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Simón Blanco (1975)
Character: Don Pablo Rentería
The peasant and revolutionary Zapatista Simon Blanco still in arms but Zapata is dead. Simon with his lieutenant Andres visits his mother and his girlfriend in his hometown. The cacique Onesimo and his brother, the commissioner Martial put ambushes but he eludes them.
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La madrina del diablo (1937)
Character: N/A
Set in the 1820s; an unhappy love affair and some family problems drive a young gentleman to banditry.
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El ratón (1957)
Character: N/A
Amateur boxer turns pro, dealing meanwhile with an eventful personal life.
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Hay lugar para... dos (1949)
Character: N/A
Union-organizing and labor/management conflicts among Mexico City bus-drivers. Sequel to "Esquina, Bajan!"
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Cuatro copas (1958)
Character: N/A
Upper-crust city gal falls for a rough-edged working-class guy, so she follows him to his home town and masquerades as a peasant/Indian local to win him over. All very stalky and classist.
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El asaltacaminos (1962)
Character: N/A
Young man puts on the Black Mask Of Vengeance to solve some tangled legal problems concerning a contested inheritance and several murdered family members. It took him four feature-length movies to do it. (Series: "El Relampago.")
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Herencia trágica (1960)
Character: N/A
Masked horseman avenges the deaths of family members and resolves questions about a contested inheritance. One of four in a series ("Relampago").
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La muerte en el desfiladero (1963)
Character: N/A
Masked horseman avenges the deaths of family members and resolves questions about a contested inheritance. One of four in a series ("Relampago").
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El fayuquero (1979)
Character: N/A
Well, there's a guy that runs a stall at A Swap Meet, and... um... I forget.
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El primer amor (1974)
Character: N/A
Seminary students interrupts his studies for a final vacation in the real world and finds it difficult to break his worldly bonds in preparation for the pristhood.
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El nieto del Zorro (1948)
Character: N/A
Two strolling players are mistaken for locally-famous bandit. Also, a young lady's inheritance is at stake.
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Los tigres del ring (1960)
Character: N/A
Crooked promoter has a secret weapon who goes around beating fighters to death after their matches if they aren't in line with his rigging schedule. Part one of two.
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El hombre que me gusta (1958)
Character: N/A
A man facing bankruptcy and ruin rehearses a couple of scenarios relating to suicide, until his family convinces him he's worth more alive than dead.
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Todos son mis hijos!... (1951)
Character: N/A
Good son takes the blame for father's peculations and goes off to work in the rain forest to pay off Pops' debt. Meanwhile, daughter and bad son neglect their aging parents, whose fortunes decline precipitously.
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Furias desatadas (1957)
Character: N/A
College student enters the pro wrestling circuit, hoping to find out who killed his father. Third of four in a series.
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Chucho el Roto (1954)
Character: N/A
Humble craftsman runs afoul of a rich girl's father and ends up in prison; the ill-fated romance has repercussions over the course of twenty-odd years and ultimately drives him to a life of crime.
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Impaciencia del corazón (1960)
Character: N/A
Young army officer gets involved with two sisters; one of them's a chronic invalid and her family has protected and sheltered her from all possible harm with such smothering care that she's a spoiled, petulant bag of temper tantrums. She forms a big ol' crush on the dashing lieutenant, and everyone involved goes completely nuts and makes an infinite number of bad decisions in the wake of her pouting and her crying jags and her passive-aggressive crap.
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Bambalinas (1957)
Character: N/A
The story of a famous singer who reaches the highest position in the world of varieties, but is forced to cede her throne to the young star of the moment, repeating the same situation that she starred in in her youth.
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La Pulquería Ataca de Nuevo (1985)
Character: Don Chucho
The film continues the outrageous antics of its eccentric patrons and staff, blending slapstick humor, misadventures, and love triangles. As the bar faces more outrageous situations, the characters find themselves in increasingly absurd and funny circumstances, maintaining the lively spirit of the previous films in the series.
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Sed de amor (1959)
Character: Señor Cura
Rosaura, a devout religious woman, lives in a fishing village with her sister María who stopped believing in God since her jealous husband was murdered. Even though Rosaura is wanted by the fisherman José, she rejects him. Pedro, a horseman, arrives at her place and begins to harass María until he manages to possess her. The man is a criminal who usually cheats with fishermen and hurts those who dare to confront him with his ax. When the evildoer tries to abuse Rosaura, José, the fisherman, does what is necessary to avenge the insult. Furthermore, other men are already looking for Pedro.
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La mujer de dos caras (1957)
Character: Comandante
A beautiful woman will stop at nothing in her quest for money and power. Not even murder.
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Amor en la sombra (1960)
Character: Don Alberto
A daughter who idolizes her father discovers, just before he dies, that he was leading a double life and had a hidden lover.
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La loca de la casa (1950)
Character: Señor Pradera
Novice nun returns to her parent's home to save the family fortune by marrying a creditor.
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Las engañadas (1955)
Character: Andrés
Irresponsible playboy seduces a decent young lady with a fake wedding; he continues being a creep for the next 12 or 15 years.
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El seductor (1955)
Character: Diputado Gómez
A young artist's affair with a married woman destroys her family. Twenty-odd years later, her two daughters fall into his orbit.
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La sonrisa de la Virgen (1958)
Character: N/A
Marita, a charming little girl, lives in the country with her grandmother. Her best friend is a modest servant, Anselmo, who almost everyday takes the girl to visit the church known as "Guadalupe's Basilica", an important cathedral in Mexico City, where she discovers Virgin Guadalupe and the legend about her apparitions in that place. Marita doesn't behave properly in school, and her teacher always has a punishment for the girl. She doesn't like school, and she doesn't want to return to school anymore. Besides, Marita's worried about her animals, like a cow who doesn't produce milk. The girl asks many miracles of Virgin Guadalupe, one of them is to not have to go to school. During a visit to the Basilica, Marita hears the Virgin's voice, and this could be the beginning of a responsible life for the girl, like to study and to be a good child.
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El gallero (1948)
Character: N/A
In Michoacan in the 1920s, Gabriel, a young farmer and champion cockfighter, finds himself in violent opposition to Roman, who not only wants to beat Gabriel's fighting cock, but to steal Gabriel's wife Rosa.
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María la Voz (1955)
Character: Tránsito, Andrés' brother
A small-town woman with psychic sensitivities gets tangled up in the blood-feud between two families and in a romantic rivalry with her best friend.
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El vergonzoso (1988)
Character: N/A
Softcore sex-farce about a guy with a really big lump in his underpants...and all the women who flock to him.
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Viajera (1952)
Character: El Danzón
Music teacher gets all tangled up with a nightclub singer, after seeing his students ogling her advertisements.
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Los que volvieron (1948)
Character: Miguel Anzorena (uncredited)
A small disparate group of people board a multi-day, multi-stop flight from Mexico City to Buenos Aires. A remake of the film Five Came Back (1939) directed by John Farrow.
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Burdel (1982)
Character: Don Regino
(AKA: Ratero 2 or Cada quien su madre.) Innocent man forced to hide from the police, ends up taking refuge in a brothel.
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El mil usos (1981)
Character: N/A
The tragic adventures of a illiterate man named "Milusos" who leaves his family & hometown to go to the big city and try to better his luck. And finds he's unprepared for what he encounters.
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Las rosas del milagro (1960)
Character: N/A
Before the Spanish Conquest, an Aztec princess does the Romeo and Juliet thing with the Prince of a neighboring tribe. Sixty years later, a colonized subject has visions of the Virgin Mary.
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Ellas también son rebeldes (1961)
Character: Don Rafael Elizondo
The discovery of a young woman murdered in her car triggers unrelated problems among a diverse group of people.
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¡Esquina bajan...! (1948)
Character: Axcaná González
Driver Gregorio del Prado and fare collector Regalito were suspended for deviating from their route to impress a young woman named Cholita.
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La norteña de mis amores (1948)
Character: N/A
Child whose father was murdered grows up and seeks revenge, also falling in love with a new victim of the same bad guy.
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Teatro Follies (1983)
Character: N/A
Young dancer joins the cast of a musical-comedy production, falls in love with young comic actor.
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Violación (1989)
Character: Abogado
In Mexico City, a woman is raped every 9 minutes. This film details some of the legal and social problems in the country and how it's often difficult for women to find justice. Awarded Best Film by Mexican Cinema Journalists and nominated for three Ariel Awards.
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Quinto patio (1970)
Character: Don Roberto Monroy
Ramon is a guy who lives in a neighborhood, in the " fifth courtyard " in urban poverty. Nevertheless, aspires to the love of the daughter of his employer, a woman of another social class.
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Padre contra hijo (1955)
Character: Señor cura
Eloisa works hard, sewing, to his son Juan de Dios. He learns that he is the bastard son of Cecilio, who owns almost a whole town named: San Juan de Dios, Durango.
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El jinete negro (1958)
Character: Don Inocencio
Masked horseman avenges the deaths of family members and resolves questions about a contested inheritance. One of four in a series ("Relampago").
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Las grandes aguas (1980)
Character: Doctor Urbiola
Public-works engineer entrusted with a big project faces problems in his home life and conflicts with a corrupt local businessman.
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Pepito as del volante (1957)
Character: Don Francisco Cabrero (Don Paco)
Pepito's father dies in rollover the Ferrari that is winning a race car, so Pepito is about his grandfather and asks him to equip a car to get him to compete.
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Revancha (1948)
Character: El Gillet
A man steals to buy medicine for his sick mother but when she dies he gets into drug trafficking at a local cabaret.
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Quinceañera (1960)
Character: Ramón Jiménez, Leonor's father
María Antonia, Beatriz and Leonor are three classmates who are anxiously awaiting the celebration of their 15th birthday. However, each of them will have to cope with their complicated personal situation.
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Noche de buitres (1988)
Character: N/A
Mexican horror-crime-type film, with a group of young people going on a brutal rape and home-invasion-killing crime spree and filming their escapades with a camcorder as it happens.
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La bestia magnifica (Lucha libre) (1953)
Character: Benjamín Aguilar
The Magnificent Beast (Free Fight) is a 1953 Mexican film. It was directed by Chano Urueta. The first film of the Luchadores genre.
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Dos fantasmas y una muchacha (1959)
Character: Jefe de los bandidos
Two ghosts who died in a turn-of-the-century duel and now haunt a theater attempt to help a girl who's in danger from bank robbers.
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Menores de edad (1951)
Character: Doctor José Quintero
Late-teens girl is trapped into masquerading as a 12 year old. Wacky complications.
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Confidencias de un ruletero (1949)
Character: Compadre de Sanchitos (uncredited)
Taxi driver takes the wrong passenger at the wrong time and gets caught up in a murder investigation.
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Las señoritas Vivanco (1959)
Character: Eleuterio Covarrubias
Two women of lesser descent are dedicated to stealing to support their brother's daughter.
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Así era Pancho Villa (1957)
Character: Col. Triana
The disembodied head of Pancho Villa, kept in a glass jar in a research institute, is the narrator of several short stories from his own life, stories that might or might not have happened but are the stuff of legend.
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Ladrones de niños (1958)
Character: Javier
Kidnapping band has a system set up to transport infants and older children to black-market adoptive parents in the USA.
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El Asesino X (1955)
Character: Fiscal
A murderer turns himself to the police, but claims amnesia and insists he's unable to tell them anything about his crime.
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En carne propia (1961)
Character: Señor Noreña
Rookie reporter and his publisher's daughter get caught up in a bizarre crime/traffic accident noir dilemma.
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La mano que aprieta (1966)
Character: Inspector Saldivar
Two wrestling stars must investigate strange deaths and a secret criminal organization led by a madman who becomes invisible.
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El cafre (1986)
Character: Don Matías
Trucker accepts an assignment to haul an extremely dangerous load of explosives from Tijuana to Mexico City.
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Los Jóvenes (1961)
Character: Don Fernando, papá de Alicia
A gang member is attracted to a beautiful young woman, but approaching her only causes problems that will be difficult to solve.
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La escondida (1956)
Character: Don Chente
Amid the Mexican Revolution, a woman rises from the depths of poverty and becomes a courtesan who is much-sought-after by high-society men, but she cannot forget her love for a rebel leader.
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Jesús de Nazareth (1942)
Character: San Juan Bautista
The biblical story of The Messiah from his baptism through his crucifixion.
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Así era Pedro Infante (1963)
Character: Miguel Manzano
The life of Pedro Infante, with scenes from his best films and the chaos that his tragic death caused in the public.
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Golpe de suerte (1992)
Character: N/A
A bureaucrat gets a house and even a car on credit thanks to the support of a compadre who is a union leader, but then has difficulty paying because he is fired in a job cut despite the many years he has been working.
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El Mago (1949)
Character: Serafín
A slapstick fantasy of the amorous adventures of a magician a la Cantinflas.
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El río y la muerte (1954)
Character: Don Anselmo
A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.
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El analfabeto (1961)
Character: Don Fermín
Inocencio Prieto y Calvo receives a letter telling him he is the heir to his uncle's fortune of two million pesos. Not being able to read he has no idea of who sent the letter or its content. So he goes to the drugstore because the pharmacist can read the letter to him. But while waiting to be helped he sees that a young girl can read. He figures he has to be able to discover the letter's content by himself and decides he will save the letter and go to school, and wait to read the letter on his own.
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Su Excelencia (1967)
Character: Don Serafín Templado, secretario
Lopitos, who is horribly inefficient but quick-witted, is invited (because of the current ambassador's superstition about 13 sitting down to a meal) to a banquet attended by the ambassadors of both superpowers. After the news of a series of coups d'état in Los Cocos arrives throughout the meal, Lopitos becomes the official ambassador. At a summit of world leaders, the representatives of the two world superpowers court the allegiances of third-world diplomats to tilt the balance of global power in their favor. The last diplomat to remain unaligned, Lopitos instead harangues the superpowers for infringing on the rights of developing countries to self determination, talking to them with his point of view as a citizen not as ambassador because he arranged his demise as ambassador one day before his speech.
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Abajo el Telón (1955)
Character: Peralta
Cantinflas, who owns a cleaning business, cleans the windows of the house of a famous French actress. While carrying out his work he observes how a man steals one of the famous actress necklaces, but he can only see his back.
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Los espadachines de la reina (1961)
Character: N/A
The Big Bad Wolf and the Stinky Little Skunk from the Caperucita Roja movies in their final adventure, as swashbuckling 17th century swordsmen in a king's service.
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La ilusión viaja en tranvía (1954)
Character: Don Manuel
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!
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Gutierritos (1959)
Character: Señor Martínez
Timid, browbeaten salaryman becomes famous author overnight.
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La Cucaracha (1959)
Character: Gabriel Fuentes
The Mexican Revolution serves as a backdrop to a torrid love triangle composed of three freedom fighters: a colonel, a widow, and a fiery female soldier.
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Lola la Trailera (1983)
Character: N/A
Lola finds herself into the world of violence and drug trafficking when her father is murdered for refusing to put his truck to the service of a powerful cartel, with protections at high police levels. Knowing the local officials will not serve out justice, she takes matters into her own hands. Armed with a machine gun, she'll attempt to get revenge by her own hands - but the enemy has more firepower than her.
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Perdida (1950)
Character: Sobrino
Her stepfather rapes her and she runs away to home. After that, she's exploited by a series of men, and...
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El Camino de la Vida (1956)
Character: Pedro Romero
The story focuses in on three young boys who, arrested by the authorities, await sentencing in Mexico City's Juvenile Court. One boy has killed his stepfather to protect his mother; the second boy has been goaded into blinding his chief tormentor; and the third resorts to stealing to support his family.
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La ruletera (1987)
Character: N/A
Comical misadventures: lady taxi-driver + doofus policemen.
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El bombero atómico (1952)
Character: Jefe bomberos
Cantinflas is a clumsy fireman, who one day receives the visit of his little goddaughter, whose mother recently died in the jungle. After having work in a few fires, Cantinflas decided to quit and become a policeman, because is less dangerous. Everything goes well until a gang of gangsters kidnap the girl, because of a monetary inheritance.
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El Supersabio (1948)
Character: Reportero (uncredited)
Cantinflas is the apprentice of a renowned scientist, Prof. Arquimides Monteagudo (Carlos Martinez Baena). But Cantinflas has the soul of a poet rather than a serious researcher, and he wants to find the formula that achieves the immortality of the roses. Nevertheless, after the death of Prof. Monteagudo, Cantinflas will be chased by a ferocious corporative group, who wants to steal the secret formula of a cheaper fuel named "carburex", because they think that our friend is the only person who knows the composition
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El puma (1959)
Character: N/A
Son of a ranching family returns home after studying in the city for a law degree. He sides with the peons in a labor dispute and his father disowns him; he sets up a law office in another town. First of three movies in a masked-avenger series.
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Dicen que soy comunista (1951)
Character: Macario Carrola
A worker overwhelmed by the economic crisis and the cost of living is accidentally propaganda of a political party, apparently from left, who convinces him to join their ranks and defending the working class. After entering through a ritual as mysterious as typical, you will realize demagoguery and arrangements existing between union leaders to maintain the status quo unchanged and profit from mafia practices.
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Cárcel de Mujeres (1951)
Character: Doctor
Evangelina murders her lover Alberto. In prison she meets Dora, Alberto's girlfriend, who was deprived of her freedom for his illicit business. An interesting story is about to be woven.
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Música de Siempre (1958)
Character: N/A
Producer, director and projectionist watch an assortment of musical numbers and brainstorm about framing narrative that could contain them all.
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Ustedes los ricos (1948)
Character: Manuel de la Colina y Bárcena
Pepe el Toro is married to Celia la Chorreada and they have two children.
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Una mujer sin amor (1952)
Character: Doctor
After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. Her husband is unaware of the affair. Twenty years later, there is news that the friend has died and left all of his money to the younger son in the family, which leads us to question this younger son's biological origin.
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Sobre las olas (1950)
Character: Juan de Dios
The life of the musician Juventino Rosas, who despite his talent lived an existence of misfortune and poverty.
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Aventurera (1950)
Character: El Rana
Left alone after her mother runs off with another man and her father kills himself, Elena attempts to make a new life for herself in a new city. Believing he's a friend, Elena goes to dinner with "Pretty Boy" Lucio, but he drugs her champagne and sells her to Rosaura, who runs a brothel out of her nightclub. Elena becomes a sensation as a dancer, but all the while she nurtures plans of revenge against those who have conspired against her.
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El ministro y yo (1976)
Character: Don Antonio, señor ministro
Mateo Melgarejo is a notary public and scribe for the illiterate people of Santo Domingo, a neighborhood north of Mexico City's Zócalo. A squatter friend asks for his help in negotiating with the land census bureau to regularize a land title. After a great deal of frustration with the government bureaucracy, he writes a letter to the cabinet minister, earning an audience with him. The minister hires Melgarejo to reform the bureau, and the appointee proceeds to lecture the officials on their duties in a democratic society. At the end, he gives up the post, returning to Santo Domingo to help its poor residents.
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