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En los altos de Jalisco (1948)
Character: N/A
MexRev era -- soldier falls in love with the woman who killed his brother, then discovers her role in his back-story.
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Pancho Villa vuelve (1950)
Character: N/A
Two romantic rivals join the Mexican Revolution on opposing sides. The movie's more interested in the love triangle than in the war.
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Pasionaria (1952)
Character: N/A
Musicians/dancers look for their big show-biz break while dealing with a melodrama/crime activity that involves an abusive husband, a lecherous employer and a heroin lab.
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Doña Diabla (1950)
Character: Martínez
A woman, after committing a murder, flees into a church, confessing her life story to a priest.
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La mujer que yo amé (1950)
Character: N/A
A musician is injured and threatened for defending a girl and decides to go to the capital, where fame and success achieved. She is glad to know that he has succeeded, however, has become a street prostitute prone to paralysis. Finally one day he takes courage and decides to look for, since it has become invalid again ...
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The Last Rebel (1958)
Character: N/A
Mexican western film about Joaquin Murrieta, the Robin Hood of the West.
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El Secreto De Pancho Villa (1957)
Character: N/A
Sequel to El Tesoro De Pancho Villa; masked wrestler battles gangsters trying to take control of five clues to the location of a hidden treasure.
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No me quieras tanto... (1949)
Character: Luis
A ruthless nightclub owner involved in drug trafficking exploits a naive singer while plotting to kill his rival, who's been hiding for five years due to his own drug-related past.
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Cuando acaba la noche (1950)
Character: Enrique
Newspaper reporter interests himself in contesting a manslaughter verdict on behalf of the son of a woman who saves his life.
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Medianoche (1949)
Character: Agente de policía
A villain has his cronies kidnap a teacher and pretends to be him, teaching in a hidden town.
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Camelia (1954)
Character: Productor de televisión
A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.
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La norteña de mis amores (1948)
Character: N/A
Child whose father was murdered grows up and seeks revenge, also falling in love with a new victim of the same bad guy.
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Furia roja (1951)
Character: Diego Sánchez
Mother and daughter return to Mexico to escape the US Civil War... and get caught up in the conflict between the French army and the fighters for independence.
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Apasionada (1952)
Character: Inspector Ramírez
Returning veteran with PTSD/amnesia returns home and gets tangled up in a criminal investigation.
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La sombra vengadora (1956)
Character: Esbirro jefe de la Mano Negra
An evil mastermind, known as La mano negra, attempts to steal a formula that creates synthetic drugs but a masked avenger known as La sombra will do anything to stop him.
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Vuelven las calaveras del terror (1944)
Character: N/A
A group of friends form a masked gang nicknamed 'The Skulls of Terror' and confront a local political boss. Originally produced as a six-hour collection of serial chapters (1943), then edited down (1944) into a 3-hour feature... then re-released (1950s?) as two 90-minute features. The first one seems to have disappeared, this is the second one.
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The Black Scorpion (1957)
Character: Dr. Velazco
Volcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.
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Río escondido (1948)
Character: Leonardo
Called by the Mexican President himself, a rural teacher goes to work in a village that is dominated by a malevolent chieftain.
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Villa!! (1958)
Character: Cabo
Biographical south-of-the-border cowboy western adventure thriller of Mexican revolutionary leader Pancho Villa
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The Sun Also Rises (1957)
Character: Juanito Montoya (uncredited)
A group of disillusioned American expatriate writers live a dissolute, hedonistic lifestyle in 1920's France and Spain.
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Maclovia (1948)
Character: (uncredited)
On a small Mexican island dwells a group of Indians who live in the traditional manner and who disdain outsiders. The beautiful Maclovia and the poverty-stricken Jose Maria are in love, but her father refuses to allow their marriage, or even any communication between them, due to Jose Maria's lack of means.
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Ten Days To Tulara (1958)
Character: Dario
Director George Sherman's 1958 western about gold thieves in Mexico stars Sterling Hayden, Grace Raynor and Rodolfo Hoyos.
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Seven Cities of Gold (1955)
Character: Dr. Pratt
In 1769, a Spanish expedition to California seeks to conquer the land and discover its famed gold treasures while missionaries aim to gain new converts and establish a network of Catholic missions.
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Escuela de rateros (1958)
Character: Comandante
The police plan to capture a killer by using a double that looks exactly as one of his victims.
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The Torch (1950)
Character: Fidel Bernal
The story of a fear-inspiring revolutionary general who develops a passion for the daughter of a wealthy villager. It's hate at first sight so far as the girl is concerned, but this will soon change.
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El Siete Machos (1951)
Character: Manuel
Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.
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Lluvia roja (1950)
Character: Soldier
Military leader is appointed to local government, becomes overly despotic in his leadership.
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My Outlaw Brother (1951)
Character: Col. Sanchez (El Capitan)
Danny, a greenhorn from New York comes to the Mexican border in search for his older brother whom he has always looked up to. A Texas Ranger charged with bringing in, El Tigre and his gang of bandits, takes Danny under his wing.
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El enmascarado de plata (1954)
Character: Risueño
This cult-classic was Director Rene Cardona's attempt to capitalize on the popularity of professional wrestling and on of its biggest stars of the 1950's, known as "El Santo". However it is not about wrestling. It chronicles the adventures of a crime-fighting duo known as El Enmascadero de la Plata ( The Silver Mask), and his adolescent sidekick Pecas (Freckles), as they take on a murderous Mad Doctor and an evil gang-leader called El Lobo
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Captain Scarlett (1953)
Character: Etienne Dumas
Captain Scarlett rescues Princess Maria from being abducted while travelling. She's not exactly grateful. He finds out that she is to be married to a man she doesn't like, so Captain Scarlet attempts to help her but winds up in prison for his efforts. He escapes and finally helps the reluctant bride who winds up joining Captain Scarlett and his sidekick and they become something along the lines of the three musketeers.
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El pecado de Laura (1949)
Character: Secuaz de Víctor
José, a driver, and Laura, a dancer, were lovers. José couldn't dance with Laura due to his condition on his legs. Therefore, a man notices Laura's skill to dance and wants to do business with her, taking her on a dancing tour, which made José and Laura miss each other.
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Stronghold (1951)
Character: Diego Sanchez
In 1850s Mexico, the beautiful owner of a silver mine is kidnapped by a bandit leader, who needs money to finance his revolt against the Emperor Maximilian.
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Sierra Baron (1958)
Character: Andrews
Director James B. Clark's western, set in 1848 California, is about a brother and sister battling a crooked businessman over property rights.
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Silent Fear (1956)
Character: Detective
Mexico miner Pete Carroll is in Acapulco and meets Terry Perreau and falls in love with her after he hears her singing on a recording of "Extraño amor". The troubled Terry decides she wants to go shark fishing, so Pete poses as the skipper of a fishing boat, owned by Thursday, and off they go. Pete lands a mantray and cuts it up for bait and the sharks are soon swarming, and Terry dives in the water. Terry does likewise and fights a few sharks and gets his leg gashed but finally rescues her. Gradually, her friendship also turns into love. But back in Acapulco she learns of Pete's "fake skipper" joke, is all hacked off and goes to Mexico City with her friend Dr. Antez. There, a specialist, Dr. Rivas tells her that unless she has a dangerous operation she has only three months to live. Depressed even more than usual, if possible, she returns to the hotel and is met by!
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Gitana Tenias Que Ser (1953)
Character: Productor
Pastora de los Reyes is a beautiful Spanish that goes to Mexico with a contract to film a movie. The main actors will receive her at the airport, among them is Paul, a little-known mariachi that has been chosen to become a new idol. Automatically, both had bad relations and during filming many discussions happens. This arguments gives way to a deep love.
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La noche avanza (1952)
Character: Armando Villarreal
Marcos is an arrogant jai-alai player who seduces and discards women until he himself becomes the object of a cunning revenge.
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Salón México (1949)
Character: Dueño cabaret
Mercedes works as a cabaret performer to pay for her sister's studies. Problems begin when Mercedes and Paco, her exploiter, win a dance contest, but he refuses to share the prize with her.
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