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Los inocentes (1961)
Character: N/A
Three party-animal cowboys are hired by a dying man to bring his daughter to meet him.
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Flor de caña (1948)
Character: N/A
Rural-community gal is being courted by a peon and by a land-owner.
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Bala de Plata (1960)
Character: N/A
Young soldier goes home to Cowboyville to find the man who killed his father.
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Aquí está Heraclio Bernal (1958)
Character: N/A
Historical drama/biopic about 1880s Social Justice bandits in a mining community in Sinaloa. First of three in series.
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Los tres vivales (1958)
Character: Angel Vaca
The rowdiest guy in each of three states hears rumors about the badassness of the other two and they all set out to meet each other. Comical complications.
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La guarida del buitre (1958)
Character: N/A
Cowboy-policeman-hero interferes with the bad guy's plans and prevents his engaging in monkeyshines. Part of the series "Mauricio Rosales, el rayo justiciero."
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La sobrina del señor cura (1954)
Character: N/A
A pregnant parishioner can't get her boyfriend to marry her and the home office thinks that foundling girl the priest took in is too old now to live under the same roof with him. It's always something, ain't it?
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Yo... el aventurero (1959)
Character: N/A
A crew of happy ne'er do wells comes to town to gamble and party during the town fair... but then their leader gets serious about a local girl and about finding the rustlers who are stealing all of her daddy's horses.
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Esos de Pénjamo (1953)
Character: N/A
When he hears how his grandfather left illegitimate children scattered all over the county, a young landowner is seized with an obsessive desire to make babies.
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Nuestras vidas (1950)
Character: N/A
Frivolous woman falls in reallytruly love for the first time, but her past catches up with her and her fiancé kicks her to the curb. Then joining a convent and amnesia and stuff.
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Piña madura (1950)
Character: N/A
Bad woman plays men off each other to her advantage; she ends up with about 8 guys she's leading around by the nose. How long can this last?
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Corazón de fiera (1951)
Character: Benjamín
Wanted criminal has plastic surgery, starts new life in a distant town. Old habits die hard.
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La posesión (1950)
Character: Rubén
Two old friends get hinky with each other over the deed to a tract of land, and their children's engagement gets broken over it.
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El seminarista (1949)
Character: Pasajero de camión (uncredited)
Returning to his home town, seminarist Miguel is forced to trade the robes for a charro costume in order to solve several problems that appear in his way, including the female kind.
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Ventarrón (1949)
Character: Esbirro de Ventarrón
Ex-con presides over an underworld court trial in an abandoned warehouse to determine the fates of some accused "squealers." Flashbacks reveal the facts of the case being tried.
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Hay lugar para... dos (1949)
Character: Lorenzo Menchaca Delgado
Union-organizing and labor/management conflicts among Mexico City bus-drivers. Sequel to "Esquina, Bajan!"
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Yo El Valiente (1964)
Character: N/A
A young man wants to create a reputation for himself as a gunslinger; an older mentor tries to warn him that he's making life decisions he'll regret and never be able to undo.
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El Beisbolista Fenomeno (1952)
Character: Ramón
The soul of a dead baseball player finds a human host to occupy so it can achieve some career goals it hadn't accomplished during its lifetime. Riotous hijinks ensue.
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¡Esquina bajan...! (1948)
Character: Menchaca "Rayito de Sol"
Driver Gregorio del Prado and fare collector Regalito were suspended for deviating from their route to impress a young woman named Cholita.
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Noche de perdición (1951)
Character: Miembro criminal (uncredited)
A dancer is accused of killing a businessman. When her husband finds out, he decides to take her kid away from her.
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Ella y Yo (1951)
Character: Amigo de Pedro
Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.
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Los muertos no hablan (1958)
Character: Presidente municipal
Bandit crew with mysterious masked leader is doing lots of crimes. Mauricio Rosales and his sidekick ride into town all incognito and stuff to set things right.
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Cuatro contra el mundo (1950)
Character: Manejador de cerveceria
This dazed Mexican-melodrama-cum-boozer-heist-noir cuts a dark swath over a border nominally dominated by the hardboiled likes of Chandler and Hammett. Employing many of the classic tropes of Mexican noir (blood-tainted money, hothouse betrayals, the entrapped yearnings of dark hearts), we follow the slow demise of a gang who hole up in an attic in the wake of a fatal robbery. Galindo liberally dashes in lashes of the smokiest amour mort, gradually whittling it down to an ill-fated if rapturous coupling of gangster’s moll and underling. Starring Leticia Palma and Víctor Parra.
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Dos caras tiene el destino (1952)
Character: Esbirro de Salcedo
Ruined alcoholic doctor escapes a tropical plague and begins a new life back in civilization, taking over the identity of a dead man.
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Me importa poco (1960)
Character: N/A
Anthropologist goes to small town to do field work supporting her theories about the primitive/subhuman origins of machismo.
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Necesito dinero (1951)
Character: Roberto
Manuel is a mechanic in love with the beautiful Maria Teresa. When the rich Jose Antonio courts his beloved Maria, Manuel realizes that he needs money and gets into trouble to get it.
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Los Gavilanes (1956)
Character: Roberto
The story of two half brothers who do not know they are such, who fight over a woman and nearly kill each other. One of them belongs to Los Gavilanes, a group of men who live live hidden and looting to give to the poor. Revenge, love and hate will at the end bring out the truth and everyone will get what he deserves.
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Tierra baja (1951)
Character: Pepe
A poor shepherd is convinced to marry a beautiful woman. This is a Maquiavellian plan schemed by the woman's fiancé and her father.
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La Mujer Que Yo Perdí (1949)
Character: Marcial
A political revolutionary fights against injustice, his adoring wife by his side. But only in her death does he realize the depth of her love for him and their country. A dramatic romance from the 23 film library of the most iconic classic Mexican film and recording star, Pedro Infante.
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Por ellas aunque mal paguen (1952)
Character: José Manuel Campos
Don Anastacio, an aristocrat passing through a rough patch,He will make marry his daughter Isabel with wealthy rancher. Isabel and her family refuse to work, Jose Manuel takes them to the ranch, where they are forced to work for food.
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¿Qué te ha dado esa mujer? (1951)
Character: Comandante
This musical comedy tells the story of two men whose friendship (whose beginning is told in "A toda máquina") is affected by assumptions love triangles and misunderstandings between the two, however, the value of that friendship overcomes all difficulties.
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El gran premio (1958)
Character: Fernando González
Elderly home is struggling for funds; one of the residents competes on a game show to win a jackpot she can donate.
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A.T.M. ¡A toda máquina! (1951)
Character: Comandante
A drifter lands a job as an officer in México City's elite motorcycle police unit and gets home with a mate of this unit. The mate is in love with a girl, but he and she are always making jealous to each other. The drifter and the mate get involved themselves in a fight to become the winner of conquering ladies and performing unit acrobatic tricks, interfering with their friendship and profession.
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Dicen que soy mujeriego (1949)
Character: Hombre en cantina (uncredited)
Pedro has had many lovers but he only loves one of them, but this romance stop going on for his flirts with other women.
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El bombero atómico (1952)
Character: Policia
Cantinflas is a clumsy fireman, who one day receives the visit of his little goddaughter, whose mother recently died in the jungle. After having work in a few fires, Cantinflas decided to quit and become a policeman, because is less dangerous. Everything goes well until a gang of gangsters kidnap the girl, because of a monetary inheritance.
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El Siete Machos (1951)
Character: Don Guadalupe
Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.
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Ahí viene Martín Corona (1952)
Character: Lencho
Martin Corona, player and womanizer, defends the underprivileged, the poor and the needy. He will have to defend a Spanish girl and her servant from the clutches of the villainous of the town. Not only will he have to fight the bad guy, but against the pride of the girl who initially believes that he is the bad character and distrusts him. She was very proud to put him at her feet, but there was a problem, Martin Corona was due more to his people than anyone and she was not willing to risk losing it, so before marrying him, made him swear he would not intervene In other problems.
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Ustedes los ricos (1948)
Character: Hombre que pelea con Pepe (uncredited)
Pepe el Toro is married to Celia la Chorreada and they have two children.
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Una mujer sin amor (1952)
Character: González (uncredited)
After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. Her husband is unaware of the affair. Twenty years later, there is news that the friend has died and left all of his money to the younger son in the family, which leads us to question this younger son's biological origin.
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El gran calavera (1949)
Character: Empleada de Ramiro (uncredited)
Portrayal of a family’s attempt to change the spending habit of the indulgent and hedonistic patriarch, Alfredo. The family decides to try to fool him into spending less by telling him that his large fortune is gone.
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El enamorado (1952)
Character: Lencho
Martin retired from his job as a hero because of his marriage to Rosario, a beautiful and ambitious girl who passed through the workshop where he works. However, Martin has to return in principle to help a friend from robbers.
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