|
Las canciones unidas (1960)
Character: N/A
The delegates of an international conference must decide on a "United Song", capturing the traditions and cultural characteristics of the participating countries. An unprecedented art showcase.
|
|
|
Historia de una noche (1962)
Character: Mujer con brazo encabrillado
After a few years, Víctor Morel comes back to the city. He has been a happy and Bohemian man who spent an authentic fortune. His first meeting with the past is with Laura, an extraordinary woman with he had intense relationships. She is now married with Daniel Romero, a man dedicated to the business that, precisely in the last days, has had a money problem. Due to this matter, Daniel will have to ask Víctor for help because it knows that he can extract it of the difficulty, in spite of the fact that he does not have any sharm.
|
|
|
Canción de arrabal (1961)
Character: N/A
Set in the 1900s and filmed partially in Buenos Aires, Córdoba, Barcelona, Madrid and Sevilla. A young lady of Spanish parents, raised in the neighborhood of La Boca in Buenos Aires, travels to act in Europe after winning a contest, she becomes famous and marries an Argentinian.
|
|
|
Un ángel tuvo la culpa (1960)
Character: Vecina
Claudio is a kind mand who works as cashier in a company for several years. Whe he finds closed the bank where he has to deposit a millon of pesetas, he decides to go to a friends party. Due to alcohol effects, he share out the money to the people who need it more.
|
|
|
A Arte de Amália (2000)
Character: Self - Singer
Documentary about the life of Portuguese Fado singer Amalia Rodrigues (1920-1999) with an interview and collection of footage from performances throughout her long career.
|
|
|
|
|
Via Macau (1966)
Character: Self
An arms smuggler organization uses a pirate television station to spread dissention among representatives in an international conference in Portugal. A French diplomat travels to Macao, hoping to locate a sexy spy who had stayed in Lisbon.
|
|
|
Capas Negras (1947)
Character: Maria de Lisboa
The great fadista, Amelia Rodrigues, made her screen debut in Capas Negras, which took its name from the black capes worn by the students in the university city of Coimbra, where the film is set. The action begins in a tavern where a group of former students are reminiscing about their time at the university. One of the students, Jose Duarte then breaks into song, performing an impromptu fado in the local Coimbra style. The tavern owner's niece, the aptly named Maria Lisboa promptly retaliates with a fado of the Lisbon variety. The melodramatic plot then centers on the frustrated romance between these two characters, and the soundtrack is essentially a musical duel between these two different styles of Portugal's national song.
|
|
|
Vendaval Maravilhoso (1949)
Character: Eugênia Câmara
The agitated and tragic life of poet Castro Alves, and his romance with actress Eugênia Câmara.
|
|
|
Sangue Toureiro (1958)
Character: Maria da Graça
Eduardo, the son of the wealthy farmer Jerónimo de Vinhais, falls in love and departs for Lisbon with the fado singer Maria da Graça, after studying abroad, and refusing his father "too" to be a taurenic knight.
|
|
|
Un rayo de luz (1960)
Character: Monja que entrega premio
A man and a woman have been secretly married. He belongs to a rich family and she is a poor actress and singer that is failing to success in her career. One day, he decides to tell his family that he's married and flies to Italy, where they live, but the flight has an accident and he dies. The man's brother goes to Spain to look for the body, and he discovers not only that his brother is married, also that his brother's wife is pregnant.
|
|
|
Les Amants du Tage (1955)
Character: Amália
Daniel Gelin plays a soldier who is acquitted after committing a crime of passion. Relocating to Lisbon, and still feeling remorse over his impulsive killing of his faithless wife, Gelin manages to find love in the form of gorgeous widow Francoise Arnoul. Alas, it turns out that Arnoul has a sordid past of her own, leaving our hero sadder but wiser.
|
|
|
Eu, Amália (2020)
Character: Self (archive footage)
A portrait of Amália by herself. Her personality, experiences, daring, songs, joys and sorrows and a journey that took her all over the world, are told here through moments when Amália crossed with the history of radio and television and public.
|
|
|
I promessi sposi (1964)
Character: N/A
Renzo Tramaglino and Lucia Mondella are two poor farmers who are in love, but they are hampered by the wickedness of the powerful Don Rodrigo, who secretly loves Lucia. The two run away from Lake Como where they live, and take refuge inland.
|
|
|
Amalia Rodrigues Live In New York (1990)
Character: N/A
A thrilling performance of the greatest modern singer of Fado, Amalia Rodrigues. Taped in 1990, before an excited and savvy audience at New York's Town Hall, the concert captures all the passion, romance, and power of both the Fado tradition and Amalia herself.
|
|
|
Fado, História d'uma Cantadeira (1947)
Character: Ana Maria
Ana Maria loves a modest guitar player, Júlio; when she herself in a 'retiro' (typical fado tavern), public and critics rend major applause. Fame brings about new friends, namely bohemian young who play and sing the fado with her, and not so young men but who rich and powerful enough to patronize her, promote her, and wish to become intimate with her. Júlio the guitarist feel betrayed, and he sets his mind to depart to the African colonies, to leave her forever. Knowing that he's going to embark, Ana Maria's heart between her first love, and the appeal of the rich and famous.
|
|
|
A Sapateira Prodigiosa (1968)
Character: Sapateira
A young shoemaker marries an older man, but he, jealous, leaves home. The woman opens a tavern and her husband returns in disguise to test her fidelity. Television adaptation of the play by Spanish poet and playwright Federico Garcia Lorca, translated by Carlos Wallenstein and directed by Varela Silva, with Amália Rodrigues in the lead role.
|
|
|
Brevi amori a Palma di Majorca (1959)
Character: N/A
Ugly, persistent, and (initially) annoying admirer pursues a beautiful actress. At first he is laughed of, especially by his ultra handsome rival, but with his firm insistence, and gradually emerging charm, he seduces the lady, to the total shocked surprise of his rival.
|
|
|
La revoltosa (1963)
Character: Gorgonia
Mari Pepa, a beautiful laundress of Madrid, and Felipe, a carpenter, are in love but they are always quarreling over trifles. However, she must marry with the fence Don Leo to help his father, a drunk player who has committed a robbery and has determined the family jewels.
|
|
|
Música de Siempre (1958)
Character: N/A
Producer, director and projectionist watch an assortment of musical numbers and brainstorm about framing narrative that could contain them all.
|
|
|
Fado Corrido (1964)
Character: Maria do Amparo
A Marialist nobleman falls in love with a fado singer, who puts an end to the ephemeral relationship, accepting the love of a teenager, recently arrived from Africa.
|
|
|
Sol e Touros (1949)
Character: Amália Rodrigues
Manuel da Cruz, a young apprentice in the saddle, is discovered by the cattleman João Gama, who marvels at his skill, deciding to make him a great bullfighter.
|
|
|
Bis ans Ende der Welt (1991)
Character: Woman in Street Car
In 1999, a woman's life is forever changed after she survives a car crash with two bank robbers, who enlist her help to take the money to a drop in Paris. On the way, she runs into another fugitive from the law — an American doctor on the run from the CIA. They want to confiscate his father's invention – a device which allows anyone to record their dreams and visions.
|
|
|
|
|
As Ilhas Encantadas (1965)
Character: Hunila
A French sailor circa 1850, disembarks in a desert Atlantic island, and discovers a woman who had survived for many years her husband and brother, who have died while searching for mysterious valuables. The young couple discover paradise, and its end.
|
|
|
Pim, pam, pum… ¡fuego! (1975)
Character: N/A
Spain, 1940s. While returning to Madrid by train, Paca, a chorus girl who aspires to join a prestigious company, meets Luis, a young man of helpless appearance.
|
|
|
April in Portugal (1956)
Character: Self
Beautiful Jocelyn Lane goes sightseeing in Portugal accompanied by bandleader George Melachrino and his orchestra. Featuring Portugal's top singing star Amália Rodrigues and the world-famous Tagide Club Dancers of Lisbon.
|
|
|
|