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La gata (1947)
Character: N/A
A woman is falsely accused of killing her husband, after finding out that he and her sister were lovers.
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Madrugada (1957)
Character: Amalia
A rich and famous painter dies leaving a secret that kept him apart from the woman he loved. Suspecting a family plot, she will try to unveil it keeping his death from the greedy relatives who are called in the middle of the night. She will try to find the truth before the dawn comes at last.
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La indeseable (1951)
Character: Elsa Robles
A woman married to the man who saved her from a hostile environment falls in love with a young medic.
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Cosas de mujer (1951)
Character: N/A
A man feels abandoned because his wife is too busy with her incredible success as a lawyer. Because of this, he ends up falling into infidelity and showing certain contradictions in his wife.
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Fantasmas en Buenos Aires (1942)
Character: Martha Almanzor
A counterfeiting gang implicate a bank employee in their crimes, but their cover-story about a ghost in the house where they do their printing backfires on them.
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El pijama de Adán (1942)
Character: Beatriz Herrera
A recently married woman runs away from her husband upon discovering that he had had a mistress. The father-in-law, determined to fix things, also becomes entangled in a disgust with his wife.
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Cómo se hace una película argentina (1948)
Character: N/A
Institutional short film planned and directed by Arturo S. Mom for the First Argentine Film Festival in Mar del Plata. The film shows the technical process by which an Argentine film is produced and emphasizes the professionalism and power of the national film industry. In this way, the story explains in a pedagogical way what is a script, a frame, a camera, a set sketch and a projected background, among others, and how a scene and the soundtrack of a film are recorded.
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La noche y el alba (1958)
Character: Marta
Pedro, a street photographer who fought during the Spanish Civil War on the Republican side, becomes obsessed with a young model.
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María Montecristo (1951)
Character: María Montecristo
Rich woman manouevres in secret to restore her dead father's good reputation.
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La calle del pecado (1954)
Character: Ruby Colmeiro
A student dreams that she is the heroine of one of her history teacher's lessons with whom she is in love.
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Tierra baja (1951)
Character: Marta
A poor shepherd is convinced to marry a beautiful woman. This is a Maquiavellian plan schemed by the woman's fiancé and her father.
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Historia de crímenes (1942)
Character: Lucy Torres
A bank clerk uncovers the manager's criminal behavior and prevents him from carrying out a murder.
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Los martes, orquídeas (1941)
Character: Julia Acuña
The story is based on Elenita, the younger of four sisters, young, timid and romantic. To try to change her character and give her an illusion, his father sends her weekly a bouquet of orchids making her believe they are from a secret admirer.
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Apasionadamente (1944)
Character: N/A
The romance between a young aristocratic woman and an unlucky painter that takes place in the lakes of Bariloche.
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De México llegó el amor (1940)
Character: N/A
A young Mexican saves a mortgage from an Argentine rural owner, associating with him and falling in love with her daughter.
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Bajó un ángel del cielo (1942)
Character: Celia
A young couple pretends to have had a baby in order to get the girl's father's permission to get married.
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La mujer de las camelias (1953)
Character: Margarita Gautier
Margarita, a French courtesan, experiences genuine love for first time in the arms of much-younger Armand.
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Bartolo tenía una flauta (1939)
Character: N/A
A capricious rich woman has fun while humiliating a poor musician, who becomes famous thanks to his compositions, and in an accusation of plagiarism he manages to ridicule the her.
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Una gran señora (1959)
Character: Charo 'Condesa Mirskaya'
Charo is a fashion model, in love with enigmatic Adolfo. The fashion house where she works is ruined. In a parade, an English lady confuses her with a countess and invites her to spend some days in Estoril. There, Charo will try to save the company from bankruptcy.
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Nacha Regules (1950)
Character: Nacha Regules
Set during the centenary celebrations, it narrates the frustrated loves between a man from high society and a woman with a hectic romantic life.
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El barro humano (1955)
Character: Mercedes Romero de Vargas Peña
A marital conflict reaches the courts and becomes public comment.
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En el último piso (1942)
Character: Ana María de los Llanos
By trying to maintain her millionaire appearance, a young woman goes through a series of entanglements and finds a love that is also millionaire.
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El amor nunca muere (1955)
Character: Trinidad Guevara
Three-episode film linked to each other by means of a medallion, where love is the engine that drives people to act the way they did.
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La trampa (1949)
Character: Paulina Figueroa
A lonely woman marries a man without getting to know him.
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Stella (1943)
Character: N/A
A woman must suffer humiliation, slights and slander to maintain the happiness of her paralyzed sister.
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El profesor Cero (1942)
Character: María Emilia Núñez / Zulema Ríos
An eternal student takes care of younger students.
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Orquesta de señoritas (1941)
Character: Blanca
A young woman, member of an orchestra of young ladies, is mistaken for the eccentric conductor and causes a series of problems.
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Dios se lo pague (1948)
Character: Nancy
Nancy, a gambler's wife, holds elegance to disguise their poverty. While she waits, dreaming of a wealthy man to appear and save her from that situation, she talks to an old beggar at the door of a casino. Soon after, a mysterious man offers her a life of luxury.
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Papá tiene novia (1941)
Character: N/A
When a widower's five daughters find out that he has a fiancée, they hire an actress to seduce him in order to end the relationship.
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Cándida (1939)
Character: Extra (barco de España y feria de diversiones)
Cándida Villar is a clumsy Galician maid who speaks improperly, get a lot of troubles in all the conversations with her bosses, simple and straightforward who from night to morning becomes the most lucky woman of the word because she mets a hilarious gallery of character in an art gallery.
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La dama del mar (1954)
Character: N/A
An obsessed woman desperately fights to overcome the past that binds her.
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Celos (1946)
Character: Luisa
Argentinian adaptation of "The Kreutzer Sonata" by Leo Tolstoy.
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Amor prohibido (1958)
Character: N/A
During a horse race, Ana, a happily married woman with a child, he met Captain Brown. Later, they meet again on a long train journey and inevitably love arises. Both try to forget each one on his own, however, things go more and more complicated, making it impossible to stop the situation.
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