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Me he de comer esa tuna (1945)
Character: N/A
In rural Mexico, a young man competes with his best school friend for the love of a girl whose marriage has been arranged by her parents.
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El capitán Malacara (1945)
Character: N/A
Misogynist military man is laid up for a month with a broken leg and during his convalescence he learns all the needed life-lessons.
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Aquellos ojos verdes (1952)
Character: N/A
Orphan girl under the protection of a benefactor begins to suspect that her mother had an affair with him and that he's her father.
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Chucho el Roto (1960)
Character: N/A
First of four in series about Robin Hood-type social-justice criminal. Elaborate heist scenarios.
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La abuelita (1942)
Character: N/A
Granny rules the roost, but little sister's a bit rebellious. She listens to Cuban music, she wears make-up, she goes out un-chaperoned... Granny sees her rubbing up against a married man and it shatters her health.
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Vámonos para la feria (1961)
Character: N/A
Father insists that one of his sons get married... because with no woman in the house, they can't get a good meal. The rest of the movie is devoted to pairing off everybody in sight.
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Los gemelos alborotados (1982)
Character: N/A
Gumaro and his buddy Chon are among the First Citizens locally. One day, unexpectedly, twin brothers of both of them turn up in town. Adaptation of A Comedy Of Errors.
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¡Aquí están los aguilares! (1957)
Character: N/A
Two itinerant cowhands hire on at a ranch owned by a woman, end up fighting two bad-hats who rustle la patrona's cattle and set fire to her stables.
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Fugitivos: Pueblo de proscritos (1955)
Character: N/A
After breaking out of jail, a group of convicts finds a ghost town they can take possession of. They send word out along the grapevine that criminals and marginal people can make a home there... and as the population grows, their self-policing efforts turn the whole town into a model community.
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Yo... el aventurero (1959)
Character: N/A
A crew of happy ne'er do wells comes to town to gamble and party during the town fair... but then their leader gets serious about a local girl and about finding the rustlers who are stealing all of her daddy's horses.
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Los mantenidos (1980)
Character: N/A
Dying man calls in the three illegitimate sons who never met him to take over the ownership of his nightclub and brothel. Wacky hijinks and boobies.
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La Adelita (1937)
Character: N/A
Beautiful peasant girl runs afoul of her landlord's horny son and he poisons the well between her and her fiance, so she runs away and joins the Revolution.
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El centauro del norte (1962)
Character: N/A
A Villista girl and a Huertista boy -- can their love cross ideological lines and heal a trembling nation?
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Como perros rabiosos (1980)
Character: N/A
Felipe goes home for a holiday and discovers that everything in town has changed in his absence; old don So-and-so is running around forcing people to sell their farms to him and killing them if they refuse.
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Juan sin miedo (1938)
Character: N/A
Young man goes on the run after being falsely accused of killing his girlfriend's father.
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Las cuatro milpas (1937)
Character: N/A
Bad dude tries to make time with a good dude's fiancée. When he can't get anywhere with her, he and his sidekick frame the good dude for a murder and a bunch of thefts.
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Nos lleva la tristeza (1965)
Character: N/A
Love in bloom between two ranching families: boy A and girl B, boy B and girl A, the surviving grandparent of each family, their elderly man-baby house stewards, and the prize racehorse from each family all end up pairing off together. Transitory problems, inevitable happy solutions.
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Toros, amor y gloria (1944)
Character: N/A
Farmhand moves to the city to be with his mother. He falls in love with the daughter of the rich family for whom she works as housekeeper, and decides to take advantage of his skill as a bullfighter to earn money and status enough to be able to court her.
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Viva Jalisco que es mi tierra (1961)
Character: Robustiano
Mom doesn't approve of her son's fiancée, so she schemes a scheme to throw him together with a woman she likes better. It involves him leaving town to become a bullfighter, and...
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Yo también soy de Jalisco (1950)
Character: N/A
A dizzy rich woman buys their horse, and three rubes get involved in the problems and intrigues brewing in her household.
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¡Pum! (1981)
Character: Rolando
Based on a true story, it tells the story of opera singer Paco Sierra, who, realizing that the life of an artist does not provide him with enough money, plans and carries out a terrorist act: He assures the passengers of an airplane that he has placed a bomb.
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Una luz en mi camino (1939)
Character: N/A
In a small city, talented María was trained as a singer by blind composer Joaquín. They both dream of making it big in the capital but, when they finally make the move, they find that success is not achieved without struggles.
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Al Filo De Los Machetes (1980)
Character: Chilo
After being released from prison, our boy just wants to go home, run his farm and live peacefully... but the local agro-robberbaron won't let him be. Remake of Pueblerina (1949).
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No basta ser charro (1946)
Character: N/A
Farmhand exploits his resemblance to a certain movie star to woo his employer's daughter.
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El mexicano feo (1984)
Character: N/A
Semi-employed street musician butts heads with his wife and grown(ish) children because of his irresponsible lifestyle. Then he lucks into a cushy government job.
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Esos viejos raboverdes (1983)
Character: Pío María
A club of elderly dudes plan a contest among themselves to see who can pull the most babes over a holiday weekend.
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La tierra del mariachi (1938)
Character: N/A
Young woman's father, with the help of the boyfriend he prefers for her, spreads a rumor that the guy she likes better was already married.
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Reventón en Acapulco (1980)
Character: El abuelo
Several unrelated groups of people descend on Acapulco for a party weekend. Wacky misadventures!
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Sexo contra sexo (1983)
Character: N/A
The engineer José Luis, husband of the fichera and dancer Estrella Raleigh, dies in a plane crash. During the burial, Estrella discovers that her husband was having an affair. It's quickly revealed that things are a bit more complicated than they initially appear.
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Las Fabulosas Del Reventón (1982)
Character: N/A
Love triangles, romantic entanglements, and spectacular bodies! All this to the rhythm of laughter & the sounds of La Sonora Santanera.
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Los Malditos (1966)
Character: N/A
White-hat cowboy takes down a Western gang-leader and his hired guns.
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La venganza del Charro Negro (1942)
Character: 'Chicote'
Third in a series; flashbacks remind us of the beef El Charro had with Carlos from his home town. While they move toward a final showdown, Carlos and his new evil buddy Rodolfo kill a couple more people just for kicks.
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Amor a la vida (1950)
Character: Macario Rubio
During the times of Venezuelan dictator Juan Vicente Gómez, an exhausted stranger arrives at a farm and starts to help the owner with the legal status of her land.
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Dos gallos de pelea (1950)
Character: José
Two small-town hell-raisers get so out of hand the authorities have to step in to rein them in.
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El moro de Cumpas (1977)
Character: N/A
In the city of Aguaprieta, two horses are part of the largest event in the region. The unbeatable horse Moro from the city of Cumpas faces the imposing Zaino de Aguaprieta. Two in a decided race in just 450 rods.
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Dos alegres gavilanes (1963)
Character: Chicote
Alfredo B. Crevenna helms this charming romantic comedy about a pair of skirt-chasers wooing the two lovely daughters of a land baron — who rebuffs the young swains to protect his girls.
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Si quiero (1967)
Character: Sacristán
Newlyweds find married life to be challenging.
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Acapulqueña (1959)
Character: N/A
Gloria sells dolls in benefit of UNICEF and is interested in putting on an international show. In a hotel in Acapulco the ranchero Javier, the Muslims Mustafa and Ali, the Brazilian Mr. Carioca and the charro José Lorenzo meet to carry out the project. Among the men there will be a series of entanglements to dispute the love of the young woman.
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Los dos apóstoles (1966)
Character: N/A
Two boys and two girls hook up at the big festival in a neighboring town. Once they get back home they have to deal with their families' plans for them, which may not include their new sweethearts.
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Mi Caballo El Cantador (1979)
Character: N/A
A priest must shed his habits to avenge the death of the grandfather of two helpless children who, along with their mother, are victims of a relative who extorts and murders them.
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Pistoleros asesinos (1986)
Character: N/A
Returning to his grandmother's ranch, this northerner falls in love with the daughter of a great criminal. He will have to confront murderous gunmen trying to steal his land and the woman he adores.
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Voy de gallo (1963)
Character: N/A
Felipe the charro returns and discovers that Rosa is going to marry Martín, a stranger from out of town, and feels betrayed. It is a deception, but love, jealousy, and revenge dominate.
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El charro Negro (1940)
Character: El Chicote
Masked cowboy avenger in the style of The Lone Ranger, first film in a series of four.
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Gatillo Veloz (1966)
Character: N/A
Quick-draw dude helps to protect a woman and her pa from predatory land-grabbing land-grabbers when they discover a silver mine on their ranch.
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Tan bueno el giro como el colorado (1959)
Character: Próculo
Two rodeo competitors from neighboring towns get all up in each other's business in the weeks before a big local competition. So do their respective manservants and the priests for each one's parish. Lotta competitive ructiousness going on.
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Soy puro mexicano (1942)
Character: Ángel
Band of outlaws stumble across an espionage ring of Axis agents embedded in an out-of-the-way hacienda.
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Vuelven las calaveras del terror (1944)
Character: N/A
A group of friends form a masked gang nicknamed 'The Skulls of Terror' and confront a local political boss. Originally produced as a six-hour collection of serial chapters (1943), then edited down (1944) into a 3-hour feature... then re-released (1950s?) as two 90-minute features. The first one seems to have disappeared, this is the second one.
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Calaveras del terror (1944)
Character: N/A
Feature-length version of a serial, originally in twelve chapters. Three-hour runtime, later re-edited into two 90 minute features called Las Calaveras Del Terror and Vuelven Las Calaveras Del Terror. Good guys vs bad guys for possession of a map showing the location of a lost mine.
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¡Ay qué rechula es Puebla! (1946)
Character: Modesto
Two charros from Hacienda A come a-courtin' to hacienda B, owned by a friend of their father's. Also a horse-race.
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Llámenme Mike (1981)
Character: Chalio
After being unjustly accused of corruption and seriously injured in prison, Miguel's personality will merge with the characters he reads in his police novels.
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El coyote emplumado (1983)
Character: Don Lupe
The outstanding comedian, "La India Maria," unknowingly ends up as a detective in Acapulco, pursued by smugglers of ancient artifacts.
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Museo del Horror (1964)
Character: Lencho
A mysterious killer abducts girls off the street and covers them in wax. Graverobbers and poison darts also feature as our heroine discovers which of the men in her life is the psycho.
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Una gallega en México (1949)
Character: N/A
The Galician Candida has a bakery in front of the butcher Robustito, who constantly berates although children of both Aurora and Rodolfo are in love. In the neighborhood where they live, the neighbors prepared a joke to the galician girl. She gets angry Robustito hard time believing him guilty of what happened.
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Duelo de pistoleros (1966)
Character: N/A
Four expert marksmen compete in a target shooting competition. Each has a back-story that explains why he really really really needs the prize money.
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Me llaman el cantaclaro (1964)
Character: Pachin
The story of the ruthless female boss of a hacienda who meets her match in the city-educated Santos Luzardo.
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El 7 leguas (1955)
Character: Don Anselmo
Horse-trader gets absorbed into Pancho Villa's battalions, becomes a spy.
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Cartas Marcadas (1948)
Character: N/A
A tale of intrigue and deceit concerning two young lovers who, despite the fact that their relationship was originally founded on greed, soon discover that their feelings for one and other have grown more genuine than they ever expected.
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Piernas cruzadas (1984)
Character: N/A
Lucerito is a Spanish star who has come to Mexico, accompanied by her godfather and her agent, to find work. Rosario is from upper class society and has grown tired of the demands made upon her by her family. When they meet each other in a Mexican hotel, they discover that they could be each other's identical twin and decide to change places.
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Flor silvestre (1943)
Character: Reynaldo
The film features Fernandez himself as a character named Rogellio Torres. The lion's share of the footage, however, is devoted to the romance between Esperanza, granddaughter of a common laborer, and Jose Luis Castro, the firebrand son of a landowner. Joining a revolutionary movements, Castro is disowned by his father, but Esperanza remains loyally by his side. Later on, Castro's father is killed by outlaws; in seeking vengeance, he sacrifices his own life, while Esperanza carries on his revolutionary work with their young son in tow.
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¡Mexicanos al Grito de Guerra! (1943)
Character: Pastelero
In times of the French Intervention, a student of Nunó, author of the Mexican National Anthem, falls in love with the niece of the French Ambassador, which causes quite amusing complications.
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La noche avanza (1952)
Character: Chicote
Marcos is an arrogant jai-alai player who seduces and discards women until he himself becomes the object of a cunning revenge.
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