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Huellas del pasado (1950)
Character: Amanda
A young singer falls madly in love with a man, with whom she forms a family. Problems, however, are not long in coming when she receives unfair accusations.
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Quinto patio (1950)
Character: N/A
Model son/employee/student is frustrated by poverty and surrenders to the temptations of a criminal lifestyle... in the same gang that twenty years earlier murdered his father OMG. Meanwhile his sister. Meanwhile his mother.
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Señoritas (1959)
Character: N/A
Four young women facing "crises," mostly centered around the crucially-important issue of preserving their virginity in a variety of purity-oath threatening situations.
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Siete pecados (1957)
Character: N/A
Seven dresses/seven models at a fashion show, and each one represents one of the seven deadly sins.
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El último round (1953)
Character: N/A
Shady promoter hires a new boy for his boxing stable, but the young champ won't go along with his boss'es scams and machinations.
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El Buen Mozo (1946)
Character: N/A
Unscrupulous cad sleeps his way to the top of belle epoque Paris society.
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Buenas noches mi amor (1951)
Character: N/A
Local oligarch has the hots for a small-town schoolteacher; to escape from the problems he causes them, she and her boyfriend both move to Mexico City... but they lose contact with each other, and complications.
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Nuestros maridos (1946)
Character: N/A
Three sisters discover that the men in their lives are philandering trash and band together to build new lives for themselves instead of continuing to enable their unworthy partners.
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Vive como sea (1952)
Character: N/A
A rich uncle thinks he's married with children, so a young gadabout recruits all his friends to pass themselves off as his wife, inlaws and children.
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Enrédate y verás (1948)
Character: N/A
A young woman disguises herself as a soldier when her boyfriend arrives to propose.
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Píntame angelitos blancos (1954)
Character: N/A
Orphaned by a father and children by a black mother, the little one is rejected by his grandmother, while the girl must deny her own mother.
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Solamente una vez (1954)
Character: N/A
A couple suffers through slander and jealousy to maintain their love for one another.
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Pecadora (1947)
Character: N/A
Prostitution and drug-smuggling in Mexico City and Cd. Juarez.
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La noche es nuestra (1952)
Character: Rosario
Journalist meets an unforgettable woman, tracks her down and discovers all her tragic past.
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Maternidad imposible (1955)
Character: N/A
Mother and child are separated during the Spanish Civil War. Believing the mother to be dead, the child is sent to a refugee orphanage in Mexico, then adopted. Meanwhile, Mama recovers from her injuries, and...
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Monte de piedad (1951)
Character: Clarita Montes
Anthology-movie, series of anecdotes about the personal tragedies that lead people to take their values posessions to the state-run pawnshop.
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Pervertida (1946)
Character: N/A
A country girl finds herself working as a prostitute, but her true love, a musician, comes looking for her. She must fight a cabaret dancer for his love.
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Masacre en Río Grande (1984)
Character: Nelly
The sequel to 'La muerte del chacal' finds the murderer from the first film still alive, and back to kill more unsuspecting victims. His brother is once again out to stop him.
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Las modelos de desnudos (1983)
Character: N/A
Three interlocking anecdotes about boy/girl stuff. Two gigolos make a bet to see which can boff an heiress first, a young artist tries to persuade his upper-class parents that his artist's-model fiance is a good choice for marriage, and a guy on the run from the mafia hides from them by cross-dressing.
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Los amantes (1951)
Character: Yolanda
A burglar and a bar girl fall in love and decide to go straight, but complications.
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Nosotros (1945)
Character: Martha
The tragic romance between a woman with a dubious past and a young thief who reforms his life for love.
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La extraña pasajera (1953)
Character: Yolanda
Noir-style suspense thriller; three unrelated criminal schemes are happening on board an express train; all three get uncovered/solved/thwarted before they reach their destination.
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Carta Brava (1949)
Character: Ester
Safe-cracker sets up a gangster rival to get arrested; after some unrelated adventures, that guy escapes from jail and pays him back.
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Paco, el elegante (1952)
Character: Beatriz Camargo
Paco's ordered by a higher-up in his gang to beat up a journalist who wants to write exposes about Mexico City drug traffic, and that ends up opening a whole can of worms.
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Furia roja (1951)
Character: Beatriz Vega
Mother and daughter return to Mexico to escape the US Civil War... and get caught up in the conflict between the French army and the fighters for independence.
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Ladrones de niños (1958)
Character: María
Kidnapping band has a system set up to transport infants and older children to black-market adoptive parents in the USA.
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Pancho Villa y la Valentina (1958)
Character: Jones' widow
The second chapter of director Ismael Rodríguez's series about Pancho Villa. Several stories about the life and death of the famous mexican revolutionary general.
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Viva Mi Desgracia (1944)
Character: 'Jailer woman' in fair
After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.
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Mujeres encantadoras (1958)
Character: N/A
Goofball inventor is working on x-ray binoculars for peeping with; meanwhile, his assistant seeks help for a medical condition and gets caught up in the drama between two philandering doctors and their wives.
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Soy un prófugo (1946)
Character: Raquel
A janitor in a large bank is accused of pulling of a major heist. He is forced to become a fugitive while hunting for the real culprits.
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Angelitos Negros (1948)
Character: Ana Luisa de la Fuente
Starring Mexican star Pedro Infante, "Black Angels" is about a couple formed by a beautiful woman and a singer, both white, who are parents of a black girl. The woman blames him, but the girl will suffer the racist treatment from her own mother. Mexican version of the famous novel by Fannie Hurst "Imitation of Life"
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Flor silvestre (1943)
Character: (uncredited)
The film features Fernandez himself as a character named Rogellio Torres. The lion's share of the footage, however, is devoted to the romance between Esperanza, granddaughter of a common laborer, and Jose Luis Castro, the firebrand son of a landowner. Joining a revolutionary movements, Castro is disowned by his father, but Esperanza remains loyally by his side. Later on, Castro's father is killed by outlaws; in seeking vengeance, he sacrifices his own life, while Esperanza carries on his revolutionary work with their young son in tow.
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