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Очарованный химик (1935)
Character: N/A
The hero of the picture is a young eccentric engineer who comes to work in the provinces and invents "shatterproof glass" there. The work on the film was long and difficult. In early 1937, attempts to save the film were stopped.
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Наполеон Газ (1925)
Character: Foreign businessman
A squadron of American warplanes, armed with gas developed by Corsican chemist Gannimer (dubbed "Napoleon Gas") flies to Leningrad. American workers inform soviet comrades about the impending catastrophe. But the air attack on the city has already begun, and the assault troops of the enemy capture one suburb of the city after the other. The Red Army is organizing the defense and reflects the attack of the enemy with gas-armed drones
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Небесный тихоход (1946)
Character: cook
Three pilots are best friends and good fighters. During the WWII they are taking an oath to refrain from love until the end of the War. But soon they meet three women-pilots. One by one they give up the oath, and all three fall in love.
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Дом в сугробах (1927)
Character: Yasha
An adaptation of Evgenii Zamiatin’s short story “The Cave,” about a musician dying of hunger in his large, unheated Petersburg apartment because he was not needed in the revolutionary city.
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Обломок империи (1929)
Character: The wounded soldier
Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.
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Голубой экспресс (1929)
Character: N/A
Chinese workers start a rebellion, arm themselves and take over the train on which they are travelling and manage to break through the frontier.
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Спящая красавица (1930)
Character: N/A
Story of the conflict between old art forms such as ballet and the revolution and the need for creating new, proletarian forms of art. First feature by Sergey and Georgiy Vasiliyev, partially lost.
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Дама с собачкой (1960)
Character: пассажир на пароходе (нет в титрах)
On holiday in Yalta, Muscovite banker Dimitri Gurov contrives to meet a young woman who walks her dog. She’s Anna Sergeyevna, trapped in a loveless marriage to a lackey. He’s unhappy in an arranged marriage. With neither spouse at hand, Dimitri and Anna begin an affair.
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Три толстяка (1966)
Character: N/A
A fairy tale film about the clever tightrope walker Tibule, who fights alongside the armorer Prospero and all the working people against the tyrants, the three Fat Men, who rule the state until the young heir Tutti comes of age. The freedom fighters are aided by the kind Dr. Gaspar and the brave acrobat girl Suok, who has to pretend to be a doll to sneak into the palace and free Prospero.
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Парижский сапожник (1927)
Character: Motka Tundel, hooligan
Komsomol girl Katya Karnakova, a darling of the small provincial town Old Lopsha, is seriously smitten with a fellow Komsomol and does not even try to hide this from others. After some time as a result of their affair, she becomes pregnant.
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Карьера Спирьки Шпандыря (1926)
Character: Owner of bedbugs stable
Spirka Spandyr, a petty crook and swindler, escapes from the Soviet Union after serving his sentence and soon becomes the pride of the White émigré community in Amsterdam — Baron Spirka von Spandyr.
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Катька - Бумажный ранет (1926)
Character: Semka's henchman
A young country girl who becomes an apple seller is seduced and abandoned. She finds a protector but when he is arrested for theft she finds honest work in a factory.
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Таланты и поклонники (1956)
Character: N/A
Negina, a talented actress at a provincial theater, must leave the stage because her purity of behavior is incompatible with theatrical customs. She loves the student Meluzov, and both dream of an honest, hard-working life. Harsh reality destroys her plans. A natural actress, Negina is unable to leave the theater, and in order to serve art, she is forced to betray her ideals and sell herself. After agonizing doubts, the actress becomes the mistress of the wealthy landowner Velikatov and leaves with him. Meluzov, left alone, angrily denounces the depraved "admirers of talent," the masters of the city.
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Встречный (1932)
Character: Chutochkin
The story of an effort to catch "wreckers" at work in a Soviet factory. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s.
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Вратарь (1936)
Character: Foma
The film tells the story of an ordinary guy Anton Kandidov. First he works on agricultural work — transports on boat on Volga watermelons. Noticing how deftly Anton catches and loads watermelons, he is told that he could become a goalkeeper and play football. And he decides to follow the advice. On the way to the glory of the goalkeeper and waiting for his victory and disappointment.
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