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Se acabaron las mujeres (1946)
Character: N/A
Widower with three grown daughters wants to go out and mack on chorus girls and stuff with his Argentine best-buddy.
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Las tarántulas (1973)
Character: N/A
From the 'Chanoc' series of comic-book adaptations: Chanoc and his entourage face off against a jewel thief who has eyes on a shipwrecked treasure lying off the coast.
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Viaje a la luna (1958)
Character: Atanasia Ronanoff
In this movie a couple of comedians try to disappear for a while and end up in an asylum, where confused as the mad, and try to escape, but one of them falls in love and that complicates things.
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Vivillo desde chiquillo (1951)
Character: N/A
A freeloader goes through a case of mistaken identity after a man tries to blackmail a married woman and he's caught in the middle of everything.
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Concurso de belleza (1958)
Character: N/A
Mom and Dad convince studious college girl to enroll in a beauty pageant, hoping to win big cash prize at the end of the rainbow.
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Ni Muy, Muy... ni Tan, Tan... simplemente Tin Tan (2005)
Character: Herself
"Ni Muy Muy, Ni Tan Tan, Simplemente, Tin Tan. Tin Tan was one of the greatest comdedian-actors in the history of Mexican Cinema. He began his film career during the early years of what became the Golden Age of Mexican Cinema. Throughout the majority of his movies he plays the character of a pachuco; the Chicano/Mexicano in zoot suit, throwing out the tirili phrases and words, and jammin the jitty-bug. With the style and the slang down to a tee, he was picked up in Cd. Juarez Chihuahua by an acting troupe. Touring extensively through-out Mexico with the troupe landed him in Mexico City with film contracts. It was in those films that Tin Tan exposed the image of the pachuco, which Mexican Youth adopted. From the desert border-towns of Juarez y El Paso the style took off in various parts of the country, most notably in Mexico City
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Los líos de Barba Azul (1955)
Character: Emeteria
A news reporter falls in love with a millionaire's young daughter, but her father tells him he won't let them marry unless he earns one million Pesos first. Helped by a friend, he tries to earn the money by marrying - and murdering - four rich women.
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Mi papá tuvo la culpa (1953)
Character: N/A
Two young sweethearts get married, and then are made to believe that she's his illegitimate half-sister.
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Música, mujeres y amor (1952)
Character: Tía Consuelo (as Vitola)
Two women are installed in the cabin of a ship that was already occupied by two gentlemen.
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La vida en broma (1950)
Character: Vitola
Many many mistaken identities and impostures overlapping among a group of husbands, wives and others.
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El matrimonio es como el demonio (1967)
Character: Mrs. Williams
The story of a Playboy bachelor who does not know the good that is, until he is married. Slowly, the man discovers that having a woman is not easy, but sometimes ... being faithful recomended. After sympathetic experiences and funny situations, he realizes that there are two uncorrectable errors committed by the man in your life: Being born and married!
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El fantasma de la opereta (1960)
Character: Gertrudis
Aldo and his girlfriend Lucy reopen an abandoned opera house, but find out that the place is inhabited by a group of Phantoms wearing the Claude Rains 1943 Phantom of the Opera costume.
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¡Ay, amor... cómo me has puesto! (1951)
Character: Vitola
A low-class baker accidentally gets to know an attractive but bitter fiancée. By getting her snobby, dead-pan family to spend some time with his scumbag friends, he changes their lives, while at the time stealing the girl's heart.
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Lola la Trailera (1983)
Character: N/A
Lola finds herself into the world of violence and drug trafficking when her father is murdered for refusing to put his truck to the service of a powerful cartel, with protections at high police levels. Knowing the local officials will not serve out justice, she takes matters into her own hands. Armed with a machine gun, she'll attempt to get revenge by her own hands - but the enemy has more firepower than her.
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Tambien de dolor se canta (1950)
Character: Daniela
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.
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El Vizconde de Montecristo (1954)
Character: Rosaura / Vitola
Inocencio Dante, the intendant of a bank, where the director Don Miguel and their children; Marga who spends money without control, Polo who spent on gambling, have defrauded the bank with eight hundred thousand pesos, have agreed to coax "Chencho" and make it appear as responsible for the theft. In prison, "Chencho" knows Don Facundo Farias to whom he talks about his sorrows, Don Facundo happens to be the leader of the gang that stole twenty million pesos and is the only survivor who knows the place where the money is buried. After a fight, "Chencho" is put into a cell for defending Don Facundo, he in gratitude and before dying from pneumonia advises how to escape and where to find the money.later Inocencio In the style of Count of Monte Cristo flees giving a positive spin into his life. Pleasant moments alive with sparkling, funny and comical adventures of the Viscount of Montecristo.
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El hombre de papel (1963)
Character: Prostituta flaca
A deaf and mute vagabond finds a large denomination bill in a Mexico City dump, and while he tries to buy something with it, others try to con him into giving it away.
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Club de señoritas (1956)
Character: Carolina
Lonelyhearts advisor on a tv show becomes feminist icon and movement-leader.
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