|
Saranga (1961)
Character: Raja of Ambavati
A woman faces problems when she insists on marrying the man she loves.
|
|
|
Hamari Manzil (1949)
Character: N/A
A social drama revolves around two lovers striving to reach their shared "destination" in life—be it marriage, success, or acceptance—despite significant challenges like class differences, parental opposition, or tragic misunderstandings.
|
|
|
Halaku (1956)
Character: N/A
Halaku (Pran), the powerful emperor of Iran, rules the country wisely and with an iron hand. When he comes upon one of his subjects, Niloufer (Meena Kumari), he stakes his claim on her and wants her to be his wife, despite of his wife (Minoo Mumtaz), who opposes his marriage plans. Niloufer, who loves Pervez (Ajit), refuses to submit to Halaku, he turns his wrath on both Niloufer, Pervez, and his wife. Will Niloufer and Pervez survive the ruthless Halaku?
|
|
|
Badrinath Yatra (1967)
Character: Jaggannath
Due to her son's, Devdutt's arrest, Satyavati is unable to take the Badrinath Yatra. Subsequently, he starts to frequent a brothel to visit with a courtesan, Chandravati, and virtually refuses to do anything with his pregnant wife, Sheila. He even drinks alcohol, and assaults his father, Jaggannath, and brother, Sridhar. Things get even worse when he blinds his mother, lets Chandravati and her entourage move in their family home, and asks Sheila to serve the courtesan.
|
|
|
Nausherwan-E-Adil (1957)
Character: N/A
A fair-minded emperor improves and introduces new laws, but ends up facing challenges when his son violates them.
|
|
|
|
ગોતી લો! (2025)
Character: N/A
Goti Lo follows Dadaji's clever plan to reunite his gadget-addicted family in their village. To save their ancestral home, they must win a traditional games challenge - rediscovering real-life bonds, roots, and the joy beyond screens.
|
|
|
Kamal Ke Phool (1950)
Character: N/A
Against a backdrop of social conservatism, a pure-hearted woman's life becomes a sacrifice to others' rigid traditions and deceitful plots, as she struggles to prove that true integrity—like a Lotus Flower—can bloom untouched even in the deepest mud.
|
|
|
Hanumaan Pataal Vijay (1951)
Character: N/A
When the demon king Ahiravan kidnaps Lord Ram and Lakshman and holds them captive in his underground realm of Patalpuri, the devoted Hanuman descends into the netherworld to rescue his masters and defeat the dark sorcerer.
|
|
|
ग्रहस्ती (1963)
Character: Gopal's Father
Drama about a large Indian family coping with revelations about the fathers past.
|
|
|
माया (1961)
Character: Chawl resident
Disillusioned with his wealthy friends, a man pretends to be poor and goes to live in the slums where he falls in love with a burglar's sister.
|
|
|
Pyar Ki Jeet (1948)
Character: N/A
Radha, a young woman's journey through love, betrayal, and resilience. It explores her experiences with a broken promise of marriage and her subsequent struggle for independence and dignity, all set amidst a backdrop of intertwined romantic relationships and significant musical numbers.
|
|
|
Sahara (1958)
Character: Thakur Maan Singh
Sahara is a 1958 Indian Bollywood film directed by Lekhraj Bhakri. The film stars Meena Kumari in the lead role of Leela and relates her life story.
|
|
|
|
|
हसीना मान जाएगी (1968)
Character: Mahavir
An army officer's wife is unsure if the man she is living with is her husband or his look-alike.
|
|
|
|
Ustad 420 (1969)
Character: Seth Dharamdas Batra
Three criminals, Jagoo, Bansi and Ajit, escape from jail. However, Ajit is murdered and just before dying he mentions the name Pinto. Jagoo and Bansi decide to avenge the death of their friend.
|
|
|
Pyase Panchhi (1961)
Character: Jyoti's dad
Gangaprasad Trivedi would like his son, Kiran Kumar, to get married and settle down. He even goes to the extent of selecting a bride, Sheela Chaturvedi. But Kiran has fallen in love with Jyoti, who is trapped by her Father. This intagled mess results in a hilarious musical dramedy.
|
|
|
शहनाई (1947)
Character: N/A
A struggling entertainer trying to keep his dance company afloat with the help of his four daughters. However, his wife is worried about the disrepute the profession is bringing the girls and diminishing their chances of marriage.
|
|
|
हीर राँझा (1970)
Character: N/A
Heer Raanjha is a 1970 Indian Hindi-language romantic musical film directed by Chetan Anand. It stars Raaj Kumar and Priya Rajvansh and tells the tragic love story of Heer, a wealthy girl, and Ranjha, who has been banished by his family. The film is often referred to as a Punjabi version of "Romeo and Juliet.
|
|
|
Aabroo (1968)
Character: Judge
After being betrayed by the woman he loves, a doctor is accused of killing her husband.
|
|
|
नजराना (1961)
Character: Shyam's dad
Raj (Raj Kapoor) and Vasanti (Vyjayanthimala) are college mates who clash when she complains to the college principal about a love letter he sent her. Later on, realizing her mistake, Vasanti apologizes to him and the two fall in love. Vasanti's elder sister, Geeta (Usha Kiron), supports the family by stitching clothes. Raj rents the room upstairs in their house. He falls ill and in nursing him, Geeta falls in love with him. She confides her love to Vasanti, who decides to sacrifice her love for the sake of her sister and convinces Raj to marry Geeta. Raj initially neglects Geeta. On finding out, Vasanti writes to him that their sacrifice, made for Geeta's happiness, would mean nothing unless he is a good husband to Geeta. Raj relents and marries Geeta and they have a son. Vasanti joins them and Geeta suspects that there is something on between Raj and Vasanti and makes Vasanti leave the house.
|
|
|
सूरज (1966)
Character: Maharaja Sangram Singh
Vikram Singh is the Maharaja of Pratap Nagar and is very impressed with his Senapati Sangram Singh for years of loyal service. He decides to make him a Maharaja and agrees to marry his daughter, Anuradha, with his son, Pratap. Years later, Vikram sends his now grown-up Anuradha to visit the coronation of Rajkumar Pratap Singh and approve of him as her husband, and she sets off without any escort with just her maid-servant, Kalavati, for company. Shortly thereafter, Vikram is informed that Kalavati has been abducted by a bandit named Suraj Singh, he accordingly rushes over to Sangram's and this is where he discovers to his shock that Kalavati is posing as Anuradha, and it is his daughter that has been abducted by Suraj. Watch what happens when Suraj is arrested and lodged in a dungeon, and preparations are set forth for the coronation of Pratap and his subsequently marriage with Anuradha.
|
|
