|
|
|
|
|
La bandida (1948)
Character: N/A
Roving cowboy good-guys defend a farm family from the outlaw gang that's trying to take over their homestead.
|
|
|
En la Hacienda de la Flor (1948)
Character: N/A
Sequel to "Juan Charrasqueado." Juan Jr. discovers that the woman he's engaged to is the daughter of the man who killed his father.
|
|
|
La malagueña (1947)
Character: N/A
Traveling salesman falls for shopkeeper's daughter in one of the towns on his route. Bad news: she already has two suitors among the local fellers.
|
|
|
La tierra del mariachi (1938)
Character: N/A
Young woman's father, with the help of the boyfriend he prefers for her, spreads a rumor that the guy she likes better was already married.
|
|
|
|
|
Al son del mambo (1950)
Character: Pedro
A fun musical comedy style of the 50s where the infectious rhythm of the son and the mambo, led by the hand by the incomparable Damaso Perez Prado, will a waste of good music and grace. With a formidable cast, and above all a fabulous collector's item.
|
|
|
Almas rebeldes (1937)
Character: N/A
Mexican Revolution: a small squadron of insurgents are chosen to trek to US border and pick up an arms shipment.
|
|
|
|
|
La vírgen roja (1943)
Character: N/A
Aurora’s life changes when her younger sister is brutally assaulted and killed. Seeking justice, she tracks down the attacker and kills him, then escapes the law and rises as the feared outlaw “The Red Virgin".
|
|
|
Soy puro mexicano (1942)
Character: Galindo
Band of outlaws stumble across an espionage ring of Axis agents embedded in an out-of-the-way hacienda.
|
|
|
¡Ay qué rechula es Puebla! (1946)
Character: Pedro
Two charros from Hacienda A come a-courtin' to hacienda B, owned by a friend of their father's. Also a horse-race.
|
|
|
Los de abajo (1940)
Character: Segundo indio
During the Mexican Revolution, the people tired of living in poverty and enduring the atrocities committed by the federals, decide to follow one of their own, General Demetrio Macias, a thief with tricks he learned in jail and who along with "La Pintada" decides to take his people to victory. Led by Captain Anastacio Montañez, the newly formed army fight and honor their code at the same time as they loot houses to spread the wealth.
|
|
|
Doña Bárbara (1943)
Character: Nieves
A woman hardened by her past now runs a ranch she acquired through manipulation and bribery.
|
|
|
Flor silvestre (1943)
Character: Pedro
The film features Fernandez himself as a character named Rogellio Torres. The lion's share of the footage, however, is devoted to the romance between Esperanza, granddaughter of a common laborer, and Jose Luis Castro, the firebrand son of a landowner. Joining a revolutionary movements, Castro is disowned by his father, but Esperanza remains loyally by his side. Later on, Castro's father is killed by outlaws; in seeking vengeance, he sacrifices his own life, while Esperanza carries on his revolutionary work with their young son in tow.
|
|