the life of his son, Bansi, to his trusted employee, Ronaklal, and departs. He regularly sends money to Ronaklal to provide for the upkeep of his son, but Ronaklal uses this money to educate his son, Deepak, keeps Bansi uneducated, and makes him do a lot of manual work. Years pass by, Ronaklal is now crippled, and is dependent on Bansi, as Deepak has left him, got married to a wealthy girl, and lives with his in-laws. Ronaklal is unable to show his face to Ramdas, and avoids him, and Bansi has grown up without knowing who his real father is. Will Ronaklal be able to tell Ramdas the truth when he returns, or will be just let Deepak be the sole heir to all the estate and the property?
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मेरे सनम (1965)
Character: Neena Mehra
Neena and her mother stop by at a motel where she falls in love with Kumar, another occupant. When the two decide to get married, Neena learns of Kumar's dark past.
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Prem Vivah (1979)
Character: Neela
Asha Parekh plays an unmarried woman in her 30s, past what society considered the marriageable age. Her younger sister played by Bindiya Goswami has a fiancée Mithun Chakraborty. She feels guilty that she is about to have a happy married life, while her older sister will be all alone by herself. She sets out to find a husband for her. When she sees her sister admire Utpal Dutt on television, she brings him into their lives. Unfortunately, Utpal Dutt falls for Bindiya Goswami and isn't aware that Asha Parekh has fallen in love with him. How Bindiya untangles herself from this situation and gets Utpal Dutt and Asha Parekh together forms the rest of the story.
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Mahal (1969)
Character: Roopa
To pay for his sister's marriage, a brother enters into a criminal conspiracy to impersonate the nephew of a wealthy male.
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नया रास्ता (1970)
Character: Shallo
Chander, a criminal lawyer, gives up his successful career and returns to his ancestral village. There, he comes face-to-face with social problems such as casteism, untouchability and poverty.
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आया सावन झूम के (1969)
Character: N/A
Wealthy Jaishankar meets and falls in love with Aarti, successfully woos her and agrees to meet with her dad to discuss their marriage. On the way there he ironically runs over him, killing him instantly. Guilt-ridden, he attempts to make amends to look after Aarti, her brother, Pappu, and sister, Mala, but conceals the fact that he was responsible for their father's death. Things get worse after Aarti not only discovers the truth, but also witnesses him getting intimate with a cabaret dancer, Rita. Then Jaishankar is first disowned by his father after the family find out that he had sired a son from Rita, and then subsequently arrested by the Police for killing Rita.
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Hamara Khandaan (1988)
Character: Sharda Singh (Vishal's mom)
Vishal (Rishi Kapoor) comes from a wealthy Hindu family. His father is well known Chandraprakash Singh (Amrish Puri), and his mom is a housewife, Sharda (Asha Parekh). Vishal falls in love with a young Catholic girl, Ruby Miranda (Farha). While Ruby's dad (Alok Nath) approves of the marriage, Chandraprakash does not, and will not even hear of his son marrying someone not of equal status in wealth, leave alone a different religion. He is all the more enraged when he learns that Vishal is not really his son.
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आन मिलो सजना (1970)
Character: Varsha / Deepali
A wealthy widow refuses to leave anything to her selfish son. In order to win her affection, he introduces her to his fiancee, Deepali, who is a girl he hires to play the part.
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माँ (1952)
Character: N/A
Chanderbabu (Nazir Hussain), a retired postmaster, lives in the village with his wife and two sons, Rajan (Paul Mahendra) and Bhanu (Bharat Bhushan). He continues to live there and work for the Zamindar, while his children are getting their education. Rajan is studying for his law exam. He is married to a girl (Padma) from a wealthy family whose haughty ways alarm and frightens him. Bhanu, the younger brother is fun-loving but studious. He gets influenced by the Nationalist Movement in the campus and stops his education in the last year of college. His father is disappointed and feels that Rajan is the one they can depend upon in their old age. Bhanu meets Meena (Shyama), and the two fall in love. Meera's father, Ramnarayan, is the school Principal and is impressed by Bhanu. He decides to get Meera married to Bhanu.
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लव इन टोक्यो (1966)
Character: N/A
Gayetridevi sends her son, Ashok to get her grandson from Japan. Gayetridevi had an elder son, who married a girl of Japanese origin without her blessings. She wants Ashok to get married to Sarita, but Ashok does not show any interest in Sarita. In Japan, Ashok meets with Asha and both fall in love. Asha's uncle wants Asha to marry Pran, but Asha does not like Pran and runs away with Ashok. Pran runs down Ashok with his car, and Ashok is hospitalized and may lose his eye-sight. Gayetridevi will soon find out which of the two girls - Asha - who she does not approve of - or Sarita, will take of her blind son.
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Gharana (1961)
Character: Usha S. Gupta
A mother and daughter create bitterness, hatred, acrimony and discord in a wealthy family.
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Anjaan Raahen (1974)
Character: Geeta
Anand (Feroz Khan) is a London returned teacher who has sought employment in a local school in India. His co-teachers are Geeta (Asha Parekh), Girdharilal (Jankidas), Pandey (Asit Sen), Lalita (Lalita Kumari), and Principal (Brahm Bhardwaj). Anand's students, though fairly mature, lack sex education, and he discusses this at length with the other teachers and the Principal, and he is met with opposition. Anand is attracted to Geeta, but Geeta shows no interest in him. Several female students are attracted to Anand. Anand naively is openly friendly with all his students, however, Anand faces trouble when one of his female students becomes pregnant, and he is accused of raping her.
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कालिया (1981)
Character: Shanti
Kaalia - A name that spells terror in the minds of people and the police, but Kaalia was not always like this. Years ago he was a mere simpleton. Living simply in a shanty chawl with his elder brother, Shyamlal, Bhabhi (Sister- in-law), whom he adored and their daughter Munni. Apart from them there is no one else in Kallu's little world until one day, an enemy in the guise of Shahani Seth appears. Shahani shatters the happiness in Kallu's life. That same day the young Kallu dies, and the dreaded Kaalia is born. Kaalia's main motive in life becomes wealth, and to destroy Shahani. This path of violence leads Kaalia to inspector Raghubir Singh's jail. Outside of jail, Shahani starts reclaiming his power, and inside jail, Kaalia clashes with Raghubir Singh.
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आए दिन बहार के (1965)
Character: Kanchan
This romantic Bollywood musical tells the story of a young woman named Jumana (Sulochana) who has two secrets that she's hiding from the world: her marriage and the fact that she's given birth to a child outside of that marriage. Noteworthy for its popular music, the film focuses on humans' vast capacity for failure as well as the ways in which our actions can impact the innocent (or not-so-innocent) lives of others.
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भाग्यवान (1993)
Character: Savitri
When Dhanraj's sister is impregnated by his boss, Dhanraj wants them to marry, but the boss refuses, leading to the sister killing herself out of shame, and Dhanraj is subsequently fired. He decides to kill himself as well, along with his entire family, but on the way to the suicide spot they stumble upon a winning lottery ticket.
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उपकार (1967)
Character: Kavita
Widowed Radha lives in rural India in the 1960s, along with two sons: Bharat and Puran. While she would like to educate her sons and ensure that they lead good lives, she cannot do so on her own, and must sacrifice the career of one son so that the second can achieve this goal. Bharat sacrifices everything to educate his brother Puran. However, Puran turns into a greedy man and gets involved in drug trafficking in order to make money.
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छाया (1961)
Character: Sarita
After her husband's death, Manorama is left alone with an infant daughter. The daughter falls ill due to poor nutrition, and in an act of desperation Manorama leaves the daughter in front of the house of Seth Jagatnarayan Chaudhary, a wealthy man who, having recently lost his wife, decides to adopt the girl. The following day, Manorama manages to get a job in the house as a servant but while she gets to care for Sarita like a mother, she longs for a day when her daughter might call her mom. Meanwhile Sarita grows up to be a beautiful girl who soon finds herself in some romantic entanglements.
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कारवाँ (1971)
Character: Sunita / Soni
Sunita is a young woman who ends up married to the wrong man, Rajan. Thinking that he has conspired with his girlfriend, Monica to murder her, she runs away to find an old friend of her father's in Bangalore who may be able to help. Having no money, the only way she can get there is to join a traveling caravan. The crew of the caravan is Mohan, Mohan's sidekick Johnny, and Mohan's younger brother Monto. Along the way, the caravan crosses paths with a group of gypsies that includes some causal young men. Sunita soon falls in love with Mohan but Nisha is attracted to Mohan and this puts Sunita in danger again to make matters worse Rajan has conducted a manhunt to find Sunita either by hook or by crook.
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सागर संगम (1988)
Character: N/A
Sagar Sangam is a 1988 Hindi film. A family drama, it had a very long delayed release. The film was announced in 1985, had its records released in 1986. The film stars Mithun Chakraborty, Shatrughan Sinha, Raakhee, Padmini Kolhapure, Anita Raj and Asha Parekh.
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सागर संगम (1988)
Character: Yashoda
Sagar Sangam is a 1988 Hindi film. A family drama, it had a very long delayed release. The film was announced in 1985, had its records released in 1986. The film stars Mithun Chakraborty, Shatrughan Sinha, Raakhee, Padmini Kolhapure, Anita Raj and Asha Parekh.
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Professor Ki Padosan (1994)
Character: Shobha
Professor Vidyadhar teaches Hindi in a college and resides in a flat with his wife, Shobha, and school-going son, Pappu. He leads a fairly routine and mundane life, until a new resident in the flat upstairs moves in - an attractive young actress by the name of Menaka Khanna, the daughter of a wealthy man, Dinanath.
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Hathyar (1989)
Character: Avinash's mother
Hathyar is the story of a simple Thakur (Kulbhushan Kharbanda), who comes to Bombay with his wife (Asha Parekh) and son, Avinash (Sanjay Dutt) only to find the same lawlessness he thought he left behind.
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बहारों के सपने (1967)
Character: N/A
In a small industrial town near Bombay lives Bholanath, who works at the local mill, and is the proud husband of Gauri, a daughter, Champa, and above all his son, Ramaiya, who is a graduate in the arts faculty, - the only one in this town who has attained this degree. But times are hard, and jobs are difficult to come by. When Bholanath loses his job, Ramaiya decides to find employment, and does so as a menial worker in the same mill his dad used to work. Ramaiya is very popular with his co-workers and they soon elect him as their new union leader. This puts Ramaiya in conflict with the Management of the Mill, headed by the owner, Kapoor, who has ordered that Ramaiya be eliminated post haste. But Ramaiya is determined to address the workers' grievances, and he gets himself framed for theft; has the police on the lookout for him, and so Ramaiya goes into hiding.
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हीरा (1973)
Character: Asha
A man is arrested for murder but escapes and becomes a bandit to clear his name and find the real killers.
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Hum Hindustani (1960)
Character: N/A
Satyendra's family is shocked and dismayed when he is arrested for theft - but he is actually covering for his brother, who he believes to be the real culprit
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हम तो चले परदेस (1988)
Character: Suman
Kumar promises his dying wife, Suman, that he will take good care of their daughter, Priya. The father-daughter bond is put to the ultimate test after Priya decides to get married and move away.
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Batwara (1989)
Character: N/A
Amidst the fall of princely states in post-independence India, the friendship between Vikram, who comes from an aristocratic family, and a peasant is tested. Vikram turns vengeful after his brother is killed in a peasant colony.
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Chaar Maharathi (1985)
Character: Sharda
Raju, John, Suleman and Shakti seize a hidden treasure of the deceased Anil Kumar. They face Kumar's widow Sharada who identifies Raju as her lost son. They then have to deal with Bandit Devi Singh.
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Main Tulsi Tere Aangan Ki (1978)
Character: Tulsi R. Chouhan
Thakur Rajnath Singh Chouhan opens a can of worms when he announces that he is going to marry a prostitute by the name of Tulsi. His mother will not even consider Tulsi as a daughter-in-law, and would prefer that he marry Sanjukta. Tulsi convinces him that he should marry the woman of his mother's choice, which he eventually does. Thereafter Tulsi gives birth to a baby boy, Ajay, and passes away. Sanjukta raises Ajay as her own child, even after the passing away of Rajnath, and even after giving birth to Pratap. Ajay is given the entire responsibility of the estate, while Pratap squanders money on courtesans and alcohol. Sanjukta trusts Ajay, until one day when a villager complains to her that Ajay has got his daughter, Geeta, pregnant; additionally she also finds out that Ajay has been misappropriating money, and also owes money to a prostitute named Leelabai, the very woman who sold Tulsi to Rajnath.
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तीसरी मंज़िल (1966)
Character: Sunita
Blaming him for the suspicious death of her sister, a young woman sets out to exact revenge on a nightclub drummer. She becomes romantically involved with a charismatic young man she meets on the way, unaware that he is the suspect.
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Andolan (1995)
Character: Mrs. Bharati Pradhan
Adarsh (Sanjay Dutt) and Aniket (Govinda) are brothers. Aniket is the elder, while Adarsh is the younger one. Both go to the same college, where beautiful Guddi (Mamta Kulkarni) has a crush on him, and vice-versa. Meanwhile, Adarsh is up to college pranks and practical jokes. One of these pranks and jokes land him into trouble in a girls only hostel. When the time comes to leave college and seek a career, both brothers chose a different path, one of which leads to the destruction and separation of their family. Will they reunite in the end?
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