|
Tarde de toros (1956)
Character: Isabel
The bullfight is about to begin. On the bill are announced the toreros Ricardo Puente, Juan Carmona and Rondeño II, who will take the alternative. Puente is an old bullfighter, famous in earlier times, who, now bitter and full of resentment, lives with Paloma, a woman who is not resigned to continue being the lover of a man who has fallen into oblivion. Carmona, the fashionable bullfighter, has an important contract to fight in America, but his wife Isabel wants him to reject the offer. Anamaría, Carmona's sister, hopes that her brother will approve her relationship with Rondeño II; but Carmona opposes because he considers him a bad bullfighter. In a fourth, hopeful and exciting plot, a young amateur bullfighter has a plan to sneak into the ring and fight a bull, hoping for public acclaim for his feat of bravery.
|
|
|
No temas a la ley (1963)
Character: Flora
Jean Faran has the misfortune to run over with his car a young woman named Micaela. Once recovered from the fright, she invites him to her house to have a few drinks.
|
|
|
O Cangaceiro (1953)
Character: Olívia
In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.
|
|
|
Tico-Tico no Fubá (1952)
Character: Durvalina
A fictionalized biography of Brazilian composer Zequinha de Abreu (1880–1935), who penned the song "Tico-Tico no Fubá" that became an international hit in the 1940s.
|
|
|
Candinho (1954)
Character: Filoca
Candinho is a hillbilly who leaves the countryside, taking his donkey along, and goes to São Paulo, trying to find his mother.
|
|
|
As Pupilas do Senhor Reitor (1961)
Character: Margarida das Meadas, a Guida
The characteristic loves of Margarida and Clara, the distinct moral of Pedro and Daniel, the goodness of João Semana, and the dissidents, sensibility, tenderness, rituals and landscape involvement of the Minho.
|
|
|
Orgullo (1955)
Character: Laura
A tale of two families, the Mendozas and Alzagas, faced for generations by the water of a river separating their adjoining properties. Old grudges reappear when the two heirs fall in love.
|
|
|
Terra é Sempre Terra (1951)
Character: N/A
The administrator of an abandoned coffee farm and inveterate gambler saves money to buy the property, even knowing of the loving connections between his wife and the boss.
|
|
|
María de la O (1959)
Character: Mercedes
María de la O leaves her family and her former boyfriend Miguel to go with a rich landowner who's supposedly in love with her...
|
|
