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Aji Bas Shukriya (1958)
Character: Geeta Kumar
Geeta belongs to a poor family and lives with her mother in a small one room apartment. She is employed as a typist with an organization. She likes to dance and sing, and does so also at work, which ends up in her losing her job. Her boss' son, Suresh, finds out about her dancing skills, and hopes to utilize her talents as a singer and dancer in a drama company, which she accepts. She becomes quite ppopular in a short period of time, and is expected to replace the current lead heroine. The lead heroine, along with her friends, cannot accept this, and abduct her. Now Geeta has a choice - give up acting, singing and dancing, or die.
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Dulari (1949)
Character: Kasturi
Living a life of privilege in post-colonial India, wealthy young Prem Shankar faces a crisis when his businessman father insists on an arranged marriage to a rich family's daughter. While juggling the affections of his close friend Kasturi, Prem falls desperately in love with the free-spirited gypsy woman, Dulari. When his enraged father issues an ultimatum—never see Dulari again or forfeit his inheritance—Prem must confront the agonizing choice between his duty to his privileged family and the true, forbidden passion of his heart.
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Sohag Raat (1948)
Character: Kammo
On her deathbed Lajjo asks her stepson, Rajjo, to look after her son, Beli.
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Bari Behen (1949)
Character: Kiran
Shyama (Suraiya) gets a job as a servant so she can pay for her younger sister, Kiran's (Geeta Bali) education in the city. Kiran, though, is in love with a rogue, Ajit (Pran).
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Badnami (1946)
Character: N/A
Directed by Majnu (Harold Lewis), the film revolve around the theme of a tarnished reputation or social disgrace.
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Rangeen Raaten (1956)
Character: Gulu
Rangeen Raaten is a 1956 Hindi film starring Shammi Kapoor, Mala Sinha and Geeta Bali in lead roles. The music was composed by Roshan.
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Jailor (1958)
Character: N/A
A jailor is abandoned by his wife which leads to great changes in his life
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Gulnar (1950)
Character: N/A
Gulnar is a movie directed by Harbans featuring Geeta Bali, Salim Raja.
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Bansaria (1949)
Character: N/A
A romantic drama set against the musical traditions of its time, centering on love, conflict, and emotional upheaval.
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Do Mastane (1958)
Character: N/A
Do Mastane is a 1958 Hindi film directed by Harish Tara.
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Mohar (1959)
Character: N/A
Mohar starring Geeta Bali and Shammi Kapoor in the lead role
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Naya Ghar (1953)
Character: N/A
Directed by D.D. Kashyap. With Shekhar, Geeta Bali, Begum Para, Leela Chitnis.
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Bade Ghar Ki Bahu (1960)
Character: Lata
Ranjan (Abhi Bhattacharya) is the only son of a very wealthy man, and is in love with Chanda (Chandabai) who he once accidently ran over with his car. This love affair is not known to Ranjan's dad, who wants him to marry Lata (Geeta Bali) who is a simple yet pretty village girl. Ranjan reluctantly agrees to marry Lata. And on the marriage night makes it clear to Lata that he has married her to please his dad; and even introduces Lata to his true love Chanda, and asks Lata to keep this secret from his dad. Meanwhile back in the village everyone thinks that Lata is happily married. Another fellow villager, Rashad (Sunder), a struggling and unsuccessful poet, comes to the big city and tries to con a wealthy blind woman into making her believe that he is her long lost son, as he himself can be rich and marry his love, Geeta (Shammi) who is Lata's sister. Will Ranjan finally accept Lata as his lawful wife, if so what will happen to Chanda?
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Bhai Bahen (1950)
Character: N/A
True to its title, this family drama follows the life of a strong, orphaned young boy who, driven by fierce self-respect and the emotional promise he makes, embarks on a relentless struggle against a cruel city and a local bully to protect his bond with his new, wealthy sister.
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Bedardi (1951)
Character: N/A
A proud woman scorned by her lover vows to become an unforgiving force of vengeance, using society's own hypocrisy as her most heartless weapon.
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Coffee House (1957)
Character: N/A
Geeta Bali and Shammi Kapoor’s characters meet at a coffee house, sparking a romance amid societal challenges.
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Neki Aur Badi (1949)
Character: Baby
A wealthy man forces his wife and their new-born daughter, Soshila, out of the house because he had hoped his wife would deliver a son. Years later, Soshila and her boyfriend, work for her father and attempt to win her father's affections.
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Mr. India (1961)
Character: Bembi
Mr. India is a 1961 film about a naive unemployed youth who is mistaken for a look-alike gangster.
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जब से तुम्हें देखा है (1963)
Character: Mohini
A young couple in love face obstacles in their relationship when the woman's father tries to use her to repay a debt.
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Anand Math (1952)
Character: Shanti
Driven by the devastation of a famine, a patriotic landlord joins a secret brotherhood of warrior monks to lead a fiery revolt against the British East India Company, embracing the motherland's freedom as a sacred and ultimate sacrifice.
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Mujrim (1958)
Character: N/A
Shammi Kapoor stars as a criminal who exchanges identity with a dead man in order to start over.
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ज़लज़ला (1952)
Character: N/A
Bengal's struggle to get rid of British domination by terrorism and underground intrigue.
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कश्ती (1954)
Character: Juhi
This film directed by Hemen Gupta, starring Dev Anand and Geeta Bali in the lead roles.
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Milap (1955)
Character: Asha
Film starring Dev Anand, Geeta Bali and K.N. Singh Rajendra Sayal (Dev Anand) becomes a millionaire from a poverty-stricken situation with the help of his friend Kalu (Johnny Walker). Jealous of his sudden elevation in status, a lawyer named Karamchand (K. N. Singh) plots to rob Sayal of all his property. For this reason, he hires Asha (Geeta Bali) to seduce Sayal and make him fall in love with her, but she ends up falling for him.
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मिस कोका कोला (1955)
Character: N/A
Miss Coca Cola is a 1955 Indian Hindi-language romantic thriller film directed by Kedar Kapoor
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Inspector (1956)
Character: N/A
Inspector is a 1956 Bollywood thriller film directed by Shakti Samanta. It starred Ashok Kumar, Geeta Bali and Pran.
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Sailaab (1956)
Character: N/A
Gautam, a rich young man, goes to Assam to visit his father's tea plantation. The plane in which he's travelling is forced to make an emergency landing due to bad weather. Gautam gets hurt and suffers from amnesia. He falls in love with a young woman Kanchan, who responds to him even though she is part of a religious community that doesn't allow its members to marry.
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Faraar (1955)
Character: Kitty
A group of freedom-fighters face betrayal and go on the run from police in British-occupied Hindustan.
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Jawab (1955)
Character: Geeta
An impoverished father faces challenges and disappointments when he decides to educate his only child.
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Bawre Nain (1950)
Character: Tara
Chand lives in a small rural town in India. He is unable to pay the rent, and his landlord evicts him. He re-locates to another town and meets with a young woman named Tara. Both are attracted to each other. Chand is unable to secure employment in this town, and moves elsewhere. Tara waits for several months, but does not hear anything from him. So she decides to go and look for him, hoping to re-kindle her love. She is shocked and surprised to find him with an attractive woman named Rajni, who claims that Chand is her betrothed and both are to get married soon.
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Baaz (1953)
Character: Nisha
The Crown Prince of Malabar dallies with Rosita whilst his people suffer at the hands of cruel Portuguese colonists. Whilst voyaging on a Portuguese ship, the Prince is captured by patriots who are rebelling against the foreign invaders. They are led by a girl called Nisha known as "The Falcon" ("Baaz"). The Prince conceals his identity from Nisha and a romance blossoms between them. Together, they rouse the people, rout the Portuguese and free the Kingdom - but can a commoner marry a Prince ?
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Pocket Maar (1956)
Character: Shukal
Roshan is a pickpocket whose life changes after a man he steals money from commits suicide. Driven by guilt, he sets out to repay the money to the deceased man's family.
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Bara Dari (1955)
Character: Gauri
A widow, whose husband had been beheaded by the king, raises her own son and the king's son till the age of eight. The two boys grow up and fall in love with the same girl.
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बाज़ी (1951)
Character: Leena
Madan comes from a poor family background. Unable to find employment, he takes to gambling in order to pay for his sister's medical expenses. Soon, he forms a bond with Leena, a dancer, and is falsely accused of her murder.
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जाल (1952)
Character: Maria
Carlos and his sister Maria live along the Indian coast in a fishing village. Tony and Lisa are 2 newcomers and soon Maria and Tony fall in love. This does not go down well with Simon who loves Maria.
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Vachan (1955)
Character: Kamla
Kamla lives a poor lifestyle in a small town in Uttar Pradesh, India, along with her widowed dad, Dinanath, who works as an Accountant with Sarpanch Journal, and two younger brothers, college-going Kumar, and school-going 12 year old brother, Kishore. Dinanath's main aim is to get Kamla married to her lover, wealthy Prem, and ensure that Kumar and Kishore get a proper college education. When Dinanath's eyesight becomes very weak, he starts making errors, and loses his job. He does manage to persuade his employer, Laxmidas, to hire Kumar once he gets his degree in Arts. On the day of the results, Kumar has an accident and passes away, a devastated Dinanath bangs his head, injures himself, is hospitalized, recovers but loses his vision completely. As a result, Kamla's wedding is canceled, Prem reluctantly gets married to Shyama; while Kamla gets a job and starts to look after her dad and Kishore.
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Albela (1951)
Character: Asha
Artist Pyarelal lives a poor lifestyle in Bombay with his parents, sister, brother and sister-in-law. After a family argument, Pyarelal is asked to leave, and he swears only to return when he becomes a famous, wealthy man. He meets actress Asha and they fall in love. After Pyarelal starts acting in the theater, he sends money and gifts to his family, hoping that they will be pleased. Then one day he feels that he has achieved success and goes home...
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