|
Sor Batalla (1990)
Character: N/A
As punishment for participating in a game show a nun is sent to a small town. The chief and presidential hopeful municipal Instead, a pinko comecuras that attacks capitalism and refuses to let children be vaccinated and go to school, is opposed to the presence of the newcomer, but as the religious conquest people and helps to rescue the kidnapped daughter of the chief, the evil becomes good.
|
|
|
Duelo indio (1961)
Character: Nieta de Chon (uncredited)
A cabal of bad-hats is conspiring to dispossess the local Indians of their hereditary lands, but Pancho fights to defend them... while a messenger is securing copies of some needed legal documents. Etc. Second film of four in the series "Pancho Pistolas."
|
|
|
Enterrado vivo (1961)
Character: Rosita (uncredited)
Final four episodes of Pancho Pistolas serial, reedited into feature format. PP finally thwarts the Four Bad Brothers in their plan to take over the lands belonging to local indigenous tribe and in getting that territory restored to tribal governance.
|
|
|
Secuestro en Acapulco (1983)
Character: N/A
Venezuelan boy band flies to Acapulco for a week of performances. Two of them compete for the attentions of a slightly older girl and one is chased by a very clingy plain girl who is treated as a figure of fun. And then some stuff happens and stuff.
|
|
|
|
|
Primera Comunión (1969)
Character: Rosita (voz)
A very humble boy longs conditions make their first communion, but circumstances do not allow it until, after a tragic accident, Paco Malgesto and a group of people who help make his dream.
|
|
|
La gran aventura (1969)
Character: Juanito (voz)
A humorous adventure story about two boys chasing after their dog who was kicked out of the church, and facing all kinds of, some real and some imagined, trouble, both for them and the dog.
|
|
|
El caudillo (1957)
Character: Nieta de Chon (uncredited)
Bad-hat townsfolk want to dispossess local Indians of their tribal lands; priestess and white ally fight back. One of four in a series.
|
|
|
María Isabel (1967)
Character: Voz de Rosela Isela Sánchez (voz)
A woman jumping from the poverty of the countryside to the splendor of wealth in the city without losing its simplicity
|
|
|
Charrito (1984)
Character: Estrellita Perez
Charrito is the villain actor in a movie, which is filmed in a town, that only produces headaches to the director, for being extremely distracted
|
|
|
Lo Mejor del Chavo del 8, Vol. 1 (2001)
Character: La Chilindrina
A cap, a barrel, and an eight year old boy surrounded by his friends from the neighborhood have been the essential elements for the entertainment for millions of views around the world. Created by comic actor Roberto Gomez Bolanos, El Chavo del 8 made its mark on Mexican Television and has left us with everlasting memories of entertainment for our families. Its sketch comedy format appeals to young and old alike. El Chavo del 8 still airs in syndication all over Latin America.
|
|
|
Pulgarcito (1958)
Character: Flor
A young boy born extraordinarily small must rescue his older brothers from a wicked ogre.
|
|
|
|
|
Don Ratón y Don Ratero (1983)
Character: Madre de Rufino
A tap dancing exterminator is mistaken for an out-of-town hit man by two rival gangs, each hoping to acquire his services.
|
|
|
El Chanfle 2 (1982)
Character: Diana
is the continuation of the Mexican film El Chanfle (1979) Chespirito, which aired in theaters in 1982. At that time the cast of the neighborhood (with some absences: the Carlos Villagran, who decided not to continue working with Roberto Gomez Bolaños by a personal decision, he left in 1979. Ramon Valdez next year decides to accompany him, also leaving to work with Chespirito. returned with him in 1981, but a health problem that was detected in the early 80's, was prevented from participating in this film), it left room for the story of a lowly stagehand football team that achieves his dream beside his wife Tere, of having a child. In this film, the situation is a little different.
|
|
|
Chespirito: El Niño Que Somos (2001)
Character: Self / La Chilindrina
As a child, Roberto Gómez Bolaños dreamed of being a soccer player or an engineer; acting seemed ridiculous to him. But as time went by he discovered his true calling. First as a writer and then as an actor, he gave life to several characters, including two of the most popular in the history of Mexican television.
|
|
|
El Chanfle (1979)
Character: Matutes secretary
Although he always wanted to become a professional soccer player, El Chanfle has settled for being the props boy and water boy for Mexican soccer's Club América, whose coach they both have trouble getting along with because of the Chanfle's heightened sense of honesty and cleanliness on the court, something the rigid coach does not share. When he is asked to cheat during a game he refuses and is fired from his job, but his friend, the team doctor will try to get him back. At the same time, his wife Tere announces to be pregnant, and trying to sell a gun in order to make money for their future, unintentionally scares a old man, Chato, with it, who now seeks revenge.
|
|
|
|
|
El amor de María Isabel (1968)
Character: Rosa Isela (as Ma. Antonieta de las Nieves)
Follow up to Maria Isabel. Newly wed to a rich man, Maria Isabel must still struggle with being branded as a lowly maid and endure the scorn of her adoptive daughter and the infidelity of her husband.
|
|
|
Un novio para dos hermanas (1967)
Character: N/A
Pili and uncle Angel travel to Mexico to see Mili dancing at her debut in a theater in the capital. When Mili finds out the bad economic situation of her uncle, she decides to seek work. Meanwhile, Pili works in a department store and meets Rodolfo, the grandson of Mrs. Caceres, owner of the store, which she takes for the chauffeur of the lady. In turn, Ms. Caceres hires Mili to dance at her party, where she meets and falls for Rodolfo. Rodolfo, who does not know of the existence of a twin sister, is convinced that the girl in the party is Pili. And the sisters do not know they are in love with the same man, which will lead to an unexpected conflict.
|
|