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Vivo o muerto (1960)
Character: N/A
Cowboy/western: hero fakes cowardice to trap the bad guys into showing their hands.
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Confesiones de una adolescente (1970)
Character: N/A
Orphan girl has a secret benefactor. When she's old enough to leave the orphanage and enter the real world, she's determined to track him down. Also: having a first boyfriend, yippee!
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Novia a la medida (1949)
Character: N/A
Door-to-door salesman falls for a young woman, implements hare-brained schemes to separate her from her fiance.
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El sargento Perez (1973)
Character: N/A
Two buddies from Pancho Villa's regiment go on a mission. Light comedy, romance, songs...
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Canta mi corazón (1965)
Character: N/A
Teen-pop singer launches his career. Family conflicts and girlfriend troubles.
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La feria de San Marcos (1958)
Character: N/A
Two men and two women meet and pair off (m/w x 2) during the town Festival in San Marcos. Later, weddings.
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Escuela de verano (1959)
Character: N/A
Aging lecher struggles to launch an institution of higher learning for young ladies.
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Las Leandras (1961)
Character: N/A
Mistaken identity farce; theatre troupe moves into a rental mansion in order to convince someone that it's a finishing school for young ladies... but the site used to be an expensive brothel, and a former customer turns up at just the wrong moment. Wacky complications!
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Amor del bueno (1957)
Character: N/A
Mother and son conspire against his sister when she marries against their wishes.
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Para todas hay (1965)
Character: N/A
Two young charros have been playing the field, and each one has three potential fiancees lined up... Now that it's time to get serious and move toward marriage, the women start politicking among themselves to discredit each other.
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Las lobas del ring (1965)
Character: Malena La Poeta
Intimate problems and the wickedness of friends is resolved in the ring.
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Viaje a la luna (1958)
Character: Josefina
In this movie a couple of comedians try to disappear for a while and end up in an asylum, where confused as the mad, and try to escape, but one of them falls in love and that complicates things.
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Dios los cría (1953)
Character: Lupe
Mrs. Nínive Cánovas Cannesi (Marshall) comes back from a long tour visiting Europe and not even realizes that her house is being inhabited by two jobless and homeless bandits (Tin Tán and Tun Tún) with master keys who had been living there worry free. They all share the house for a period of time, unknowingly to each other, in a series of well crafted and perfectly timed scenes where Catita and Tin Tán can be in the same room without seeing each other... When Tin Tán notices her presence, poses as the help, intercepting the real employees and sending to the north pole, literally. So now that Catita has them at her service, she can take time for her real goal, the foundation of a House for old people so they can live happy until the day they die, but Tin Tán and Tun Tún keep getting in her way and complicating everything...
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Vuelta al paraíso (1960)
Character: N/A
All men who arrive on a small island fall in love with the daughters of an old fisherman who live there.
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Dos alegres gavilanes (1963)
Character: Toña
Alfredo B. Crevenna helms this charming romantic comedy about a pair of skirt-chasers wooing the two lovely daughters of a land baron — who rebuffs the young swains to protect his girls.
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Sor Ye-yé (1968)
Character: Sirvienta
Maria is a young orphan who lives with her wealthy aunt. Maria sings in a cocktail bar with his friends, who form a rock band, and enjoy the night with them. One of his friends, Ernesto, is in love with her, though she does not seem to feel the same about him. In fact, multiple existential doubts and feel a strange emptiness in his life suddenly drive to enter a convent as a novice, breaking Ernestos' heart. However, with her cheerlul character, open and rebellious, not appear to conform to life in the cloister, and especially have problems with the novices director , who often punished for trying to take the right path. In the convent, which also functions as children's hospital, she meets a doctor with which it takes quite right for the contrast between his two characters, but his way with love and mutual respect.
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Especialista en chamacas (1965)
Character: N/A
Young doctor Jaime attends his father's clinic where Diana, a singer, is carried by emergency. After operating it, Jaime falls in love Diana and decides to accompany her throw artistic caravan, where replaced a singer and quarrels by jealousy with Javier, a womanizer trying to conquer Diana.
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Un dorado de Pancho Villa (1967)
Character: Laundress
Villa's regiment demobilizes at the end of the Revolution, but the ruling faction in the provisional government isn't eager to see them reintegrate into civilian society.
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El rayo de Jalisco (1962)
Character: N/A
The new Sheriff is framed for a series of stagecoach robberies, but he succeeds in finding the real thieves.
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Ante el cadáver de un líder (1974)
Character: Madre de Clara
A union leader dies in a sleazy hotel room, then the wife, mistress, police, co workers, reporters, colleagues, and political figures arrive to the hotel and each has its own intentions.
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En Carne Viva (1951)
Character: Lola
A beautiful cabaret dancer falls in love with a sailor who promises to return and marry her. Trouble ensues.
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La edad de piedra (1964)
Character: N/A
Capulina chip and are transported back to prehistoric times with a time machine. There they live crazy adventures.
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Ni hablar del peluquín (1960)
Character: N/A
Some unlucky accidents cause an innocent person to be convicted to jail time, and on release he can only find gainful employ in a criminal gang... but a little girl in a house he breaks into rehabilitates him with her innocence and simplicity. And stuff.
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El ciclón (1959)
Character: N/A
Cowboy revenge-drama, paired with a love triangle between two Mexican fellers and a rather unpleasant gringa.
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Quiero vivir (1953)
Character: Angélica
Man in the final stages of a fatal illness gets immersed in a new romance and a murder investigation.
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Échenme al vampiro (1963)
Character: Lupe
A group of would-be beneficiaries gather for the reading of a will, and discover that they must spend the night in a spooky castle to gain their inheritance. A spooky housekeeper and a man who seems to be a vampire are just two of the obstacles that might deter them.
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El mariachi canta (1963)
Character: Socorro
Rivalry and romance between the leaders of a male mariachi band and a female one.
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Una gallega baila mambo (1951)
Character: N/A
Ladylike widow hires a roughneck neighbor to help her marry off her daughter and collect an inheritance by impersonating her husband.
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Corona de lágrimas (1968)
Character: Doña Inés, vecina de Remedios
Doña Refugio works in an office until the bounce and has three children: Fernando who is studying to be a lawyer, doctor and Nacho Edmundo to work in a company as a truck driver gas. Things become difficult within the family and each seek solutions to economic oppression living.
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El Quelite (1970)
Character: Sra. Talamantes
Agapito, leader of the revolutionary movement of his state, comes to a town, kills all the federales, and gets a girl who was promised to him for his heroic deeds.
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La Bandida (1963)
Character: N/A
During a lull in the Mexican Revolution when Francisco Madero became president and attempted to implement land reforms, two former revolutionaries are pitted against each other for the love of the same woman.
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El águila descalza (1971)
Character: Borracha
Shmuck makes a superhero costume, rides his bike to crime scenes. He gets involved with something big involving US capitalists taking over local Mexican businesses.
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El vividor (1956)
Character: N/A
Con-artist cleans up his act to score points with a new girlfriend.
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Mi padrino (1969)
Character: N/A
Bumbling oaf takes custody of his god-daughter and helps her advance her singing career.
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Santo contra el cerebro diabólico (1963)
Character: La Jarocha
Investigators Conrado and Fernando take a leave of the absence from the police force to track down Fernando's girlfriend Virginia. Virginia, a reporter, has left town and is working undercover as a barmaid in order to interview Refugio Canales, a criminal and small town municipal president. Conrado and Fernando soon call their friend Santo for help.
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