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Das Wunder (1985)
Character: Girl at Cafe
Teenager Raphaela was born blind into a wealthy, material focused family. Her father escapes reality into an affair with his secretary while her mother reacts to the difficult situation in an over protective and possessive conduct towards her blind daughter.
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Adolf und Marlene (1977)
Character: Paula
When Hitler watches Marlene Dietrich in a movie, he falls in love with her. He persuades her to come back to Germany to be with him, but upon her arrival, she constantly insults and provokes him until he eventually, on her command, bites the carpet to bits.
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Die Küken kommen (1985)
Character: N/A
Six young men are disturbed by their girlfriends while looking for adventures in Munich after their discharge from the Bundeswehr.
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Fassbinder – lieben ohne zu fordern (2015)
Character: Self
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered, and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. The film is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother, Lilo, in the 1970s.
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Griseldis (1974)
Character: Gräfin Gilda von Treuenfels
Count Harro von Treuenfels is suspected of poisoning his wife. Griseldis von Ronach, his daughter's governess, falls in love with the count and sets out to find the real culprit.
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Chinesisches Roulette (1977)
Character: Angela Christ
Ariane and Gerhard Christ, a wealthy Munich couple, plan for the weekend on separate trips, lying to the other about their trysts. However, their itineraries are complicated when they both arrive at the family's country home with their respective lovers.
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Eine Frau namens Harry (1990)
Character: Regina
A quiet, offbeat German dramedy about self-reinvention and the messy ways we try to escape ourselves. When a middle-aged woman decides to shed her old life and adopt the name “Harry,” her transformation unsettles family, friends, and lovers who can’t quite keep up. Blurring gender identity, midlife crisis, and dark humour, the film plays like a bittersweet character study — deadpan, gently absurd, and tinged with melancholy.
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Fontane Effi Briest (1974)
Character: Annie
When 17-year-old Effi Briest marries the elderly Baron von Instetten, she moves to a small, isolated Baltic town and a house that she fears is haunted. Starved for companionship, Effi begins a friendship with Major Crampas, a charismatic womanizer.
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Händler der vier Jahreszeiten (1972)
Character: Renate Epp, Hans's daughter
Hans is a street fruit peddler and born loser. His choice of career upsets his bourgeois family, causing him to turn to drinking and violence. After recovering from a debilitating heart attack, his business finally begins to take off. However, the more he becomes a credit to his family, the more depressed he becomes.
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Die Schaukel (1983)
Character: N/A
Based on Annette Kolb’s autobiographical novel of the same name, THE SWING is a lavish, breathless reconstruction of life in Munich towards the end of the 19th century. The deceptively simple story centers around the Lautenschlags, a Bavarian-French Catholic family overflowing with artistry but short on practicalities like financial acumen.
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Kinderarzt Dr. Fröhlich (1972)
Character: Stefanie
A young woman pharmacist, Eva, is very friendly with a children's doctor, Dr. Fröhlich. Eva's small nephew Peter lives with her and she is often thought to be his mother. A number of amusing and more serious misunderstandings arise from this situation...
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