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Il berretto a sonagli (1970)
Character: N/A
Beatrice discovers the affair between her husband and the young wife of Ciampa, a man advanced in years and secretly resigned to that infidelity whose existence he openly denies. Beatrice, however, does not intend to do the same, on the contrary: she wants to publicly denounce that adulterous relationship.
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La portatrice di pane (1950)
Character: N/A
France, 1860. A young widow is wrongly accused of murder and, after serving many years in prison, she escapes to find the real culprit.
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La donna nuda (1914)
Character: The Princess of Chaban
The painter Pierre Bernier becomes famous thanks to the portrait "The Naked Woman" which represents his model, the seductive Lolette. The very evening of his triumph at the Salon des Expositions, he decides to marry her. But, having become rich and famous, he soon falls in love with the Princess of Chaban and abandons the woman to whom he owes his success.
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La marcia nuziale (1915)
Character: N/A
Grazia de Plessans abandons her studies in a convent following a mystical crisis. In her paternal house, she studies music together with maestro Claudio Morillot with whom she ends up falling in love.
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Il ragazzo che sapeva amare (1967)
Character: N/A
Vittorio is a photographer; Roberto, the waiter; Brigitta, the operator; Pannunzio, the porter; Patty, a gold-eyed waitress. All of them live and work at the Europe Palace Hotel in Capri.
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Piccolo hotel (1939)
Character: signora Hammer
Piccolo Hotel (aka Small Hotel) uses the titular establishment to weave together a vast tapestry of subplots, a la Grand Hotel. The guests include a domineering mother (Lola Braccini), her petulant daughter (Bianca Doria) and the daughter's gigolo boyfriend (Guido Notari). Also on hand is a worldly vamp (Laura Nucci) who also falls for the boyfriend, and the chronic-gambler son (Andrea Checchi) of the hotel's self-sacrificing landlady (Emma Grammatica). Though the film is set in Budapest, the characters are more Mediterranean than mittel-European. Piccolo Hotel was one of the entries in the Vienna Biennial Film Festival.
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Gelosia (1942)
Character: Santina di Lagomorto
A film based on the book Il marchese di Roccaverdina by Luigi Capuana about a marquis who is in love with his servant Agrippina but is unable to marry her because of her status. The marquis commands his trusted subject to marry her in his stead as long as he vows not to have sex with her.
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Toh, è morta la nonna! (1969)
Character: Adelaide Ghia
Relatives brawl over the estate of a deceased grandmother who owned an insecticide factory.They stop at nothing, including bumping each other off.
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Cronache di poveri amanti (1954)
Character: La Signora
Florence, Italy, 1925, during the fascist dictatorship. In order to live near his girlfriend Bianca, young Mario moves to a humble street in the old city center, where he befriends Maciste and Ugo, two anti-fascists.
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Amanti in fuga (1946)
Character: Madame Royal
After an astrologer has foretold him he will die at an early age if he does not avoid a romantic entanglement, Alessandro Stradella, a well-known composer decides to leave Rome for the North of Italy. Written by Guy Bellinger
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Io ti amo (1968)
Character: N/A
During an air trip, Prince Tancredi, a well-known abstract artist, gets to know air hostess Judy and is charmed by the young woman. When he asks her to pose for him Judy accepts. Following a few negative remarks on her part about his work Tancredi is driven to question himself artistically. Now, Judy has to leave but she promises to see Tancredi again, which they do. Their mutual attraction soon turns into a burning passion.
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Nessuno mi può giudicare (1966)
Character: Nonna di Laura
Two youths who work together in a department store love each other but also their supervisor has his eyes on the young girl.
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La valigia dei sogni (1953)
Character: N/A
A former silent film actor who has saved old movies of his time from destruction uses them to set up recreational performances at schools. After an accidental fire and the risk of prison, he meets a rich producer who helps him to build a film museum.
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