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El secreto de Tomy (1963)
Character: Adela de Mendoza
The racing stables of Gandia family go to auction. Tomy, son of the owner, manages to save his favorite horse, "Cantador". Now, his only obsession is to resolve the problems of his father, providing him a new wife and riding his horse at the races. After a while, in the Official Prize, "Cantador", ridden by Tomy wins. This fact causes everyone to be interested in the horse and eventually Tomy will be forced to auction it to liquidate their debts. But the new owner is the father of Luchy, Tomy's classmate , and he will do everything possible to recover it.
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Varietés (1971)
Character: N/A
Spain 1930s. A troupe of performers travel from city to city entertaining audiences and earning a living. The cast includes a magician, a ventriloquist, muscle men, dancers, singers and a full orchestra. The star of the show is Carmen Soler (Trini Alonso) a celebrated singer, now way past her prime, who refuses to retire gracefully and defends her stardom ruthlessly. On her shadow lives and works Ana Marques (Sara Montiel) a younger singer who dreams of the big time and patiently waits for her break.
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No quiero perder la honra (1975)
Character: N/A
In Madrid, during the postwar, Miguel, decide to live supported by women. He has two workers who doesn´t make much headway, for that reason, advised by one of his friends, he decides to go to other town to find a young girl, naive but ambitious in order to take her to the city and make her work.
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Dos chicas locas locas (1965)
Character: Claudia
A millionaire leaves all his fortune to his older granddaughter. But his two granddaughters are twins and nobody knows who's the older one is.
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Fantasía española (1953)
Character: Choli
Two adventurers without economic resources create an amateur theater company and want to succeed, posing as aristocrats. The project aims to fill the theater with their performances and, thus, to satisfy their debts.
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Vampiresas 1930 (1962)
Character: Lina
As the era of silent films finds itself at a close, four down-and-out silent film actors and musicians struggle to find work. Fate leads them to a former star of the silent era as she struggles to escape her reputation as a wild and evil vamp of the silver screen and longs to be just thought of as an honest and decent woman. They join forces, and for a short time have a decent amount of success singing and dancing at clubs and bars. But the public has an insatiable taste for foreign black jazz bands, and they will stop at nothing to become a success.
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Lo verde empieza en los Pirineos (1973)
Character: Madame
Don Serafin has a complex: to all the beautiful women always seen with a beard. To remove the complex and try to cure him, his friends will lead to Biarritz. To do this, the friends decide to cross the border protagonists of the Pyrenees and dive into the orgy of nudity and "green film" that was developed in France.
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El consenso (1980)
Character: Virtuosa 1ª
In a small provincial town on the Spanish coast, a conflict arises between prostitutes and a group of devout women, annoyed by the presence of prostitutes in their locality. The tension is increasing and the prostitutes are asking Carmelo, the local pharmacist, to intercede for them. He, who goes out with Asunción, one of the women facing the heteros, refuses. To convince Carmelo, prostitutes force him to have sex with them. Due to the pleasure of this experience he changes his mind.
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Polvos mágicos (1979)
Character: Ana
Arturo and Paco arrives at a castle where Paco is going to marry Sulfurina, who turns out to be a witch.
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Un tipo de sangre (1960)
Character: N/A
A man whose blood type is hard to obtain gets possession of a coat where pickpocketers hide their stolen goods.
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El huesped del sevillano (1970)
Character: N/A
The Sevillano's guest is a story full of intrigues. The title alludes to the fact that a character who appears, the guest of the El Sevillano inn in Toledo, is the writer Miguel de Cervantes.
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Long Play (1968)
Character: Madre de Ana
A rainy day forces Joaquin, Joe Luis and Alvaro to refuge in Martins' house. They also go there two Swedish girls who want love and spanish ham; a nun with hobbies of racing driver; a fat priest; a policeman unable to establish order; and the father of Joaquin, a fortune hunter. In the chaos that is triggered, the five young people discover their common love for music and they form a band.
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Secretaria para todo (1958)
Character: Mujer de Antonio
Cristina is the perfect secretary. She helps her boss to get an important contract with an holand businessman. He goes to Madrid to get married with a spanish girl similar to Cristina, but she hesitates between the foreign and Lorenzo, her co-worker.
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Los flamencos (1968)
Character: Esmeralda
Diego, retired from flamenco due to an illness, is obsessed with the memory of Antonia Jiménez, a beautiful woman he loved in the past and with whom he formed an artistic duet. Now, after having triumphed on the stages of half the world, she returns from America, while he is dedicated to survive in the suburbs of Madrid mixed up in shady business. He kills the man who stole his woman. A tragedy could be sensed in the air.
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Chico, chica, ¡boom! (1969)
Character: Sra. Franz
Andres and Luis are two young taxi drivers eager to succeed. The first one sings and the other composes songs, and together they intend to record an album to finally jump to fame. They have it all planned. Taking advantage of a visit to the city of the famous singer Silvia, Luis tries to gain the confidence of her manager and, in this way, be directly launched to fame.
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La familia bien, gracias (1979)
Character: Amiga de Consuelo #2
Sequel to "The Great Family" and "Family and one more". A widower and the godfather of his 16 children, aged two, wistfully contemplate the past. The father was left alone in the family home, but loneliness overwhelms him so he decides to spend some time at home for each of their children, most of whom are married. But the experience ends up being disastrous.
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La momia nacional (1981)
Character: Trini
Saturnino, a young archaeologist, bourgeois and wealthy, lives in a luxurious mansion. He receives a visit from his old teacher, Don Felipe, accompanied by his daughter and a monumental mummy he has just discovered in one of his excavations in the Upper Nile. The Mummy, was in his time a princess and has on his bandages a curse, that when it breaks ... it will be dedicated to chasing and raping all the men it finds in its path.
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Verano 70 (1970)
Character: Lula
Typical Spanish comedy of the seventies set in Benidorm, the famous coastal town of Alicante where numerous families come to spend the summer. It tells the travel arrangements and incidents that occur before arriving to the apartments as well as the return of working husbands to the city, once the families have settled on the beach, and their unsuccessful attempts to flirt while alone
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Rostros (1978)
Character: The Neighbor
Macabre tale of a sculptor who has grown so disconnected from the people around him that he’s lost the ability to distinguish faces. While he’s traveling on an airplane, one woman stands out from the rest, and he becomes intent on having her model for him. A bizarre odyssey begins to unfold.
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Dio, come ti amo! (1966)
Character: Clarita
Gigliola is a young and humble Neapolitan swimmer who will compete in a competition in Spain and finds herself falling for the fiance of her best friend. But when they come to visit her in Italy, she pretends to be rich, with the complicity of their parents.
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Brujas mágicas (1981)
Character: Agripina
In the year 1595, in a Spanish village lives the miller Diego, irresistible to the local girls. Meanwhile, a friar arrives in the village on his way to Santiago de Compostela, and is mistaken for a man sent by the Inquisition.
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Las salvajes en Puente San Gil (1967)
Character: N/A
A revue troupe arrives in Puente San Gil, a small town, where they are received with hostility and contempt by the more conservative inhabitants.
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Trampa para Catalina (1963)
Character: Fanny
Catherine bears a strong resemblance to Silvia, daughter of a millionaire who has escaped with a bullfighter. A group of ruffians who intends to defraud the Silvia's father used to Catalina for their plans.
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Ligeramente viudas (1975)
Character: N/A
Leonor and Engracia suddenly become widows, but both will take their new social situation in different ways. When they meet Jose Luis and Eugenio, all the plans made will change with the intention of reaching the altar.
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Maribel y la extraña familia (1960)
Character: Rufi
The life of Maribel, a disilluisoned prostitute working the Madrid of 1960, suddenly changes when a simple man that she meets by chance without knowing her profession, decides that she is the woman of her life and that he wants to marry her and to meet his odd family.
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¡No hija, no! (1987)
Character: Suegra
The movie is about a candidate for mayor of Madrid who is immersed in a huge mess during the pre-election night, when a body needs to be disappeared.
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L'Ombrellone (1965)
Character: Clelia Valdameri
Manager Marletti goes to the sea to meet his wife Giuliana to spend the weekend with her and many friends. After three days Marletti comes back driving his car to Rome. So he can sleep, alone and happy, with silence around him.
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El asesino está entre los trece (1973)
Character: Bertha
A recent widow has invited a group of family friends to her large and secluded country home. However, what the guests don't know is that the reason they've been assembled is that their host suspects one of them might be her husband's killer and she's intent on uncovering the identity of his murderer. As the guests begin to suspect each other, revealing long-kept and sinister secrets in the process, an unknown, black-gloved killer begins bumping them off in a variety of nasty ways.
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Un vampiro para dos (1965)
Character: Nosferata
A Spanish couple emigrates to Germany looking for employment, in a desperate attempt to reconcile their marriage. The only work they can find, however, is in a castle inhabited by a strange baron, who is actually a vampire.
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Carne apaleada (1978)
Character: Trini, la celadora jefe
Berta, imprisoned in Franco's Spain on fraud charges, learns to navigate the indignities of prison, spreading her own brand of kindness and empathy to the other inmates, but she unwillingly learns a valuable lesson when she falls in love with one of them.
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Cuatro noches de boda (1969)
Character: Flamenco Group Member
After getting married in a church in Madrid, four couples, who have already left behind the anxiety of the chaotic wedding preparations, face the joys and disappointments of the honeymoon trip.
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