|
Ladronzuela (1949)
Character: N/A
Homeless girl placed in a court-appointed foster home under the care of a social worker.
|
|
|
|
|
Amor de la calle (1950)
Character: Orejas
El Pichi, El Trompas and El Orejas are street children who pick up a bill that Fernando has dropped, who prevents them from being arrested and offers them a job at a cake stand. Fernando meets Queta, El Pichi's sister, and they both feel attracted. This will lead Fernando to know the hardness of life for people in the suburbs.
|
|
|
|
|
El gran campeón (1949)
Character: Luis, niño
El Kid Azteca not only fights to become someone in life; he also fights for the love of Avelina, who shows no interest in him when she sees that fame has gone to his head.
|
|
|
El Papelerito (1951)
Character: Juancho
Three children forge a close friendship with the help of a gentle elderly woman, Doña Dominga. They survive poverty and social exclusion; however, fate has a cruel twist in store for little Toño.
|
|
|
|
|
Paco, el elegante (1952)
Character: Chamaco
Paco's ordered by a higher-up in his gang to beat up a journalist who wants to write exposes about Mexico City drug traffic, and that ends up opening a whole can of worms.
|
|
|
¡Ay, Jalisco no te rajes! (1965)
Character: Pajarito
A man hated by his father and in love with a beautiful woman whose brothers do not approve of the relationship and persecute him.
|
|
|
Yo quiero ser tonta (1950)
Character: Niño empleado barberia
Dreamer father wants son to become a bullfighter, and daughter to become a singer, so they become instant millionares, although their talent is not apparently there.
|
|
|
El Portero (1950)
Character: Estudiante (uncredited)
Cantinflas works as a porter, who writes letters and speeches in his old writing machine to earn an extra money, despite the fact that he still goes to school. The sentimental issues come when Cantinflas falls in love of his pretty neighborhood (Silvia Pinal), who is handicapped and unable to walk. The thing wont be easy, because a young military man also has feelings for the girl. But the porter wants to see her happy, and he will become a sort of Cyrano De Bergerac, writing love letters to her signed by the young soldier. His plan is simple: to win money in the horse races in order to pay the operation which will make her walk again.
|
|
|
Ánimas Trujano (1961)
Character: Carrizo
Animas Trujano is a colorful but irresponsible Indian in a small Mexican village. He hopes above all things someday to be chosen mayordomio of his village, a place of great honor usually conferred upon the wealthiest and most respected citizens. Animas has a loyal wife, but cheats on her and gambles away every cent they raise. Chances arise for Animas to turn over a new leaf and even hope realistically for the honor of mayordomio.
|
|
|
Mystery in Mexico (1948)
Character: Pancho
Insurance detective Steve Hastings is sent by his company to investigate the disappearance of a fellow agent. His first lead is the agent's fetching sister, Victoria, whom he trails to Mexico City. After charming his way into her confidence, Steve helps Vicki unravel the mystery.
|
|
|
Children of 'Giant' (2015)
Character: Himself
"Children of 'Giant'" is a documentary film that unearths deeply wrought emotions in the small West Texas town of Marfa, before, during and after the month-long production of George Stevens' 1956 feature film, "Giant." Based on the controversial Edna Ferber novel of the same name, the film, "Giant" did not shy from strong social-issue themes experienced throughout post-WWII America. George Stevens, its producer and director, purposely gravitated to the drought-ridden community of Marfa for most all of the exterior scenes.
|
|
|
Río escondido (1948)
Character: Goyito (as niño Jaime Jimenez)
Called by the Mexican President himself, a rural teacher goes to work in a village that is dominated by a malevolent chieftain.
|
|
|
Dos tipos de cuidado (1953)
Character: Joven (uncredited)
Jorge Bueno and Pedro Malo are best friends who consider giving up their womanizing ways when they each fall in love. As fate would have it, Pedro Malo unexpectedly marries Jorge Bueno's girlfriend, and the conflict between the former buddies begins.
|
|
|
Cartas a Elena (2012)
Character: Viejo Soto
In the beautiful hills of the Copper Canyon in Chihuahua, Mexico, a young boy (Emilio) is adopted by the mailman (Teo). As part of their daily tasks, they not only deliver the mail but read letters to the villagers, as well as take dictation, since most are illiterate. Young Emilio quickly learns to read and write but feels saddened by the mostly difficult stories sent by relatives, that moved north to Denver, Colorado in pursuit of a better future. One day Teo becomes disabled and Emilio takes over the mail route and with great imagination, he changes the letters to happy and optimistic stories. Within days, the village is transformed. The elders, once hopeless, lonely and sad, are now happy and enthusiastic, enjoying the "supposed" success their loved ones write from the United States. But the enjoyment is short lived, as they realize that all the wonderful stories are the same...
|
|
|
Maclovia (1948)
Character: Estudiante (uncredited)
On a small Mexican island dwells a group of Indians who live in the traditional manner and who disdain outsiders. The beautiful Maclovia and the poverty-stricken Jose Maria are in love, but her father refuses to allow their marriage, or even any communication between them, due to Jose Maria's lack of means.
|
|
|
La vida no vale nada (1955)
Character: Fito (uncredited)
Pablo, a wandering laborer, has imprisoned himself in a hell of alcoholism. Cruz, a widow, reaches out to the troubled man, but even her compassion may not be enough to save him.
|
|
|
¡Maldita Ciudad! Una comedia dramática (1954)
Character: Lamberto
A humble provincial writer who wants to publish his first book offers it to a film producer who is looking for locations for a film at that time. The novelist's family then moves to the big city, where they will have to face many adversities that will make them wish they had never left their village.
|
|
|
Dicen que soy comunista (1951)
Character: Amigo de Huicho
A worker overwhelmed by the economic crisis and the cost of living is accidentally propaganda of a political party, apparently from left, who convinces him to join their ranks and defending the working class. After entering through a ritual as mysterious as typical, you will realize demagoguery and arrangements existing between union leaders to maintain the status quo unchanged and profit from mafia practices.
|
|
|
|
|
Nosotros los pobres (1948)
Character: El Güijolo
Carpenter Pepe El Toro lives peacefully with his daughter Chachita in an impoverished Mexico City neighborhood. He pursues a romance with the pretty Celia, but tragedy comes knocking on his door when he is falsely accused of having perpetrated a felony.
|
|
|
Ustedes los ricos (1948)
Character: El Güíjolo
Pepe el Toro is married to Celia la Chorreada and they have two children.
|
|
|
The Children of Sanchez (1978)
Character: N/A
Hall Bartlett directs the rural drama The Children of Sanchez, based on the tome The Children of Sanchez: Autobiography of a Mexican Family written by Oscar Lewis in the '60s. Anthony Quinn stars as the widowed Jesus Sanchez, a poor farmer struggling to provide for his family in Mexico City. Also starring Lupita Ferrer as Consuelo and Stathis Giallelis as Roberto. This is the last film in the 50-year career of international star Dolores del Rio, who plays the Grandma. Jazz-pop performer Chuck Mangione was nominated for a Golden Globe and won a Grammy award for his original musical score.
|
|
