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Tres huchas para Oriente (1954)
Character: Mujer de José
Pedro Manolo and Juan, three naughty and full of enthusiasm children go out with their piggy banks collecting money for missions. Near the end of the day, a car ran over one of them and is driven to a nearby hospital. The head of school, not knowing which of the children was injured calls the parents of the three to attend the health center. In parallel, we know the story of the three families. In the upper-class family, the father will leave his mother for another woman, in the middle class one, one sister invites her boyfriend to lunch and family revolutionizes and, finally, in that of lower class, the boy's father is about to be complicit in a crime
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Rosa de Lima (1961)
Character: María, madre de Rosa
Santa Rosa de Lima, who died in the capital of Peru, was barely 31 years old when she died in 1617. José María Elorrieta's film narrates the life of this young woman, daughter of Gaspar Flores, Spanish arquebusier the service of King Philip III, and of Maria de Oliva, who will become principal patron of the New World, the Philippines and West Indies in 1670.
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Pequeñeces (1950)
Character: Elvira, marquesa de Sabadell
Madrid in the 1870s. Amidst political intrigues against King Amadeo de Saboya, wealthy and strong-willed countess Curra de Albornoz makes her own way in spite of her son and husband, considering her indiscretions as merely trifles ("pequeñeces") until tragedy strikes her. Period drama with a luxurious production design.
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Canción de cuna (1961)
Character: N/A
In a Castilian convent of the late nineteenth century, the community of cloistered nuns celebrates the onomastic of their superior with a poem. She is also visited by the doctor, Don Jose, who diagnosed a disease with poor prognosis. Shortly after a sister picks up a beautiful girl who has been abandoned at the door of the convent and the doctor, despite being single, offers to legally adopt her and assign her to the convent as a pupil.
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La dama del armiño (1947)
Character: Catalina
Toledo, 1585. Samuel, a young Jewish goldsmith, falls in love with Catalina, daughter of Doménikos Theotokópoulos el Greco, a famous painter.
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Malvaloca (1954)
Character: Hermana Piedad
Malvaloca, dancer and singer, go to Las Canteras when she finds out that Salvador, her exboyfriend has been hurt. Salvador's college, Leonardo, goes with her and falls in love. They start a relation.
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La virgen gitana (1951)
Character: Cristina Álvarez de Miranda
Through a pictoric play, this movie tells the story about the painter Eduardo Miranda who, one night, while he was lokking to a gipsy group that was dancing, discovers a beautifull girl called Carmen. Dazzled by her beauty he decides to paint a picture. This causes roumours in the neighborhood, and it also arouses the jealousy of his wife.
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Per un dollaro di gloria (1966)
Character: N/A
Because of his difficult character, Colonel Lennox, commanding at Fort Sharp, a remote outpost on the border of the United States is hated by the soldiers of his troop. The situation is even more complicated when the fort is attacked by Indians.
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Cariño mío (1961)
Character: N/A
Miguel and Verónica meet in a plane and lie to each other about their true self: she tells him she's a secretary while she actually is the billionaire niece of a duchess, and he tells her he's a trumpet player while he is a Teutonic king. Eventually they fall in love, without knowing about each other's true identity, all of this while Miguel is being urged by his ministers to choose a wife of royal blood and get married as soon as possible, and a revolutionary group, one of which members is Verónica's brother, plans a terrorist attack against the king.
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Teresa de Jesús (1961)
Character: Doña Guiomar de Ulloa
The life and tribulations of Carmelist nun Teresa de Jesús, who had transcendental experiences. She would write several works and would reform the Carmelist order.
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¿Quién me quiere a mí? (1936)
Character: Marta Vélez
In order to save her marriage, the famous soprano Marta Vélez decides to retire from the stage.
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Aprendiendo a morir (1962)
Character: Sor Mariana
Despite the advice that friends have given, Manuel wanders tentaderos and squares to see if they let him fight. After many calamities and thanks to Rafael, get a bullfight in Cordoba. From here, it rains contracts and get a series of victories, winning his first money.
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