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Le mariage de Véréna (1938)
Character: N/A
Verena, a farm servant, gives birth to a little girl and for the happiness of her child, tries for nearly twenty years to bend the selfishness of the seducer who did not marry her. When she returns to the village, she has worn herself out at work, but she has the consolation of seeing her daughter's future assured.
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Ici l'on pêche (1941)
Character: N/A
A painter has his daughter brought up by a couple of innkeepers who run an establishment on the edge of the water with the sign: Here we fish. Having grown up, she refuses to join him and prefers her adoptive parents.
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L'Escalier sans fin (1943)
Character: Madame Boutron
An untiring lady social worker, Émilienne, has as one of her charges a stableman who was wounded by his mistress. Unfortunately, Émilienne's young sister who was helping her at work decides to go away with the stableman.
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Maria du bout du monde (1951)
Character: N/A
Maria is the wife of self-styled naturalist Mathius. Alas, Maria's husband spends more time with his beloved woodland creatures than with her. Yearning for a visit to the Big City, Maria leaves herself wide open for disillusionment and heartbreak.
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Grand-père (1939)
Character: School principal
Trouble is started by one of the unfortunate girls, ensconced in a chateau by a generous lady so they can recuperate,but a grandfather and a teacher cause the little drama to be soon forgotten.
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La joueuse d'orgue (1936)
Character: Madame Bernier
Robert Bernier murdered his brother with the complicity of a worker. The only witness to the tragedy, Veronique was injured while rescuing her boss and remains blind. Later, cured by an operation, she denounces the criminal whose voice she recognized and who had taken over the factory.
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Enfants de Paris (1937)
Character: N/A
Ginette, daughter of a foreman of an automobile factory, and Claude, son of the director of this company, love each other, but the father of the young man refuses the marriage.
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L'homme sans nom (1943)
Character: N/A
Monsieur Vincent is the respected healer of a Basque village. But nobody knows that Vincent Berteaux used to be a surgeon in Paris. When Assomption, a young holidaymaker, arrives in the village in the company of her mother, little does Vincent know that the past returns to his life.
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La Femme perdue (1942)
Character: Madame Vidal
Marie, a young bourgeois and Jean, a cargo sailor have an affair, she becomes pregnant but he has to go back to the sea. Marie leaves for Paris where she meets Pierre and marries him. War breaks out, Jean and Pierre will befriend each other on the front.
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Les Chevaliers de la cloche (1938)
Character: La princesse bohémienne
Being a tramp is not always a disadvantage. For example when there is a masquerade ball. Indeed wearing flea-ridden rags might just mean having donned a costume. This is what happens to two resourceful Brussels bums, La Cloche and Picolard, who manage to gain entry in a fancy-dress ball. Once there, La Cloche is mistaken by an oriental prince for a respected doctor. His mission will be to give care to a music-hall diva. Even more exciting, he is asked to vaccinate a whole troupe of showgirls. Trouble guaranteed.
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Les trois valses (1938)
Character: N/A
"Les Trois Valses" traces the love story of two people over three eras. In the first waltz (music based on Johann Strauss I), Yvonne is a sensitive Parisian ballet dancer, whose romance with a dashing officer is brought to an abrupt end by his family. She goes off to Vienna to become a big star. In the second waltz, her daughter, an even bigger star, but now of Paris music halls, has a brief flirtation with the rakish man-about-town who is the son of suitor number one. She throws him over pretty quickly for a chance to shine at a Gala performance. Finally, in the third waltz, the two get together, when she is a movie star, and he is posing as an insurance salesman.
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La Mort du Cygne (1937)
Character: Madame Souris
As its title indicates, La Mort du Cygne (The Dying Swan) is set in the special world of the ballet. Young dance student Janine Charrat idolizes her teacher-role-model Yvette Chauvire, and will do anything to help Chauvire further herself.
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Mission spéciale (1946)
Character: N/A
The exploits of Chief Police Inspector Chabrier, first before the invasion of France in May 1940 as he fights against spies preparing the coming the Germans, particularly Emmy de Welder, the alleged manager of the Rouen hospital. Later, Chabrier and his men go underground and resist the occupiers whatever the price to pay. When the Liberation comes Chabrier resumes his activities at the French National Police.
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L’homme qui revient de loin (1950)
Character: N/A
A man, after a fight, believes he has killed his cousin, and hides the body. The dead man had only passed out, but when he regained consciousness, he became amnesiac. When she sees him again, the woman who loved him takes him for a ghost.
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Le Mariage de Chiffon (1942)
Character: Sophie
Odette Joyeux plays an eccentric young aristocrat called "Chiffon", who is struggling to comply with the social conventions of the community. A widow, her mother (Suzanne Dantes) would like to remarry a rich noble. Without realizing it, Chiffon is in love with her uncle, a ruined pioneer of aviation ...
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Par la fenêtre (1948)
Character: N/A
Gaston, nicknamed Pilou, has left his native village and Yvette, the girl of his heart, to go to Paris where he has found work as a painter. He is a naive good-natured man who, like most of his fellow-workers, favors a little song or two while he works. For the time being he is busy repainting the exterior of a block of flats and, when he does not sing to pass the time, he looks through the windows, observing the tenants in their daily lives. As time goes by, he goes as far as intervening and changing the course of their lives. In the end, despite having found a lookalike of his fiancée, he returns to her.
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Par la fenêtre (1948)
Character: Mme Laforest, la mère de Renée
Gaston, nicknamed Pilou, has left his native village and Yvette, the girl of his heart, to go to Paris where he has found work as a painter. He is a naive good-natured man who, like most of his fellow-workers, favors a little song or two while he works. For the time being he is busy repainting the exterior of a block of flats and, when he does not sing to pass the time, he looks through the windows, observing the tenants in their daily lives. As time goes by, he goes as far as intervening and changing the course of their lives. In the end, despite having found a lookalike of his fiancée, he returns to her.
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