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Shagird (1967)
Character: N/A
Professor Brij Mohan Agnihotri is a confirmed bachelor. Period. No amount of pleading or even begging him to get married, has had no effect on him whatsoever. His reputation gets around, and he gets a young man named Rajesh, to wishes make him his mentor, to which Brij agrees. On a visit to his friend out of town, Brij meets with his beautiful daughter, Punam, and falls head over heels in love with her. Throwing all caution to the winds, he changes his appearance, and attempts to woe Punam, only to find that Punam is attracted to his student, Rajesh. Now the professor has to decide whether to get rid of his pupil altogether, or to reverse their roles and make him his mentor.
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Dulhan Wahi Jo Piya Man Bhaaye (1977)
Character: Verma
As his dying wish, Seth, a wealthy businessman, is determined to meet the love of his grandson and heir, Prem. Unfortunately, Prem's girlfriend, Rita, is detained on out-of-town business, so the young man hires Kammo to play the part. Prem receives his grandfather's blessing on the union, but when Rita returns to unveil the truth, Seth stands by Kammo as his final choice. Now, Prem either must return to Rita or trust his grandfather's decision.
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Rakhi Aur Hathkadi (1972)
Character: College Principal
When Thakur Virendra Singh's wife firstborn child is still born, Janaki, who used to be a tawaif, gives up her newly born son to the grieving mother. The two families' fates get entangled yet again when Virendra Singh's second son falls in love with Janaki's daughter.
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Maa Aur Mamta (1970)
Character: Gopal
Father Henry (Rehman) entrusts a newly-born infant in the care of an unwed Maya (Nutan), leaving her to explain the presence of the child. She is literally thrown out of the village and runs away to Bombay. There she is taken care of by a kind-hearted Muslim taxi-driver (Jayant). Years later, the child grows up to be called Ram (Jeetendra), but the question haunting everyone's mind is who is Ram's biological father?
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अर्धांगिनी (1959)
Character: Chhaya's Father
At the very moment of her birth, ill-fated Chhaya's mother passes away, her dad loses his job, and their house burns down. She is shunned since then by children her age as well as their parents. Her dad brings her up with a lot of love, and even arranges her marriage with a young man, whose mother, uncle and nephew approve of Chhaya. But when the uncle finds out about Chhaya's past, they reject her. This news kills her dad, and Chhaya re-locates to live with her friend, Leela Lal, who lives a middle-class lifestyle with her husband, Murari, and her mother-in-law, who is very superstitious and never lets Leela out of her sight. Murari and Leela introduce her to Prakash, an airline pilot, and both eventually fall in love with each other. When Prakash takes her with him to meet his mom, Chhaya finds out that she is the same woman who rejected her and abruptly leaves without meeting anyone.
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Dil-E-Nadaan (1982)
Character: Sheela's Father
Dil-E-Nadaan (The Innocent Heart) is an Indian Hindi film directed by C.V. Sridhar, released in 1982. The film stars Rajesh Khanna in the main lead role as Anand and Shatrughan Sinha as his friend, as the second lead character of the film.[1] This film was remake of the 1978 Tamil film Ilamai Oonjal Aadukirathu, directed by C.V. Sridhar, where Kamal Hassan and Rajnikanth played the lead male roles. After the success of the Tamil version, C.V. Sridhar decided to remake it in Hindi and directed it himself.
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Rakhi (1962)
Character: N/A
Siblings Rakhi and Raju are orphaned at a young age but grow up to become successful entrepreneurs. However, petty differences over their earned wealth and property threaten to ruin their bond.
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Jwar Bhata (1973)
Character: Dr. Shivraj
A wealthy mill owner, Durgadas Prasad, hires a secretary to handle his office work. She falls in love with Billoo, who incidentally happens to be Durgadas' estranged grandson.
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Badnam Farishte (1971)
Character: N/A
Two lawyers fight for unemployed youths whose circumstances have led them into a world of crime.
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Naughty Boy (1962)
Character: Mr. Sharma
A man is devastated when his beloved is seemingly killed in a train crash, so his colleagues suggest he goes for a picnic to cheer himself up.
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सीमा (1955)
Character: Kashinath
Gauri, an orphan, is falsely accused of theft and lands up in a reformatory run by Ashok. Due to her rebelliousness, she gets into trouble. But, gradually she comes into her own with Ashok's help.
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दीवानगी (1976)
Character: Shivraj
Shekhar is a poor orphan who along with his trusted lieutenant Birju runs a garage. Shekhar dislikes women, has lost his faith in God and enjoys to spend time with his friends Bill and Harry. One night, When Birju introduces him to Kanchan, a runaway, he refuses to have to do anything with her, but when he finds out that her uncle, Shivraj, has offered a reward for her return, he decides to befriend her and both fall in love. The two get married and are blessed with a son. Their harmonious life enters trouble when Shekhar is given a suitcase by his friend, Bill, who eventually ends up dead. Shekhar finds stolen diamonds inside the suitcase and decides to keep them, much to Kanchan's displeasure. After being betrayed by one of his own in pursuit of the diamonds, Shekar finds out that two gangs, headed by Munne Khan and George Shekhar have abducted Kanchan and his son. How far will Shekhar go to set things right and rescue his family?
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Naya Din Nai Raat (1974)
Character: N/A
Sushma believes that she is too young to get married, but her father, Lalla Banarsilal insists, and she runs away. Her adventures take her to a lonely wealthy widower with a cute daughter named Guddi; a drunken lout in a brothel; Dr. Kruparam, a psychiatrist, who admits her in his mental hospital; a dreaded bandit who has killed his tormentor, cut him into pieces and fed them to birds, and who still on a killing spree; Pandit Gorakhnath who lives a double life - as a priest and as a smuggler; a leper Dhanraj, who once was a very wealthy man, but is now shunned by everyone; a transvestite stage actor; and a hunter who saves Sushma's life by shooting dead a man-eating lion. As things spiral out of control for Sushma, there is yet one more male she has to meet, and it is this meeting that will change her life even more.
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अधिकार (1971)
Character: Doctor
Shyam falls in love with Radha, but his father has arranged his wedding to Meera
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Tamasha (1952)
Character: N/A
Fed up of Dilip's involvement with gold digging actress Nayantara, Dilip's uncle pretends to be gravely ill in hopes of guilting him into marrying a decent girl. Dilip convinces reluctant Kiran to pretend to be his fiancée. Dilip and Kiran soon fall in love, and Nayantara decides to intervene.
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सिंगार (1949)
Character: Ramu
A couple's marriage begins troubling after the doctor carries an extramarital affair with a dancing girl.
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Miss Mary (1957)
Character: N/A
R.K. Raju, a private investigator is assigned the task of locating the missing daughter of a wealthy Hindu couple. His investigation take him to different locales, and he comes across Miss Mary, the girl closely resembling the one he is looking for.
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Andolan (1951)
Character: N/A
A stridently nationalistic story of India’s freedom struggle, presented through the experiences of a Bengali family from 1885, when the Indian National Congress was established, to 1947. Important events incorporated into the plot were Gandhi’s satyagraha (1920), the Simon Commission (1928), Vallabhbhai Patel’s Bardoli satyagraha (1928) and the 1942 Quit India agitations. Krishan Chander’s script, Sachin Shankar’s choreography and the acting styles owed much to the IPTA theatre of the 40s. The film, made at Bombay Talkies, was produced by the distributors of the Chicago Radio PA systems label. Kishore Kumar plays the militant hero of this quasi-documentary. Motwane included old documentary footage purchased from Kohinoor and Krishna Film, as well as a shot of Rabindranath Tagore singing his Jana Gana Mana composition, one of India’s national anthems (Arunkumar Roy’s Of Tagore and Cinema, 1994, traces this footage to Ufa, shot when Tagore visited Munich)
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Ghar Number 44 (1955)
Character: N/A
Film about a small-time hood running afoul of a bigtime gangster. Starring Dev Anand, Kalpana Kartik and K.N. Singh.
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Manokaamnaa (1980)
Character: Dr. T.N. Kaul
Gauri lives a poor lifestyle in a small town in India along with her maternal uncle, Pandey, and aunt, Parvati. Pandey is the peon for the District Forest Officer, and his wife and Gauri assist him in cooking, and cleaning the officer's living quarters. When Jain retires, he is replaced by a much younger officer, Vikas Kashyap, whose family, consisting of two married brothers, their wives, and his widowed mother, live a wealthy lifestyle in Bombay. Vikas takes over the job, and a few days later his mother also comes to live there. Gauri falls in love with Vikas, and is convinced that he, too, is in love with her. She even undertakes the Karva Chauth Vrath - little realizing that Vikas is in love with London-based Sonia, and their marriage will soon be finalized.
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Nau Bahar (1952)
Character: Doctor
A rich blind man who falls for a poor girl, regains his sight and is forced to marry a wealthy girl whom his father has chosen.
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Baadbaan (1954)
Character: N/A
An orphaned boy from a fishing village, adopted and educated by a wealthy family, must choose between his sophisticated wife and a new love in his rural birthplace as he dedicates his life to uplifting his long-lost community.
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New Delhi (1956)
Character: Chunilal
Complications, impersonations and moral dilemmas arise when a Punjabi pretends to be a Tamil in order to obtain accommodation in New Delhi. An eloquent and entertaining plea for national unity that manages to showcase several cultural traditions whilst encouraging people to laugh both with and at each other.
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Dekh Kabira Roya (1957)
Character: Rekha's Father
A romance masquerading as a debate on art. A painter, a writer and a singer meet three women, each of whom loves one of the art forms they practise. Unfortunately, they are mismatched. The ensuing misunderstandings are resolved only after their respective soul mates have been discovered and their marriages arranged. This is one the the last independent films by A. Chakrabarty, formerly of Bombay Talkies and the man who discovered Dilip Kumar in his first film, Jwar Bhata (1944).
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Bharosa (1963)
Character: Ramdas
Ramdas is a trusting individual, and trusts everybody around him. When times turn bad for him, he entrusts the life of his son, Bansi, to his trusted employee, Ronaklal, and departs. He regularly sends money to Ronaklal to provide for the upkeep of his son, but Ronaklal uses this money to educate his son, Deepak, keeps Bansi uneducated, and makes him do a lot of manual work. Years pass by, Ronaklal is now crippled, and is dependent on Bansi, as Deepak has left him, got married to a wealthy girl, and lives with his in-laws. Ronaklal is unable to show his face to Ramdas, and avoids him, and Bansi has grown up without knowing who his real father is. Will Ronaklal be able to tell Ramdas the truth when he returns, or will be just let Deepak be the sole heir to all the estate and the property?
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Hum Se Badkar Kaun (1981)
Character: N/A
Four young boys tragically separated from their parents and each other grow up to become four different men with divergent values and conflicting methods. Fate eventually sets their paths for a head on collision.
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Anita (1967)
Character: N/A
Anita is a weird girl, who either loses her memory or pretends to not remember.
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पहली झलक (1955)
Character: Narayandas
A woman rejects her father-approved groom, runs away, and falls in love with a petty thief/gambler.
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Chhoti Bahu (1971)
Character: Radha's father
Radha lives with her widowed dad and is of marriageable age. Accordingly her details her provided to a marriage-broker, Avtar, who also doubles as a Ved (Village Doctor). He brings the proposal before Shriram and his wife, Sita. They approve of Radha and show her photograph to Shriram's brother, Dr. Madhu, who agrees to marry her. The marriage is celebrated with great pomp and ceremony in the entire village. It is then that the Shriram, Sita, and Madhu find out that Radha has a serious illness - a fact that was known to Avtar - but not communicated to them. This illness prevents her from being intimate with Madhu, and the only cure is when she has a child of her own. Will this marriage be annulled?
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Mera Saaya (1966)
Character: Doctor
A lawyer's wife dies in his arms. Yet, another woman - identical in appearance and accused of aiding a gang of bandits - claims to be the lawyer's wife. A courtroom drama ensues.
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Ziddi (1948)
Character: N/A
Puran, a wealthy young man, falls in love with Asha, who is poor. He insists on marrying her despite his family's strong disapproval due to their class difference. The story follows his persistent efforts to overcome this opposition and marry Asha.
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Mem Sahib (1956)
Character: Sunder's Guru
Meena, a wealthy, educated girl, has been promised in marriage to Sunder, a sheltered young man who has received an extremely traditional religious education. Displeased, Meena sets out to find a more suitable candidate, but is taken in by Manohar, a gold-digging conman. Finding Sunder to be clueless about the world, Manohar is soon manipulating him as well as Meena in his schemes to gain possession of Meena's fortune.
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Humse Na Jeeta Koi (1983)
Character: Titli's Father
Sunder Singh lives with his wife, Lajwanti, and three sons, Bheema, Kishan, and Vijay, in a small town in India. His two elder sons are slackers and up to mischief and wrestling. They find they can better their lives if they buy a tractor to till the land. Lajwanti comes up with jewelery and the brothers recover the rest of the money on hold with Lala Bhagwandas, and set forth to buy a tractor. They re-locate to the city and team up with their police inspector brother Vijay. Watch as hilarious events unfold that will encompass the trio in crime, romance, and jail-time, as they try to diligently fulfill their parents' wishes.
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आन मिलो सजना (1970)
Character: Bhiku
A wealthy widow refuses to leave anything to her selfish son. In order to win her affection, he introduces her to his fiancee, Deepali, who is a girl he hires to play the part.
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Dil Hi To Hai (1963)
Character: Shaikhu's Father
Children are exchanged by greedy aunt and uncle in childhood and they live undeserved lives.
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भाई भाई (1956)
Character: Dayashankar Kumar
A rich businessman, Dayashankar Kumar (Shivraj), who is a widow, lives with his two young sons Ashok and Raj. When he catches the younger boy Raj stealing money, he punishes him and threatens to cut off his fingers. A frightened Raj runs away from home. Years pass and the older brother Ashok (Ashok Kumar), becomes the owner of his father's business and property, running Superior Motors, which also extends to Bombay. Ashok is married to Lakshmi (Nirupa Roy) and is a caring and loving husband. They have a young son, Munna (Daisy Irani).
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दो रास्ते (1969)
Character: N/A
After his father’s death, Navendu devotes his life to raising his step-siblings and honoring his promise to care for his stepmother. However, as the siblings reach adulthood, the family bond is tested. Each must choose between the Road of Sacrifice and the Road of Selfishness, leading to a dramatic conflict between duty and personal greed.
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दस नम्बरी (1976)
Character: Psychiatrist
Inspector Shiv escapes after he is falsely implicated, causing distress to his family. While his wife goes insane, his son becomes a gangster and they are only reunited years later by a twist of fate.
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शर्मीली (1971)
Character: N/A
An army captain falls for an outgoing young woman, but unknowingly weds her shy twin sister.
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Paigham (1959)
Character: Seetaram
Widowed Mrs. Lal lives with her two sons, Ram and Ratan; an unmarried daughter, Sheela; Ram's wife, Parvati and her children. While Ram is employed in a mill, Ratan is studying engineering in Calcutta. When Ratan returns, he is offered a job at the same mill, falls in love with a Typist named Manju, much to chagrin of Malti, the daughter of the mill-owner, Sewakram. When Ratan finds out that Sewakram has been defrauding the employees, he decides to form a union, a move that is opposed by Ram, who is very devoted and loyal to Sewakram.
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Paigham (1959)
Character: Sitaram
Widowed Mrs. Lal lives with her two sons, Ram and Ratan; an unmarried daughter, Sheela; Ram's wife, Parvati and her children. While Ram is employed in a mill, Ratan is studying engineering in Calcutta. When Ratan returns, he is offered a job at the same mill, falls in love with a Typist named Manju, much to chagrin of Malti, the daughter of the mill-owner, Sewakram. When Ratan finds out that Sewakram has been defrauding the employees, he decides to form a union, a move that is opposed by Ram, who is very devoted and loyal to Sewakram.
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Aadmi (1968)
Character: Girdharilal
Rajesh, is very insecure and possessive almost to the point of an obsession. He introduces Meena to his close and best friend, Dr. Shekhar, and soon gets formally engaged to Meena. Thereafter, Rajesh and Meena have an automobile accident, in which Rajesh becomes paralyzed and must be confined in a wheelchair. It is then that Rajesh finds out that Shekhar and Meena are having an affair, and the old murderous and possessive hatred, that he had managed to conceal, surfaces again - and this time will it will be Shekhar's turn.
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Ashiana (1952)
Character: Dwarkanath
Raju (Raj Kapoor) and Gaura (Nargis) are childhood lovers and promise to be with each other no matter what. Jeevan (Iftekhar) keeps bullying Gaura and is jealous of Raju. He overhears them professing their love for each other and conspires to separate them.
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आया सावन झूम के (1969)
Character: Aarti's Father
Wealthy Jaishankar meets and falls in love with Aarti, successfully woos her and agrees to meet with her dad to discuss their marriage. On the way there he ironically runs over him, killing him instantly. Guilt-ridden, he attempts to make amends to look after Aarti, her brother, Pappu, and sister, Mala, but conceals the fact that he was responsible for their father's death. Things get worse after Aarti not only discovers the truth, but also witnesses him getting intimate with a cabaret dancer, Rita. Then Jaishankar is first disowned by his father after the family find out that he had sired a son from Rita, and then subsequently arrested by the Police for killing Rita.
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अमर अकबर एन्थोनी (1977)
Character: Mr. Ilahabadi
Three brothers, each raised in different religious households, reunite after many years in a chance encounter. They set out to take revenge on those responsible for separating them.
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अम्बा (1990)
Character: Gurghand
When Amba gets her son Rajendra arrested for sexually assaulting their servant's daughter, Rajendra's wife wreaks havoc into their lives as she vows to avenge him.
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मेरा लहू (1987)
Character: Pavitra's dad
Brothers Dharam and Govinda live with their widowed mother. Dharam marries Pavitra while her lookalike sister falls in love with Govinda and this creates a misunderstanding between the brothers.
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डोली (1969)
Character: R.K. Mehra (Asha's Boss)
Amar and Prem, college friends, and Asha and Shobana form friendships. Marriages are arranged, but dowry demands a US ticket. Prem returns, becomes office predator, and Asha endures harassment to pay off debts.
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दिल के झरोखे में (1997)
Character: Kashi
Suman and Vijay Rai are childhood friends who are heart-broken when Suman's dad decides to move away. Both have a heart tattooed on their arm to remember each other for the rest of their lives. Years later, they unknowingly meet each other, however Suman is married to Vijay's brother, Prakash, while Vijay is married to a wealthy woman, Rita.
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Hum Hain Lajawab (1984)
Character: Ram Kishan
A strict man throws his son out of the house for marrying out of his consent; years later, when his grandson is born, he decides to forgive his son, who dies soon leaving his grandson behind. He then sends his second son to get his grandson home.
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जंगली (1961)
Character: Manager
A humorless and pompous businessman goes wild when he falls in love. Now if only his domineering mother could understand his new lease on life.
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राजकुमार (1964)
Character: N/A
Prince Bhanu Pratap and his friend, Kapil, decide to dress incognito and mingle with the general public and find out if anyone is conspiring to dethrone the king; what they find out will change their lives, and endanger the lives of their loved ones.
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Bhai Bahen (1969)
Character: Mala's Father
Raja Saheb (Ashok Kumar) is a rich man, strict father to sons Virendra (Sunil Dutt) and Mahendra. One day, Mahendra has a big fight with his father and dies of shock afterwards. Virendra leaves home and falls in bad company with Pran. Later, Virendra falls in love with a poor girl (Nutan), eventually deciding to marry her. At home, a lonely Raja Saheb falls ill. When Virendra tells his father about his love, his father reveals his own past: He was in love with a poor girl, who died leaving a daughter (Padmini) behind, who dances on the roads to earn a living. Virendra decides to bring his sister home.
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दो मुसाफिर (1978)
Character: Bansi
Bijli's life crashes when her lover Raju dies tragically in an accident. She is in for a bigger shock when she meets Vicky.
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Anamika (1973)
Character: Naresh's Father
A self proclaimed misogynistic writer rescues an injured woman who suffers from amnesia but claims to be his wife. In the process of finding out her real identity, he falls in love with her.
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सुनहरे दिन (1949)
Character: N/A
Renu gets into a minor accident and Premendra helps her out, unaware that he is her favourite singer. Lata and Asha, Renu's friends, fall in love with Premendra.
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बड़े दिल वाला (1983)
Character: Vasil-Ul-Hassan Khan
Amrit's generosity and kindness initially lands him in the bad books of a dancer; then in prison; and then as false son-in-law of a very wealthy man.
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