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山のかなたに (1950)
Character: N/A
Adaptation of a novel by Yojiro Ishizaka, originally released in two parts.
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夜来香 (1951)
Character: N/A
Japanese "kayo" film based on the song "Ieraishan" by Yoshiko Yamaguchi.
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母 (1929)
Character: N/A
The 1929 Japanese film "Mother" which helped child actress Hideko Takamine become a star.
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肉体の暴風 (1931)
Character: N/A
The love of an older sister who worked as a geisha but decided to open a bar under the auspices of a millionaire
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京洛の舞 (1942)
Character: N/A
Hiromasa Nomura World War II era film
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銀座三四郎 (1950)
Character: Ginpei
An early film by Kon Ichikawa
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恋の応援団長 (1952)
Character: Mantaro
Directorial debut by Umetsugu Inoue, the famous director of Musicals
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Ai yo jinrui to tomo ni are - Kohen: Beikoku hen (1931)
Character: N/A
The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.
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男の償ひ 前篇 (1937)
Character: N/A
Sabu Toshinobu is an archaeologist who has taken a liking to Kinuyo Tanaka, the daughter of an archaeologist at an inn in Izu, where he is visiting to conduct an excavation. Sabun gets along well with his childhood friend Michiko Kuwano, but his mother (Fumiko Okamura) is against her, so he gives up easily and ends up being married to Kinuyo Tanaka.
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男の償ひ 後篇 (1937)
Character: N/A
Sabu Toshinobu is an archaeologist who has taken a liking to Kinuyo Tanaka, the daughter of an archaeologist at an inn in Izu, where he is visiting to conduct an excavation. Sabun gets along well with his childhood friend Michiko Kuwano, but his mother (Fumiko Okamura) is against her, so he gives up easily and ends up being married to Kinuyo Tanaka.
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都会の奔流 (1940)
Character: N/A
A young yakuza student is led back to the straight and narrow path by his uncle.
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或る女 (1942)
Character: N/A
Pretty Oshige is deceived by her first love. After this, she lives a hard lifestyle, working at a number of jobs. Her only pleasure is her nephew, who eventually becomes a merchant marine. When Oshige meets her old love ten years later, she is able to forgive him and even thank him for the path her life has taken.
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Otoko no iki (1942)
Character: N/A
This was 1942, so it was a national policy film, no matter what you call it. But when the war was still on the winning side, there wasn't even a little bit of sadness in the film (as the war was getting worse and worse, the burdens on our backs were increasing day by day, and we had to keep forming a line for tomorrow with nowhere to go (Akira Kurosawa's "The Most Beautiful", Admiral Nomura's "Enemy Air Raid", etc.) (Song of Annihilation, directed by Sasaki Yasushi). The film closes with the hope of the blue cloud that is bubbling up in the air. Or it may be the last time that a Japanese film talks about war and looks at the end of the war with an unconcerned eye.
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粋な風来坊 (1946)
Character: Bunkichi Tsumugi
A lost film by Masahiro Makino
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情艶一代女 (1951)
Character: 足袋銀
Based on the serialized story "東京一代女" which appeared in Tokyo Shinbun. A geisha known for her dancing begins training with the Onnagata Kikugoro VI as a dancer. She leaves her geisha life to pursue this new path, but falls in love with a naval officer who is the younger brother of Kikugoro and who saves her from a stalker monk. Kikugoro hears of this and becomes enraged. The naval officer dies in the Second Sino-Japanese War, causing the lead to go back home to her mother where she meets, and falls in love with, a poet who resembles her now-deceased fiancé. This poet leaves her in order to force her to dedicate her entire life to dancing, which he sees as her true pursuit.
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陽氣な渡り鳥 (1952)
Character: N/A
Midori (Misora), the adopted daughter of Kinnosuke (Kawamura), a ship carpenter in a port town, was born a good singer. Her mother is dead, her father has been missing since he left for war, and the orphan Midori is given to Kinnosuke and his wife, who soon have a baby together, so she is treated as an obstacle. When a female sword-play troupe comes to town, she cannot forget the kindness shown to her by female magician Katsutamusai Harue (Awashima), so she follows the troupe on their tours. Midori became a popular singer and was loved by the troupe, but only Yoshizawa (Abe), the leader of the troupe, had eyes for Midori and bullied her.
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朧夜の女 (1936)
Character: A neighbor
Otoku asks her brother Bunkichi to speak with her son Seiichi, a young man for whom sacrificed everything but who now seems to be headed for a wastrel life. Bunkichi admonishes the boy to study harder, but it seems his uncle's advice may already be too late.
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歌女おぼえ書 (1941)
Character: Kajikawa
Uta’s mother died when she was six years old; her father she never met. She was forced to adopt a traveller’s life when her grandmother died, and now she is a dancer and part of a family of actors who travel from town to town, setting up street performances. A way of escape from this marginal existence arises when she gets the chance to move to tea merchant Hiramatsu’s place, where she is asked to teach his daughter to dance.
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家族会議 (1936)
Character: Sadanosuke Kajiwara
A melodrama about a businessman's relations with the three women in his life.
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浅草の灯 (1937)
Character: Gunji Ōhira
Pre-war Asakusa was a riotous district of cabarets, dance-halls and brothels - a striking backdrop for Shimazu's story of innocence and experience. Pretty, young Reiko is the new dancer in an infamous theatre troupe, and her fellow performers try to protect her virtue in a land of vice. Meanwhile, an ageing actor wants to be a hero off stage as well as on, and the troupe matriarch Marie has to keep them all together.
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荒城の月 (1937)
Character: Doi
Episode in the life of a composer of a popular Japanese song.
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お小夜恋姿 (1934)
Character: Seijiro
The poor novelist Yamamoto is writing his novel, determined and with a headband around his head. With him, the novelist who is always in trouble paying his bills, is the girl Saya who becomes the model for his novel. Saya however is in love with a young driver. When he is forced to move into a spa town as the result of the jealousy of another man Saya is terribly sad. But with the help of Yamamoto the driver's rival can be revealed and Saya can finally be with her beloved.
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金環蝕 (1934)
Character: Ôsaki's father
The story is centered around the devastating experiences of two villagers, Osaki Shuichi, and his cousin, Nishimiura Kinue, when they leave their hometown for the metropolis of Tokyo. They are in love with each other, but Kinue is expected to marry the lawyer Kanda Seiji. In consequence, Shukichi leaves for Tokyo, where he becomes tutor to the son of the rich Iwaki family. The heartbroken Kinue also makes her way to the capital, where she becomes a bar hostess.
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生きている画像 (1948)
Character: N/A
A film dealing with the comings and goings of individuals in the immediate postwar period.
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愛撫 (1933)
Character: N/A
Heinosuke Gosho evokes in this film the family conflicts engendered by the eternal problem of a father who projects his professional desires on the life of his son. The sister Machiko is the essential link that will allow everyone to apologize to each other and achieve reconciliation.
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三百六十五夜 (1948)
Character: Bando Tokichi
A young man rents an apartment in Tokyo and discover it was built by his father. He falls in love with the daughter of the mistress of the house and decides to marry her. Only to discover that his father is is in debt and wants him to marry Ranko so that she may help his company by granting 1.5 million yen. Teruko decides to borrow money from a greedy bar owner who lends her money on certain conditions and photographs her without her consent. A love traingle forms between Koroku, Ranko, and Teruko. Things complicate when Koroku marries Teruko and Tsugawa threatens them for the money causing many twists and turns.
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必勝歌 (1945)
Character: Yuichi's father
Hisshoka is a 1945 Drama film directed by four Japanese directors.
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蘇州の夜 (1941)
Character: N/A
A hostile Chinese nurse (Yamaguchi) who works in an orphanage is won over by the care and commitment of the Japanese doctor (Sano) who treats her wards. Disease outbreaks and family obligations, however, threaten to torpedo their budding romance.
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私の兄さん (1934)
Character: Shigeta
Jyuta, an honest owner of a taxi company, has a younger half-brother who is involved in the yakuza world and doesn’t get along well with his mother. Jyuta tries to correct him…
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与太者と小町娘 (1935)
Character: Yoshi-san
A Japanese comedy from the end of the silent era (it has music) from a popular series. A feud, a practical joke and romance are the set up for some great comedy and drama from a team of distinctive appearance who are exploiting their silent cinema styles to the full.
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木石 (1940)
Character: Dr.Sawamura
Movie about a devoted and single woman and her daughter. The mother's nickname is "Bokuseki" (wooden head) because of his supposed stubbornness. No.10 in the list of "The 10 best films of 1940" by Kinema Junpo.
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花籠の歌 (1937)
Character: Keizo
Three men fall in love with the same young girl who works in a tonkatsu restaurant in the Shitamachi district of Tokyo.
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懺悔の刃 (1927)
Character: Genshichi
Two criminal brothers try to go straight but face opposition from one of their criminal cohorts. Considered to be a lost film.
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母と子 (1938)
Character: Kudō
The movie follows a young woman (Kinuyo Tanaka), a daughter of a high-ranking businessman and his neglected mistress, as she struggles to ease her mother's loneliness, while also having an affair with her father's subordinate.
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お絹と番頭 (1940)
Character: N/A
A story of a store that makes Tabi socks.
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をぢさん (1943)
Character: N/A
The story of a boy who befriends a lonely middle-aged man.
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婦系図 (1934)
Character: Menosô
A melodrama by noted auteur and father of director Yoshitaro Nomura, Hotei Nomura. This is apparently the first adaptation of Izumi Kyoka's The Romance of Yushima.
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花嫁の寝言 (1933)
Character: Neighbor's husband
This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.
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明け行く空 (1929)
Character: N/A
A melodrama about an orphan and her mother who are separated and lose contact, but are later reunited.
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絹代の初恋 (1940)
Character: N/A
Kinuyo is a daughter of rice cracker shop in downtown. She fell in love with her sister's boyfriend. It is a story whose theme is warm human relationships in a town of customs and manners.
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はたちの青春 (1946)
Character: 桑原/Kuwabara
The film features the first scene with kissing in a Japanese film. Kiss scenes were encouraged by the American occupiers of Japan following World War II as it encouraged westernization and contrasted with the traditional bow prevalent in that country.
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森の石松 (1949)
Character: N/A
The tale of a feudal swordsman who cynically takes no responsibility for anything, relegating it to others, and then taking the credit.
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森の石松 (1949)
Character: Edokko
The tale of a feudal swordsman who cynically takes no responsibility for anything, relegating it to others, and then taking the credit.
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愛染かつら (1938)
Character: Haruki
A young doctor, Kozo Tsumura, falls for young nurse Katsue Takaishi. But she's got a secret: she's a widow with a son. Kozo and Katsue decide to run away to Kyoto, but her child suddenly became sick and she just missed the train and Kozo. She makes it to Kyoto finally, but is unable to meet him. Plus she isn't accepted into Kyoto society. She goes back to her hometown and tries to forget him. She quits the hospital to concentrate on her singing. She makes her professional debut with the hit "Aizen Katsura". Kozo is in the audience.
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進軍の歌 (1937)
Character: N/A
A Japanese wartime film directed by Yasushi Sasaki.
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男性対女性 (1936)
Character: N/A
A musical film made for the inauguration of Shochiku's Ofuna Studio, with an all-star cast of the era.
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お加代の覚悟 (1939)
Character: Keizô, Osumi's brother
A young student of traditional dance falls in love with a handsome young man who visits the dance school in order to take photographs.
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朱と緑 (1937)
Character: N/A
A businessman’s daughter falls in love with one of her father’s employees.
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戦後派お化け大会 (1951)
Character: N/A
In a small town, according to the homecoming of Professor Ishinaka, the youth culture group was overwhelmed to make a presentation for the summer festival, but because of lack of funds, she works part-time at the spectacle of a tour, a haunted house Especially. The ghost was a struggle amongst the people, it was a great success in filling the crowd, but in the circus hut next to it, Kenji who was supposed to have disappeared was pitiful.
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水兵さん (1944)
Character: N/A
Shinpachi Morimura, who was born in a fusuma craftsman's house, wants to join the Japanese navy. However, his father wants him to continue in the family business and refuses to accept it.
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鍵を握る女 (1946)
Character: N/A
Shochiku melodrama about the loves of the humble people living in the poor tenament called the Ryuheiso.
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南の風 (1942)
Character: N/A
Amusing masterpiece from director Yoshimura Kazusabu divided in two parts taken from the newspaper serial novel of Shishiko Shishi. Like in "Warm Current", Shin Saburi, Mieko Takamine and Mitsuko Mito are appearing, but this is a fresh comedy very unusual for wartime.
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あの丘越えて (1951)
Character: N/A
Mariko is an innocent girl who grew up in the highlands of Shinshu. She moves to Tokyo to live with her father who has successfully returned to Japan. Mariko is simply confused by the life in Tokyo, which is different from her own. Only her private tutor Daisuke was an advisor she could tolerate. Mariko develops slight feelings for Daisuke and finally realizes that he is her first love...
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生きてゐる孫六 (1943)
Character: N/A
A wealthy family will not allow the military to grow crops on their fields due to their superstitious beliefs about their son's illness.
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婚約三羽烏 (1937)
Character: Isoyama - Chief
Three men vying for the same job end up chasing the same girl in this comedy-drama from noted Japanese director Yasujiro Shimazu.
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宗方姉妹 (1950)
Character: Sangin's Customer
Setsuko is unhappily married to Mimura, an engineer with no job and a bad drinking habit. She had always been in love with Hiroshi but both of them failed to propose when Hiroshi left for France a few years ago. Now he is back and Mariko tries to reunite them. She too is secretly in love with Hiroshi.
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上陸第一歩 (1932)
Character: Nozawa
The story of a sailor who begins a love affair with a woman he saves from suicide.
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戸田家の兄妹 (1941)
Character: Suzuki
After the death of her husband, an elderly woman and her youngest, unmarried daughter are forced to sell their house to cover his debts and decide to move in with one of the former's children, each of whom is scarcely happy to accommodate.
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続 南の風 (1942)
Character: N/A
In this comic sequel to Yoshimura Kozaburo's original, Minami no Kaze, ex-baron (Saburi Shin) is in Singapore where he meets an old friend who proposes a scam to make some quick cash. It involved inventing the story that Saigo Takamori didn't actually die in the Satsuma Rebellion but escaped to Southeast Asia to start a new religion and in the process fathered a son who is now the founder. But when they bring the supposed heir and his aide to Japan, chaos ensues...
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風の中の子供 (1937)
Character: Father
On vacation's eve, a boy is sent to the countryside to live with his uncle after his father is imprisoned and accused of embezzlement.
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子供の四季 (1939)
Character: Father
The brothers of Children In The Wind deal with declining family fortunes: they must work when the father becomes sick, and eventually live with their grandfather, which means making new friends and struggling with a different environment.
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有りがたうさん (1936)
Character: Returning Villager
In Depression-era Japan, a courteous bus driver carries an eclectic group of passengers from the mountainous Izu to Tokyo.
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野良犬 (1949)
Character: N/A
A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.
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長屋紳士録 (1947)
Character: Tamekichi
An errant salaryman's son gets lost until a man from the Tokyo tenements brings him to vendor Tane, who's reluctant to let the kid board.
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春琴抄 お琴と佐助 (1935)
Character: N/A
A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.
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春琴抄 お琴と佐助 (1935)
Character: Teizo
A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.
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東京の恋人 (1952)
Character: Yamamoto
Following the Second World War, the lives of various people in a poverty-stricken area of Tokyo are entertwined. Pachinko parlor girls, shoeshine boys, a maker of costume jewelry, and a streetcorner artist all struggle to make their livings and to find happiness in difficult surroundings.
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恋の花咲く 伊豆の踊子 (1933)
Character: Kubota, an engineer
"The Dancing Girl of Izu" tells of the story between a young male student who is touring the Izu Peninsula and a family of traveling dancers he meets there, including their youngest girl. The student finds the naïve girl attractive even though he eventually has to part with the family after spending memorable time together.
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家に三男二女あり (1943)
Character: Father
A family story in the year of 1943 during the war. The director is Shunkai Mizuho, who worked on "Hibari no Circus Sad Kobato" starring Hibari Misora after the war. Previously, there is only a 6-minute short version in the National Film Archive, therefore, the full version is this movie is very valuable. This is considered a masterpiece that depicts a happy family of 7 (a father, a mother, 3 sons and 2 daughters).They care about each other, and also trust each other. Father started to ask all the children "what do you want to be in the future?" since an early age. Boys said they want to go to college, they want to be painters, and when it comes to the girls, although they wanted to be generals, their answer was "become a bride, a wife, and a good mother." Brothers and sisters get along well and occasionally fight, but they all discuss the cause, and would apologize to each other. The story was so gentle that it is hard to believe it was during the war.
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君と別れて (1933)
Character: Shôkiku's father
An aging geisha, whose angry teenage son is ashamed of her profession, works alongside a young geisha, resentful of her family for forcing her into a life of ignominy.
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兄とその妹 (1939)
Character: Fujio Gyōda
A man who works late hours at a deadening job lives together with his wife and his younger sister. The younger sister's a modern girl who's starting to receive romantic attention from one of her co-workers.
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愛より愛へ (1938)
Character: Kageyama
Shigeo is an aspiring writer living with his girl friend Minako and hoping for success and a better tomorrow every day. Both live on what Minako earns from working in a café. Shigeo is not happy with the situation and neither is his family who do not approve of Minako. Especially his uncle tries to convince him to leave Minako, even using his influence behind the scenes. Things start to change when Shigeo's sister pays the young couple a visit, being the first member of Shigeo's family to actually get to know Minako in person.
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