|
Дочь Родины (1937)
Character: Grandfather Andron
On the detention of fascist saboteurs and border violators by the collective farmers of Soviet Byelorussia. The main heroine, the actual "daughter of the Motherland", is the chairman of the kolkhoz, and has detained eight trespassers. But the main enemy may be lurking from within the borders.
|
|
|
Дезертир (1933)
Character: Fritz Muller
A wise and forgiving communist leader decides to send a young worker, Karl Renn, as an international delegate to the Soviet Union after the worker had deserted a picket-line and had expressed doubts about the methods of class struggle in in his own country.
|
|
|
Профессор Мамлок (1938)
Character: Resistance member
Based on a play by a German-Jewish exile in Moscow, Friedrich Wolf, and directed by an Austrian-Jewish exile in Moscow, Herbert Rappaport, the film tells with the story of an apolitical humanitarian Jewish doctor and his politically-aware, fascism-resisting son, an intern, as their lives become entangled with the Nazis’ rise to power in 1930s Germany, where they live and practice. Things come to a head when the Nazi organization takes control of their hospital, and place a rabid antisemitic physician in charge over Mamlock and his staff.
|
|
|
Саламандра (1928)
Character: Pryer, typographer
The film is based on real events and reveals the tragic episodes from the life of the Austrian biologist scientist-materialist Paul Kammerer (1880-1926), hunted by regressive scientists and Catholic reactionaries who committed suicide.
|
|
|
Конвейер смерти (1933)
Character: Kashevskiy, master
The movie is set in the early 30s in a fictional capitalist country. The economic crisis throws three friends - young female workers - out on the street. Their dreams of a prosperous life are shattered, and each begins her own difficult journey.
|
|
|
Любовь и ненависть (1935)
Character: Vasilisa's husband
A group of Ukrainian women are forced to work in the mine under the supervision of cruel enemy soldiers. When the soldiers are forced to retreat and decide to blow up the mine, the women organize a guerrilla action to stop them.
|
|
|
Шахтеры (1937)
Character: Nikanor
Semyon Primak, in the direction of the regional committee, arrives in one of the small towns of Donbas and immediately enters into battle with the chief of the mine, Chub, who, in a situation of continuous assault, plays into the hands of the Trotskyites and bandits operating in the mine. Having received moral support from the new secretary, the best 'udarnik', shockworker Matvey Bobylev implements a new method of coal mining and, contrary to the intentions of the enemy group, finds a wide response among the miners of Donbas.
|
|
|
Кто ты такой? (1927)
Character: Beggar
Adaptation of Jack Londos's short story "The South of the Slot". Partially lost.
|
|
|
Настенька Устинова (1934)
Character: Ustinov
About the fate of a former prisoner of war, who returns to his homeland, to the Soviet Union.
|
|
|
|
|
Дивний сад (1935)
Character: N/A
To help out his friend Lenya, Yura steals a Stradivarius violin belonging to the professor from his grandfather, a violin maker. Having learned about everything, the professor begins to study with the talented Lenya. Circus performers persuade Lenya to give up the violin and perform in the circus...
|
|
|
Возвращение (1940)
Character: Pogodin, Nikita's grandfather
Little Nikita, the son of polar scientist Sergei Ivanov, runs away from home with the intention of reaching the Arctic, where he believes his father works. The boy manages to reach Leningrad, where he ends up at the Arctic Institute. Sergei is tasked with returning the runaway home, but Nikita stubbornly hides his origins and the purpose of his escape. Soon, his grandmother arrives, and Ivanov learns that Nikita is his son. He writes a letter to his ex-wife and convinces her of the need to return to him. The couple reconciles, and, preparing for another expedition, Sergei promises his wife and young son that he will return to the mainland on time.
|
|
|
Эх, яблочко, куды котишься (1926)
Character: Machinist
1918 Odessa. German occupiers plunder the city. Sailor Petrus, who has lagged behind the Red Army detachment, saves one of the victims of bandit terror - the girl Marusya... Years have passed. The time has come for peaceful construction in the country. Red commander Petrus and Marusya, who has become a teacher, meet in Moscow in one of the cafes, where both were attracted by the sounds of the popular song “Eh, apple...”, accompanying the adventure of the heroes.
|
|
|
Перегон смерти (1929)
Character: Machinist Gavrilov
The fate of a simple railroad machinist Gavrilov, who under the influence of the events of the Civil War finds his place in the new era.
|
|
|
Летчики (1935)
Character: Ivan Khrushchev, moustachioed mechanic
The daredevil pilot Sergei Belyaev takes a risk flying a plane which is not properly maintained and crashes dangerously, landing in hospital, his plane going up in smoke. The aviation student Galya Bystrova, having a crush with Belyaev, unfortunately tends to imitate him in the air. Later, heeding the advice of the wise headmaster Rogachev, they become experienced pilots. Bystrova is assigned to Pamir, and Rogachev, in love with her, is sent to Sakhalin.
|
|
|
Конец Санкт-Петербурга (1927)
Character: Worker
Shortly before the outbreak of WWI, a peasant from rural Russia arrives in St. Petersburg to find work.
|
|
|
Выборгская сторона (1939)
Character: Mishchenko
The final part of trilogy about the life of a young factory worker, Maxim. Following the Russian Revolution, Maksim is appointed state commissar in charge of the national bank. With great efforts, he learns the complexies of the banking trade and begins to fight off sabotaging underlings. Dymba, now a violent enemy of the Republic, tries to rob a wine store but is arrested with Maksim's help. Maksim also exposes a conspiracy of a group of tsarist officers who prepare an attempt against Lenin. He then joins the Red Army in its fight against the German occupation.
|
|
|
Окраина (1933)
Character: Pyotr Ivanonich Kadkin
In a remote Russian village during World War I, colourful and nuanced characters experience divided loyalties: family loyalty vs. personal desire, nationalism vs. transcendent humanism.
|
|
|
Возвращение Максима (1937)
Character: Mishchenko, white-wooly mustached worker
The second part of trilogy about the life of a young factory worker, Maxim. In July 1914, the Bolsheviks and Mensehviks compete for representation of the working-class in the Duma. Maksim, who just returned from exile, calls the workers to strike as a protest against the firing of six of their colleagues. The traitor Platon Dymba assaults Maksim, wounding him severely. When the strike unfolds the workers demonstrate by the thousands, the news of the outbreak of World War I suddenly arrives. Maksim gets drafted.
|
|
|
|
Личное дело (1932)
Character: N/A
The best bell-ringer of the church Fedor Kuzmich Shtukov becomes the foreman of production at the shipyard. Communists and Komsomol members are trying to persuade Fedor to forget about the church, but in vain. Daughter Anna laughs in the face of her father - and in vain too. But when the plant desperately needed a scarce metal, Shtukov, painfully thinking about his native plant, supported the proposal of one of the workers to cast the billet from the church bell, and the vessel was ready for launch on time.
|
|
|
Мать (1926)
Character: Vlasov, the Father
A Soviet woman is caught between her husband and son, who find themselves on opposing sides of the Russian Revolution.
|
|
|
Дочь моряка (1941)
Character: Captain Shestov
Together with other graduates of the Maritime Institute, Irina Zakharova returns to her native Odessa. At the distribution commission, she seeks the appointment of the first assistant to the captain on the infamous Pobeda vessel, with the most loosened crew. Carrying a personal example of sailors, Irina successfully fights for a turning point in the mood of sailors, and when the ship gets into a storm, she shows the outstanding qualities of a real sailor. Against the background of these events, the theme of lyrical relationships between Irina and the navigator of the red-flagged ship "Abkhazia" Vasily in love with her is unfolding.
|
|
|
Простой случай (1930)
Character: Uncle Sasha
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m)
|
|
|
Я люблю (1936)
Character: Nykanor, the old miner
Russian Empire, 19th century. Poor Nykanor leaves his village and becomes a miner in the Donbas. His son Ostap also becomes a miner and works in the mine for thirty years, but after his father's sudden dismissal, he realizes that the state system needs radical changes.
|
|
|
Большая жизнь. Вторая серия (1946)
Character: District committee secretary
This is a dramatic story of the restoration of the mines after the liberation of Donbass from the Nazis during the Second World War.
|
|
|
|
|
Белый орёл (1928)
Character: State prisoner
The film is based on The Governor, a play by Leonid Andreyev. V.I. Kachalov plays the governor of a small Russian province who tries to treat the people under his authority with kindness and equanimity. But when a local factory goes on strike, the governor buckles under to pressure from the Tzar and orders the wholesale slaughter of the strikers. He pays for this betrayal of his trust with his life -- at the hands of a courageous Bolshevik spy.
|
|
|
Последняя ночь (1933)
Character: N/A
Historical-revolutionary film about the struggle of the Bolshevik underground against the interventionists during the civil war in Odessa, about the participation of children in underground work.
|
|
|
Потомок Чингисхана (1928)
Character: The Russian Rebel Leader
In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury.
|
|
|
Строгий юноша (1935)
Character: Olga's Father
A young sportsman Grisha Fokin falls in love with Masha, the wife of an outstanding scientist - Yuliyan Nikolayevich Stepanov.
|
|
|
Степан Разин (1939)
Character: Prince Baryatinskiy
Don Cossack Stepan Razin vowed to take revenge on the boyars for his tortured friends. Having led the rebellious peasants, he becomes the leader of an entire army. Humiliated and insulted people flock to him from all over the Russian land.
|
|
|
Понятая ошибка (1931)
Character: Ivan Timofeyev
The film tells about the class struggle in the countryside during the creation of the first collective farms. Only the first part has survived. Director Ivan Pyryev began work on the film. It has not been preserved in its entirety.
|
|
|
Большая жизнь (1939)
Character: District committee secretary
The film tells about the struggle of the Donbas miners in Ukrainian SSR with saboteurs.
|
|
|
Веселей нас нет (1940)
Character: Grigoriy Ivanovich Korzhev
A young man, Russian by nationality, goes to a Turkmen bride in a remote border village, not knowing that his large family decides to surprise him and also goes to Turkmenistan to meet the bride and her parents. The chain of comic misunderstandings ends with an episode of a skirmish on the border with saboteurs.
|
|
|
Минин и Пожарский (1939)
Character: Prokopiy Lyapunov
Historical film about the invasion of the Poles in the Moscow Empire (1611), the creation of Minin and Pozharsky people's militia. The beginning of the XVII century. Already the sixth year the Muscovite land under the yoke of intervention. In the fall of 1610 Polish pans in deceitfully seized the Kremlin and tried to break through to the north. Everywhere rebellions broke out, but well-armed interventionists smashed the scattered peasant detachments. The liberation movement was led by Nizhny Novgorod merchant Kuzma and Prince Dmitry Pozharsky.
|
|
|
Две встречи (1932)
Character: Stationmaster (uncredited)
The secret police agent finds that factory director wife is counterrevolutionary but dies from the heart attack. The director reads the diary of an agent and turns his wife to police.
|
|
|
Яков Свердлов (1940)
Character: N/A
Story on the life and work of the first chairman of the All-Russian Central Executive Committee, Yakov Mikhailovich Sverdlov.
|
|
|
Тринадцать (1937)
Character: Aleksandr Petrovich Postnikov, geologist
The film tells about a band of demobilized Red Army men and two civilians who cross a Middle Asian desert. They are forced to do battle with superior forces of Basmachi rebels for the dry draw-well.
|
|
|
Весёлая канарейка (1929)
Character: Worker
Actress Brio working in a cafe "The Happy Canary", does not suspect that her new acquaintances Brianski and Lugovec are Communists sent by an underground committee to fight the enemy's counter-intelligence.
|
|
